Anjelica Huston
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The Observer’s picture editor from 1981 to 1993, who has died aged 80, saw photographic reportage as an agent of change. He first started taking photos for the paper in 1968, covering war, famine and the icons of his ageGallery
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Nicolas Roeg’s cruel adaptation of Roald Dahl’s tale of bloodthirsty child-killers remains a remarkably sadistic studio film for kids
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Inspiring, addictive and occasionally gasp-worthy – to mark the publication of Woody Allen’s Apropos of Nothing, we arrange the best Tinseltown memoirs in order of excellence
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2 out of 5 stars.Stranger Things’ Noah Schnapp stars in a gorgeous-looking but unemotional adaptation of Michael Morpurgo’s novel
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3 out of 5 stars.Jeremy Renner’s arctic fox takes on an evil entrepreneur in this wryly funny but politically toothless environmental tale
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4 out of 5 stars.The spectacular third instalment in Keanu Reeves’s fighting franchise overwhelms with opulent martial arts set pieces
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Tony McGrath photographed the teenager destined for fame.
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‘I based Morticia on Jerry Hall. We’re still friends’
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The Bush clan, the Spencers, the Hustons and Kennedys are being pored over by the public again as publishers provide an autumn lineup focusing on dynasties with a rich history
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Clare Balding, John Cleese, Graham Norton, Anjelica Huston, Paul Merton, Stephen Fry (again)… Viv Groskop takes a look at the latest starry life stories
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She has had a privileged life, but Anjelica Huston leaves the reader under no illusions in this accomplished memoir, writes Sophia Martelli
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Macho and egotistical John Huston dominates Anjelica's vividly written, fascinating memoir. By Sam Leith
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The first volume of Anjelica Huston's memoirs is compelling, thoughtful, starry reading, writes Alexander Larman
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What the critics thought of The Valley of Amazement by Amy Tan, The Letters of John F Kennedy edited by Martin W Sandler, A Story Lately Told by Anjelica Huston
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Disney's Tink delivers a worthy ecological message in this mercifully brief animation, writes Philip French
The Royal Tenenbaums at 20: Wes Anderson’s finest and funniest movie