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Portal:Film

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Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

Video-x-generic.svg A film – also called a movie, motion picture, moving picture, or photoplay – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. (Full article...)

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Nosferatu
Credit: Screenshot from public domain film, Nosferatu (1922)

The shadow of the vampire climbing stairs in a famous scene from the 1922 film Nosferatu by F.W. Murnau. The movie is an example of German Expressionism. Its original German title is Nosferatu, eine Symphonie des Grauens ("Nosferatu, a Symphony of Horror"). The film, shot in 1921 and released in 1922, was in essence an unauthorised adaptation of Bram Stoker's Dracula, with names and other details changed because the studio could not obtain the rights to the novel.

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Gielgud as Benedick in Much Ado About Nothing, 1959

Sir Arthur John Gielgud, OM, CH (/ˈɡlɡʊd/; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.

During the 1930s Gielgud was a stage star in the West End and on Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Queen's Theatre, London. He was regarded by many as the finest Hamlet of his era, and was also known for high comedy roles such as John Worthing in The Importance of Being Earnest. In the 1950s Gielgud feared that his career was threatened when he was convicted and fined for a homosexual offence, but his colleagues and the public supported him loyally. When avant-garde plays began to supersede traditional West End productions in the later 1950s he found no new suitable stage roles, and for several years he was best known in the theatre for his one-man Shakespeare show Ages of Man. From the late 1960s he found new plays that suited him, by authors including Alan Bennett, David Storey and Harold Pinter. (Full article...)
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George Clooney
I think now films are reflecting the exact same thing that goes on in society today which is for the first time since then people are sitting at restaurants and having conversations about their concerns or their beliefs in the political system and I think that films reflect that. We're not good first responder films. We have to write a script after things happen. We have to direct it. We have to shoot it. We have to edit it and release it. So, in general we tend to be, you know, is there a liberal bend, sure. I don't make any apologies about that. I'm a liberal, you know. I believe in it.
George Clooney, 2006

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