Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileBéla Ferenc Dezső Blaskó (Hungarian: [ˈbeːlɒ ˈfɛrɛnt͡s ˈdɛʒøː ˈblɒʃkoː]; October 20, 1882 – August 16, 1956), known professionally as Bela Lugosi (/ləˈɡoʊsi/; Hungarian: [ˈluɡoʃi]), was a Hungarian and American actor best remembered for portraying Count Dracula in the 1931 English-language Dracula, Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956. Lugosi began acting on the Hungarian stage in 1902. After playing in 172 different productions in his native Hungary, Lugosi moved on to making silent films in 1917. He had to suddenly emigrate to Germany after the failed Hungarian Communist Revolution of 1919 because of his former socialist activities, leaving his first wife in the process. He acted in several films in Weimar Germany, before arriving in New Orleans as a seaman on a merchant ship, then making his way north to New York City and Ellis Island. (Full article...)Selected workStarCraft is a 1998 military science fiction real-time strategy game developed and published by Blizzard Entertainment for Microsoft Windows. The game spawned the StarCraft franchise, and became the first game of the video game series. A Classic Mac OS version was released in 1999, and a Nintendo 64 adaptation, co-developed with Mass Media, was released in 2000.
Blizzard started work on the game shortly after Warcraft II, another real-time strategy game, was released in 1995. The first incarnation debuted at the 1996 Electronic Entertainment Expo, where it was unfavorably compared to Warcraft II. As a result, the project was entirely overhauled before being showcased to the public in early 1997, at which time it received a far more positive response. The game's multiplayer is particularly popular in South Korea, as of 2006, where players and teams participate in professional competitions, earn sponsorships, and compete in televised tournaments. (Full article...) Selected quote
Selected pictureA typical 20th-century aerial rotating house, as drawn by Albert Robida ca.1883. The drawing shows a dwelling structure in the scientific romance style elevated above rooftops and designed to revolve and adjust in various directions. An occupant in the lower right points to an airship with a fish-shaped balloon in the sky, while a woman rides a bucket elevator on the left. Meanwhile, children fly a kite from the balcony as a dog watches from its rooftop doghouse. (POTD) Did you know...
Upcoming conventionsSeptember:
October:
Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleScientology founder L. Ron Hubbard explicitly compared his teachings to the science-fiction subgenre space opera. In his writings, wherein thetans (the name given to human souls) were reincarnated periodically over quadrillions of years, retaining memories of prior lives, to which Hubbard attributed complex narratives about life throughout the universe. The most controversial of these myths is the story of Xenu, to whom Hubbard attributed responsibility for many of the world's problems. Some space opera doctrines of Scientology are only provided by the church to experienced members, who church leaders maintain are the only ones able to correctly understand them. Several former members of the church have exposed these secret documents, leading to lengthy court battles with the church, which failed to keep the secret. Critics of the church have noted that some of the narratives are scientifically impossible, and have thus assailed the church as untrustworthy for teaching them. The space opera teachings have also been satirized in popular culture. Scholars of religion have described the space opera narratives as a creation myth designed to encourage reverence of Hubbard as a supreme messenger. Several academics have drawn attention to the similarity of the space opera myths to themes of the 1950s Cold War culture in which they were constructed. (Full article...)On this day...Book releases
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Possible futuresPossible events in the future as suggested by science fiction:
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