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Overview of the events of 1571 in music
Overview of the events of 1571 in music
Bands disbanded [ edit ]
Weimar Court Chapel Choir[1]
Publications [ edit ]
Elias Ammerbach – Orgel oder Instrument Tabulatur (Leipzig: Jacob Berwald Erben), the first printed German organ music in tablature [2]
Costanzo Antegnati – First book of madrigals for four voices with a dialogue for eight (Venice: Antonio Gardano )
Giammateo Asola – Le Vergini , for three voices, book 1 (Venice: Antonio Gardano and sons), a book of madrigals
Fabrice Caietain
Liber primus modulorum for four voices (Paris: Le Roy & Ballard), a collection of motets
Livre de chansons nouvelles for six voices (Paris: Le Roy & Ballard)
Francesco Corteccia
First book of motets for six voices (Venice: the sons of Antonio Gardano)
First book of motets for five voices (Venice: the sons of Antonio Gardano)
Giovanni Matteo Faà di Bruno – Second book of madrigals for five and six voices (Venice: the sons of Antonio Gardano)
Giovanni Ferretti – Fourth book of canzoni alla napolitana for five voices (Venice: Girolamo Scotto )
Andrea Gabrieli – First book of gregesche et justiniane for three voices (Venice: Antonio Gardano, figliuoli)
Jacobus de Kerle – Selectae quaedam cantiones sacrae for five and six voices (Nuremberg: Theodor Gerlach)
Orlande de Lassus
Modulis quinis vocibus numquam hactenus editi (Motets for five voices, never before published) (Paris: Le Roy & Ballard)
Livre de nouvelles chansons for four voices (Paris: Le Roy & Ballard)
Luzzasco Luzzaschi – First book of madrigals for five voices (Ferrara: Francesco de' Rossi)
Tiburtio Massaino – First book of madrigals for five voices (Venice: Antonio Gardano)
Philippe de Monte – Fourth book of madrigals for five voices (Venice: Girolamo Scotto)
Giovanni Battista Pinello di Ghirardi – Second book of canzoni napolitane for three voices (Venice: Girolamo Scotto)
Costanzo Porta – First book of musica sex canenda vocibus (music for singing with six voices) (Venice: sons of Antonio Gardano), a collection of songs with sacred lyrics
Alexander Utendal – Sacrae cantiones
Gioseffo Zarlino – Dimonstrationi harmoniche , which establishes the primacy of the major mode
References [ edit ]
^ Walter Blankenburg, "Rosthius [Rost], Nicolaus", The New Grove Dictionary of Music and Musicians , second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
^ Willi Apel (1997). The History of Keyboard Music to 1700 . Indiana University Press. p. 289. ISBN 0-253-21141-7 .
^ Raymond Russell (1965). The Harpsichord and Clavichord: An Introductory Study . October House. p. 96.
^ Sir John Wyndham Pope-Hennessy (1963). An Introduction to Italian Sculpture . Phaidon Press. p. 70.
^ Chisholm, Hugh , ed. (1911), "Animuccia, Giovanni" , Encyclopædia Britannica , vol. 2 (11th ed.), Cambridge University Press, p. 55
^ Andrew C. Minor, "Francesco Corteccia", in The New Grove Dictionary of Music and Musicians , ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2