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The Film Portal

Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

Video-x-generic.svg A film – also called a movie, motion picture, moving picture, picture or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. (Full article...)

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Cscr-featured.png  Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 But I'm a Cheerleader is a 1999 American satirical romantic teen comedy film directed by Jamie Babbit, written by Babbit and Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to cure her lesbianism. The film has garnered a cult following. (Full article...)
    But I'm a Cheerleader is a 1999 American satirical romantic teen comedy film directed by Jamie Babbit, written by Babbit and Brian Wayne Peterson. Natasha Lyonne stars as Megan Bloomfield, a high school cheerleader whose parents send her to a residential in-patient conversion therapy camp to cure her lesbianism. The film has garnered a cult following. (Full article...)
  • Image 2 Blackrock is a 1997 Australian teen drama thriller film produced by David Elfick and Catherine Knapman, directed by Steven Vidler with the screenplay by Nick Enright. Marking Vidler's directorial debut, the film was adapted from the play of the same name, also written by Enright, which was inspired by the murder of Leigh Leigh. The film stars Laurence Breuls, Simon Lyndon and Linda Cropper, and also features the first credited film performance of Heath Ledger. The film follows Jared (Breuls), a young surfer who witnesses his friends raping a girl. When she is found murdered the next day, Jared is torn between revealing what he saw and protecting his friends. Leigh's family opposed the fictionalisation of her murder, though protests against the film were abandoned after it received financial backing from the New South Wales Film and Television Office. Blackrock was filmed over a period of two weeks at locations including Stockton, where Leigh was murdered, a decision that was opposed by local residents who said that memories of the murder were still fresh. While the film was never marketed as being based on a true story, numerous comparisons between the murder and the film were made, and many viewers believed it to be a factual account of the murder. (Full article...)
    Blackrock is a 1997 Australian teen drama thriller film produced by David Elfick and Catherine Knapman, directed by Steven Vidler with the screenplay by Nick Enright. Marking Vidler's directorial debut, the film was adapted from the play of the same name, also written by Enright, which was inspired by the murder of Leigh Leigh. The film stars Laurence Breuls, Simon Lyndon and Linda Cropper, and also features the first credited film performance of Heath Ledger. The film follows Jared (Breuls), a young surfer who witnesses his friends raping a girl. When she is found murdered the next day, Jared is torn between revealing what he saw and protecting his friends.

    Leigh's family opposed the fictionalisation of her murder, though protests against the film were abandoned after it received financial backing from the New South Wales Film and Television Office. Blackrock was filmed over a period of two weeks at locations including Stockton, where Leigh was murdered, a decision that was opposed by local residents who said that memories of the murder were still fresh. While the film was never marketed as being based on a true story, numerous comparisons between the murder and the film were made, and many viewers believed it to be a factual account of the murder. (Full article...)
  • Image 3 Gemini is a 2002 Indian Tamil-language crime action film written and directed by Saran and produced by AVM Productions. The film features Vikram in the title role of a small-time criminal and aspiring don who, after falling in love, decides to refrain from crime; Kiran Rathod plays his love interest. Murali stars as Singaperumal, a police officer who inspires and guides Gemini in his attempts to reform. The cast includes Kalabhavan Mani as the antagonist while Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance. In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharathwaj. (Full article...)
    Gemini is a 2002 Indian Tamil-language crime action film written and directed by Saran and produced by AVM Productions. The film features Vikram in the title role of a small-time criminal and aspiring don who, after falling in love, decides to refrain from crime; Kiran Rathod plays his love interest. Murali stars as Singaperumal, a police officer who inspires and guides Gemini in his attempts to reform. The cast includes Kalabhavan Mani as the antagonist while Vinu Chakravarthy, Manorama and Thennavan portray significant roles. Based on gang wars in Chennai, the film delves into the lives of outlaws and the roles the police and society play in their rehabilitation and acceptance.

    In early 2001, rival gangsters "Vellai" Ravi and Chera reformed themselves with the patronage of a police officer. Saran was inspired by this incident and scripted a story based on it. Production began shortly afterwards in December the same year and was completed by March 2002. The film was shot mainly at the AVM Studios in Chennai, while two song sequences were filmed in Switzerland. The film had cinematography by A. Venkatesh and editing by Suresh Urs while the soundtrack was scored by Bharathwaj. (Full article...)
  • Image 4 The Revolution Will Not Be Televised (Spanish: La revolución no será transmitida), also known as Chávez: Inside the Coup, is a 2003 Irish documentary film. It focuses on events in Venezuela leading up to and during the April 2002 coup d'état attempt, which saw President Hugo Chávez removed from office for two days. With particular emphasis on the role played by Venezuela's private media, the film examines several key incidents: the protest march and subsequent violence that provided the impetus for Chávez's ousting; the opposition's formation of an interim government headed by business leader Pedro Carmona; and the Carmona administration's collapse, which paved the way for Chávez's return. The Revolution Will Not Be Televised was directed by Irish filmmakers Kim Bartley and Donnacha Ó Briain. Given direct access to Chávez, the filmmakers intended to make a fly-on-the-wall biography of the president. They spent seven months filming in Venezuela, following Chávez and his staff and interviewing ordinary citizens. As the coup unfolded on 11 April, Bartley and Ó Briain filmed on the streets of the capital, Caracas, capturing footage of protesters and the erupting violence. Later, they filmed many of the political upheavals inside Miraflores, the presidential palace. Bartley and Ó Briain conceived of the film after Bartley returned from documenting the aftermath of the 1999 Vargas mudslides for an Irish charity. Following a visit to Venezuela to determine the feasibility of a film project, the pair formed a production company and applied to Ireland's film board, Bord Scannán na hÉireann (BSÉ), for a development grant. At BSÉ's request, the filmmakers partnered with a more experienced producer and shot a short pilot to show to potential investors. Funding for the €200,000 production was provided by BSÉ and several European broadcasters. Bartley and Ó Briain shot more than 200 hours of material; editing focused on identifying footage that would make the film entertaining and drive the plot. It was at this stage that the film's coverage narrowed to concentrate more on the coup attempt. (Full article...)
    The Revolution Will Not Be Televised (Spanish: La revolución no será transmitida), also known as Chávez: Inside the Coup, is a 2003 Irish documentary film. It focuses on events in Venezuela leading up to and during the April 2002 coup d'état attempt, which saw President Hugo Chávez removed from office for two days. With particular emphasis on the role played by Venezuela's private media, the film examines several key incidents: the protest march and subsequent violence that provided the impetus for Chávez's ousting; the opposition's formation of an interim government headed by business leader Pedro Carmona; and the Carmona administration's collapse, which paved the way for Chávez's return. The Revolution Will Not Be Televised was directed by Irish filmmakers Kim Bartley and Donnacha Ó Briain. Given direct access to Chávez, the filmmakers intended to make a fly-on-the-wall biography of the president. They spent seven months filming in Venezuela, following Chávez and his staff and interviewing ordinary citizens. As the coup unfolded on 11 April, Bartley and Ó Briain filmed on the streets of the capital, Caracas, capturing footage of protesters and the erupting violence. Later, they filmed many of the political upheavals inside Miraflores, the presidential palace.

    Bartley and Ó Briain conceived of the film after Bartley returned from documenting the aftermath of the 1999 Vargas mudslides for an Irish charity. Following a visit to Venezuela to determine the feasibility of a film project, the pair formed a production company and applied to Ireland's film board, Bord Scannán na hÉireann (BSÉ), for a development grant. At BSÉ's request, the filmmakers partnered with a more experienced producer and shot a short pilot to show to potential investors. Funding for the €200,000 production was provided by BSÉ and several European broadcasters. Bartley and Ó Briain shot more than 200 hours of material; editing focused on identifying footage that would make the film entertaining and drive the plot. It was at this stage that the film's coverage narrowed to concentrate more on the coup attempt. (Full article...)
  • Image 5 Baby Driver is a 2017 action film written and directed by Edgar Wright. It stars Ansel Elgort as a getaway driver seeking freedom from a life of crime with his girlfriend Debora (Lily James). Kevin Spacey, Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal appear in supporting roles. Eric Fellner and his Working Title Films partner Tim Bevan produced Baby Driver in association with Big Talk Productions' Nira Park. Sony and TriStar Pictures handled commercial distribution of the film. Baby Driver was financed through a co-production pact between TriStar and MRC and tax subsidies from the Georgia state government. Wright developed Baby Driver for over two decades. He devised the idea while in his youth, and his early directing experience further shaped his ambitions for Baby Driver. Originally based in Los Angeles, Wright revised the film's setting to Atlanta, integrating the city's ethos into an important storytelling device. Principal photography took place in Atlanta over four months, from February to May 2016. Production involved the planning of meticulously coordinated stunts, choreography, and in-camera shooting. Critics have examined Baby Driver's subject matter in thematic studies of the film, with emphasis on its use of color symbolism and focus on Baby's evolving morality. (Full article...)
    Baby Driver is a 2017 action film written and directed by Edgar Wright. It stars Ansel Elgort as a getaway driver seeking freedom from a life of crime with his girlfriend Debora (Lily James). Kevin Spacey, Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal appear in supporting roles. Eric Fellner and his Working Title Films partner Tim Bevan produced Baby Driver in association with Big Talk Productions' Nira Park. Sony and TriStar Pictures handled commercial distribution of the film. Baby Driver was financed through a co-production pact between TriStar and MRC and tax subsidies from the Georgia state government.

    Wright developed Baby Driver for over two decades. He devised the idea while in his youth, and his early directing experience further shaped his ambitions for Baby Driver. Originally based in Los Angeles, Wright revised the film's setting to Atlanta, integrating the city's ethos into an important storytelling device. Principal photography took place in Atlanta over four months, from February to May 2016. Production involved the planning of meticulously coordinated stunts, choreography, and in-camera shooting. Critics have examined Baby Driver's subject matter in thematic studies of the film, with emphasis on its use of color symbolism and focus on Baby's evolving morality. (Full article...)
  • Image 6 Conan the Barbarian is a 1982 American epic sword and sorcery film directed by John Milius and written by Milius and Oliver Stone. Based on Robert E. Howard's Conan, the film stars Arnold Schwarzenegger and James Earl Jones and tells the story of a barbarian warrior named Conan (Schwarzenegger) who seeks vengeance for the death of his parents at the hands of Thulsa Doom (Jones), the leader of a snake cult. Ideas for a Conan film were proposed as early as 1970; executive producer Edward R. Pressman and associate producer Edward Summer began a concerted effort to get the film made in 1975. It took them two years to obtain the film rights, after which they recruited Schwarzenegger for the lead role and Stone to draft a script. Pressman lacked capital for the endeavor. In 1979, after having his proposals for investments rejected by the major studios, he sold the project to Dino De Laurentiis; his daughter Raffaella produced the film. Milius was appointed as director and he rewrote Stone's script. The final screenplay integrated scenes from Howard's stories and from the Japanese films Seven Samurai (1954) and Kwaidan (1965). Filming took place in Spain over five months in the regions around Madrid and the province of Almería. The sets, designed by Ron Cobb, were based on Dark Age cultures and Frank Frazetta's paintings of Conan. Milius eschewed optical effects, preferring to realize his ideas with mechanical constructs and optical illusions. Schwarzenegger performed most of his own stunts, and two types of sword, costing $10,000 each, were forged for his character. The editing process took over a year, and several violent scenes were cut out. (Full article...)
    Conan the Barbarian is a 1982 American epic sword and sorcery film directed by John Milius and written by Milius and Oliver Stone. Based on Robert E. Howard's Conan, the film stars Arnold Schwarzenegger and James Earl Jones and tells the story of a barbarian warrior named Conan (Schwarzenegger) who seeks vengeance for the death of his parents at the hands of Thulsa Doom (Jones), the leader of a snake cult.

    Ideas for a Conan film were proposed as early as 1970; executive producer Edward R. Pressman and associate producer Edward Summer began a concerted effort to get the film made in 1975. It took them two years to obtain the film rights, after which they recruited Schwarzenegger for the lead role and Stone to draft a script. Pressman lacked capital for the endeavor. In 1979, after having his proposals for investments rejected by the major studios, he sold the project to Dino De Laurentiis; his daughter Raffaella produced the film. Milius was appointed as director and he rewrote Stone's script. The final screenplay integrated scenes from Howard's stories and from the Japanese films Seven Samurai (1954) and Kwaidan (1965). Filming took place in Spain over five months in the regions around Madrid and the province of Almería. The sets, designed by Ron Cobb, were based on Dark Age cultures and Frank Frazetta's paintings of Conan. Milius eschewed optical effects, preferring to realize his ideas with mechanical constructs and optical illusions. Schwarzenegger performed most of his own stunts, and two types of sword, costing $10,000 each, were forged for his character. The editing process took over a year, and several violent scenes were cut out. (Full article...)
  • Image 7 The Shawshank Redemption is a 1994 American drama film written and directed by Frank Darabont, based on the 1982 Stephen King novella Rita Hayworth and Shawshank Redemption. It tells the story of banker Andy Dufresne (Tim Robbins), who is sentenced to life in Shawshank State Penitentiary for the murders of his wife and her lover, despite his claims of innocence. Over the following two decades, he befriends a fellow prisoner, contraband smuggler Ellis "Red" Redding (Morgan Freeman), and becomes instrumental in a money-laundering operation led by the prison warden Samuel Norton (Bob Gunton). William Sadler, Clancy Brown, Gil Bellows, and James Whitmore appear in supporting roles. Darabont purchased the film rights to King's story in 1987, but development did not begin until five years later, when he wrote the script over an eight-week period. Two weeks after submitting his script to Castle Rock Entertainment, Darabont secured a $25 million budget to produce The Shawshank Redemption, which started pre-production in January 1993. While the film is set in Maine, principal photography took place from June to August 1993 almost entirely in Mansfield, Ohio, with the Ohio State Reformatory serving as the eponymous penitentiary. The project attracted many stars of the time for the role of Andy, including Tom Hanks, Tom Cruise, and Kevin Costner. Thomas Newman provided the film's score. (Full article...)
    The Shawshank Redemption is a 1994 American drama film written and directed by Frank Darabont, based on the 1982 Stephen King novella Rita Hayworth and Shawshank Redemption. It tells the story of banker Andy Dufresne (Tim Robbins), who is sentenced to life in Shawshank State Penitentiary for the murders of his wife and her lover, despite his claims of innocence. Over the following two decades, he befriends a fellow prisoner, contraband smuggler Ellis "Red" Redding (Morgan Freeman), and becomes instrumental in a money-laundering operation led by the prison warden Samuel Norton (Bob Gunton). William Sadler, Clancy Brown, Gil Bellows, and James Whitmore appear in supporting roles.

    Darabont purchased the film rights to King's story in 1987, but development did not begin until five years later, when he wrote the script over an eight-week period. Two weeks after submitting his script to Castle Rock Entertainment, Darabont secured a $25 million budget to produce The Shawshank Redemption, which started pre-production in January 1993. While the film is set in Maine, principal photography took place from June to August 1993 almost entirely in Mansfield, Ohio, with the Ohio State Reformatory serving as the eponymous penitentiary. The project attracted many stars of the time for the role of Andy, including Tom Hanks, Tom Cruise, and Kevin Costner. Thomas Newman provided the film's score. (Full article...)
  • Image 8 "From the Doctor to My Son Thomas" is a viral video recorded by actor Peter Capaldi and sent to Thomas Goodall, an autistic nine-year-old boy in England, to console the child over grief from the death of Goodall's grandmother. Capaldi filmed the 42-second video in character as the Twelfth Doctor from the BBC science-fiction series Doctor Who. Capaldi's message had a positive effect on Thomas; his father said that the boy smiled for the first time since learning of his grandmother's death, and gained the courage to go to her funeral. Thomas' father Ross Goodall posted the video to YouTube on 6 November 2014. He later explained to the media that he wanted to make the video available to his family and had no idea it would become popular online. CNN reported that after its appearance on YouTube, the video was viewed over 200,000 times in its first 48 hours online. This more than doubled the next day, and less than a week later it had over 900,000 total views. BBC News observed that Capaldi's message had become a viral video, and ITV News described response to the video as a global phenomenon. (Full article...)
    "From the Doctor to My Son Thomas" is a viral video recorded by actor Peter Capaldi and sent to Thomas Goodall, an autistic nine-year-old boy in England, to console the child over grief from the death of Goodall's grandmother. Capaldi filmed the 42-second video in character as the Twelfth Doctor from the BBC science-fiction series Doctor Who. Capaldi's message had a positive effect on Thomas; his father said that the boy smiled for the first time since learning of his grandmother's death, and gained the courage to go to her funeral.

    Thomas' father Ross Goodall posted the video to YouTube on 6 November 2014. He later explained to the media that he wanted to make the video available to his family and had no idea it would become popular online. CNN reported that after its appearance on YouTube, the video was viewed over 200,000 times in its first 48 hours online. This more than doubled the next day, and less than a week later it had over 900,000 total views. BBC News observed that Capaldi's message had become a viral video, and ITV News described response to the video as a global phenomenon. (Full article...)
  • Image 9 Mind Meld: Secrets Behind the Voyage of a Lifetime is a 2001 American documentary film in which actors William Shatner and Leonard Nimoy discuss the Star Trek science fiction franchise and its effects on their lives. Shatner and Nimoy portrayed the characters James T. Kirk and Spock respectively in the 1960s Star Trek television series, the 1970s animated television series, and their film sequels. They talk about differences they had with Gene Roddenberry, the creator of Star Trek, and about the strained relationships between Shatner and some of the other cast members. It was in this film that Nimoy first publicly revealed that he had struggled with alcoholism while he was acting in the original television series. Shatner talks about the death of his third wife, Nerine Kidd, who accidentally drowned in a pool in 1999 after suffering from alcoholism. (Full article...)
    Mind Meld: Secrets Behind the Voyage of a Lifetime is a 2001 American documentary film in which actors William Shatner and Leonard Nimoy discuss the Star Trek science fiction franchise and its effects on their lives. Shatner and Nimoy portrayed the characters James T. Kirk and Spock respectively in the 1960s Star Trek television series, the 1970s animated television series, and their film sequels.

    They talk about differences they had with Gene Roddenberry, the creator of Star Trek, and about the strained relationships between Shatner and some of the other cast members. It was in this film that Nimoy first publicly revealed that he had struggled with alcoholism while he was acting in the original television series. Shatner talks about the death of his third wife, Nerine Kidd, who accidentally drowned in a pool in 1999 after suffering from alcoholism. (Full article...)
  • Image 10 Star Trek IV: The Voyage Home is a 1986 American science fiction film directed by Leonard Nimoy and based on the television series Star Trek. It is the fourth feature installment in the Star Trek franchise, and is a sequel to Star Trek III: The Search for Spock (1984); it completes the story arc begun in Star Trek II: The Wrath of Khan (1982) and continued in The Search for Spock. Intent on returning home to Earth to face trial for their actions in the previous film, the former crew of the USS Enterprise finds the planet in grave danger from an alien probe attempting to contact now-extinct humpback whales. The crew travel to Earth's past to find whales who can answer the probe's call. After directing The Search for Spock, Nimoy was asked to direct the next feature, and given greater freedom regarding the film's content. Nimoy and producer Harve Bennett conceived a story with an environmental message and no clear-cut villain. Dissatisfied with the first screenplay produced by Steve Meerson and Peter Krikes, Paramount hired The Wrath of Khan writer and director Nicholas Meyer. Meyer and Bennett divided the story between them and wrote different parts of the script, requiring approval from Nimoy, lead actor William Shatner, and executives at Paramount Pictures. Principal photography commenced on February 24, 1986. Unlike previous Star Trek films, The Voyage Home was shot extensively on location; many real settings and buildings were used as stand-ins for scenes set around and in the city of San Francisco. Special effects firm Industrial Light & Magic assisted in post-production and the film's special effects. Few of the humpback whales in the film were real: ILM devised full-size animatronics and small motorized models to stand in for the real creatures. The film was dedicated to the crew of the Space Shuttle Challenger, which broke up 73 seconds after takeoff on the morning of January 28, 1986. (Full article...)
    Star Trek IV: The Voyage Home is a 1986 American science fiction film directed by Leonard Nimoy and based on the television series Star Trek. It is the fourth feature installment in the Star Trek franchise, and is a sequel to Star Trek III: The Search for Spock (1984); it completes the story arc begun in Star Trek II: The Wrath of Khan (1982) and continued in The Search for Spock. Intent on returning home to Earth to face trial for their actions in the previous film, the former crew of the USS Enterprise finds the planet in grave danger from an alien probe attempting to contact now-extinct humpback whales. The crew travel to Earth's past to find whales who can answer the probe's call.

    After directing The Search for Spock, Nimoy was asked to direct the next feature, and given greater freedom regarding the film's content. Nimoy and producer Harve Bennett conceived a story with an environmental message and no clear-cut villain. Dissatisfied with the first screenplay produced by Steve Meerson and Peter Krikes, Paramount hired The Wrath of Khan writer and director Nicholas Meyer. Meyer and Bennett divided the story between them and wrote different parts of the script, requiring approval from Nimoy, lead actor William Shatner, and executives at Paramount Pictures. Principal photography commenced on February 24, 1986. Unlike previous Star Trek films, The Voyage Home was shot extensively on location; many real settings and buildings were used as stand-ins for scenes set around and in the city of San Francisco. Special effects firm Industrial Light & Magic assisted in post-production and the film's special effects. Few of the humpback whales in the film were real: ILM devised full-size animatronics and small motorized models to stand in for the real creatures. The film was dedicated to the crew of the Space Shuttle Challenger, which broke up 73 seconds after takeoff on the morning of January 28, 1986. (Full article...)
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Filmstrip
Credit: Cinematographica

Filmstrip of one of the three Monkeyshines films produced by Thomas Edison's laboratory in 1889–90 for the early cylinder version of the Kinetoscope.

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Holden in a publicity photo, 1950
William Holden (born William Franklin Beedle Jr.; April 17, 1918 – November 12, 1981) was an American actor, one of the biggest box-office draws of the 1950s. Holden won the Academy Award for Best Actor for the film Stalag 17 (1953) and the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie for the television film The Blue Knight (1973). Holden starred in some of Hollywood's most popular and critically acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), Picnic (1955), The Bridge on the River Kwai (1957), The Wild Bunch (1969) and Network (1976). He was named one of the "Top 10 Stars of the Year" six times (1954–1958, 1961), and appeared as 25th on the American Film Institute's list of 25 greatest male stars of Classical Hollywood cinema. (Full article...)
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Orson Welles
It seems to me that the great gift of the film form, to the director, is that we are not forced to think of the audience. In fact, it is impossible to think of our audience. If I write a play, I must inevitably be thinking in terms of Broadway or the West End. In other words, I must visualize the audience that will come in; its social class, its prejudices and so on. But with a film, we never think of the public at all, we simply make the film the same way you sit down and write a book, and hope that they will like it.

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    Animated phenakistiscope disc - Running rats Fantascope by Thomas Mann Baynes 1833

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    Chicago Theatre blend

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    De Orient Magazine advertisement for Panggilan Darah (1941)

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    Edison's Greatest Marvel-The Vitascope - Restoration

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    Geneva mechanism 6spoke animation

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    Jane Russell in The Outlaw

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    Lagu Kenangan (1953; obverse)

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    Poesaka Terpendam ad, Poestaka Timoer 66 (15 Oct 1941), p3

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    Poster - Island of Lost Men 01

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    Poster for Quo Vadis (1913 silent film) - Lygia Bound to the Wild Bull

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    Poster for Quo Vadis (1913 silent film)

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    Ratna Moetoe Manikam ad, Poestaka Timoer 66 (15 Oct 1941), p6

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    Rory Kennedy 2011

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    State Fair (1933 film poster) - Restoration

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    Stunt Pyrotechnics Luc Viatour

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