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    Principais e-books: cultural heritage

    Andrew Durnford (born 1800, New Orleans; died 1859, St. Rosalie Plan-tation), Free Man of Color, was born of an English father and a free woman of color. The Louisiana Purchase made him a citizen of the United States. Thomas Durnford, his father, and John McDonogh, a prosperous merchant of New Orleans and Baltimore, were friends and business associates. On Thomas's death Andrew continued the friendship and association (McDonogh was the godfather of Andrew's first son, Thomas McDonogh Durnford). Draw-Ing on McDonogh for credit, Durnford purchased land south of New Orleans In Plaquemines Parish and, with a small cadre of slaves, established a sugar plantation. David O. Whitten's biography of Durnford draws on exten-sive primary materials, including let-ters between the principals, that bespeak not only an active correspon-dence but two extraordinary careers.

    Reinforced with newspaper ac-counts and court records, the Durnford-McDonogh letters offer an intimate view into the life and work of an antebellum planter and depict the social intercourse of a black man in a society built on black slavery. Facile in English and French, Durnford read widely and commented in letters on works of the day. He journeyed to distant Pennsylvania and Virginia in 1835 to procure slaves and then re-turn with them to his Louisiana plan-tation. Letters between Durnford and McDonogh during the lengthy trip pro-vide a unique travelogue--a black man, in the company of his black bondsmen, traversing the heart of slave country.

    Had Durnford done no more than build a sugar plantation out of the wilderness with black slave labor, his accounts would be valuable, but he also practiced medicine, recounting his experiences in a journal and in letters to McDonogh. The Durnford volume of-fers singular accounts of American life and labor in the first half of the nine-teenth century. Had he been white, the narrative would be of inestimable value, but because Durnford was black, free, and a medical practitioner, his life stands as a rare example of a man and a culture adjusting to pecu-liar social orders.

    Noted historian John Hope Franklin sums up this contribution to African American studies: "David Whitten has performed an important service in bringing the life of Andrew Durnford to the attention of students of the an-tebellum South, of the plantation economy, and of race relations--He has placed us all in his debt and he has set an example for others to fol-low."

    "Now," said he, "if you teach that nigger (speaking of myself) how to read, there would be no keeping him. It would forever unfit him to be a slave. He would at once become unmanageable, and of no value to his master. As to himself, it would do him no good, but a great deal of harm. It would make him discontented and unhappy." These words sank deep into my heart, stirred up sentiments within that lay slumbering, and called into existence an entirely new train of thought. It was a new and special revelation... -from Chapter VI It may be a measure of how far we have come, as a nation and as human beings, to feel shock to realize that one of the greatest Americans ever to have graced the cultural stage-editor, orator, author, statesman, and reformer FREDERICK DOUGLASS (1818-1895)-was born into bondage, merely by dint of the color of his skin. Taught to read and write by the wife of his owner, however, he escaped into an intellectual world that would become his extraordinary battleground for the freedom of those enslaved and, indeed, for the future of the United States. This work, first published in 1845, is the first of three autobiographies Douglass penned, and it became one of the most influential documents of a life in slavery ever written, as well as a powerful spur to the then-burgeoning abolitionist movement. From his childhood of abuse, neglect, and separation from family to his dramatic escape to the North, this is a stunning work of both literature and politics. An absolute classic not only of African-American history but of the history of the advance of human civilization, this is essential reading for anyone wishing to understand the turbulent story of the United States in the 19th century.
    The Church of God in Christ (COGIC), the first major denomination to spring from the fires of the Azusa Street revival, profoundly affected the history of the black church. Its tremendous influence can be traced to the dynamic spiritual life of its founder, Charles Harrison Mason.

    The son of a slave and a leader in the holiness movement of his day, Mason traveled to Azusa Street in 1907 where he received the baptism of the Holy Spirit. Returning home, he discovered that visions, spontaneous healing and deliverance followed him. A new power accompanied his preaching, and he experienced freedom from former limitations.

    Mason’s vibrant spiritual life enabled him to lead a fledgling movement from its infancy to a powerful, prophetic community over the next fifty years. Beginning in the rural South in the decades following the Reconstruction Era, the denomination gradually moved into urban areas during the 1900’s. No matter where its ministers, however, the COGIC Church holds in tension the dynamics of holiness, spiritual encounter and prophetic Christian social consciousness.

    Facing the challenges of our generation, the COGIC Church desires to maintain the legacy of its founder as it prepares for another century of work and witness.

    "Our younger generations need to know the rich legacy bequeathed to them by the pioneers of the Church of God in Christ." Presiding Bishop Chandler D. Owens

    "Every pastor in our denomination and beyond should have a worn and well­ read copy of this book." Bishop Charles E. Blake, Sr.

    "This valuable book should be in the hands of every member of the Church of God in Christ." Bishop C. L. Anderson

    "God gave Bishop C. H. Mason an anointing to preach powerfully, to heal the sick, and to sing out in spontaneous worship. May we covet the same anointing that transformed thousands in his day." Bishop J. Neaul Haynes

    "We are the descendants of a mighty move of God that began at Azusa Street. This book will help us to pass on an equally dynamic spiritual life to our successors, taking the Church of God in Christ into the next century." Bishop P. A. Brooks

    "Church leaders would do well to emulate the dynamic spiritual life of our founder; Bishop C. H. Mason." Bishop O. T. Jones, Jr.

    "Bishop Clemmons reminds us that our denomination was forged in the fires of a pentecostal revival that continues to impact our society today." Bishop Gilbert E. Patterson

    "Our roots establish our legacy and provide the springboard for the future. This documentation is a must for this generation and the generations to come." Mother Emma F. Crouch, Supervisor, Women's Department, Church of God in Christ, President, International Women's Convention

    "This is must reading for every seminary student preparing to minister in the Church of God in Christ. This will be extremely valuable to students of church history regardless of denomination." Dr. H. Vinson Synan, Ph.D., Dean of the School of Divinity, Regent University

    "Finally, a documentary written by a black historian/theologian and a lifelong member of the Church of God in Christ. Bishop Clemmons' perspective is in­sightful, informative, and refreshing." Dr. William C. Turner, Ph.D., Professor of Theology, Duke Divinity School, Duke University

    "Allow Bishop C. H. Mason's vision to grip you, to challenge you, and to change you." Raymond C. Pierce, J.D., Deputy Assistant Secretary, U.S. Department of Education, Office for Civil Rights

    For all of the worry warts out there, ignorance is not the solution. The individuals that you are morbidly afraid will attempt to use the information in this book to abuse and exploit women are in stark reality not even able to read it because they have never had a high enough level of literacy to do so.



    A woman ultimately has only two dimensions, anxiety and maternal instinct, and if intensified, one dimension has the ability to overpower and completely neutralize the other. And given this, a woman is either a totally loving and devoted wife and mother or an indefatigably demoralizing whore.



    Whores are precisely counter-reactionary extremists who have extremely warped concepts of strength, masculinity and self-determination who view men as monsters, life as victimization and have a religious conviction that relationships just don't work and given these facts, at its core, pimping is ultimately not about getting a piece of the action, but a piece of the counter-reaction.



    Pimps: The Raw Truth Grand Inquisitor Level Pimpnological Conclusions is absolutely not for the faint of heart, it is a completely no holds barred work of tremendous insight into the core internal dynamics and true root causes of epidemics of human trafficking and other forms of pandering and prostitution of the likes that has never been put into print -as far as I’m aware- that is so raw and brutally honest that even many pimps can't handle it because it completely graphically exposes pimping to be something that many woefully ill-informed pimps have never even remotely imagined pimping to be.



    This book comes with a guarantee, that no matter what you have ever read on this subject, you have never read anything even remotely as raw and unsettlingly honest as this.



    Pimps: The Raw Truth is not another run of the mill collection of hustler's tales that ultimately tell you absolutely nothing, Pimps is in fact an unimaginable wealth of insight into the behavioral profiles and environmental factors that drive individuals to live the self-detrimental lifestyle that is relentlessly pursued by panderers and prostitutes complete with the real world functions of all of their auxiliaries, omen and morbid appendages that is the absolute closest that a literary source can legally come to total comprehension of this ancient clandestine culture.



    Pimps very clearly and precisely explains how, as opposed to being a form of Alpha Masculinity, pimping is in fact at its core a highly feminine form of sexual militancy that both employs and deploys the vagina as a weapons system as opposed to a human reproductive system.



    Pimps are merely master victims who are the Kings of minuscule Kingdoms that are built on the mess that other people have created and as such pimps are masters of isolating women and causing them to fly backward by turning them into multi-state in-flight felons.



    Pimps: The Raw Truth peers deep into the murkiest depths of the psyche of pimps and prostitutes and completely exposes precisely what lies behind the perms, manicures, jewelry, flashy clothing, drugs, threats, relentless abuse and total obsession with tearing down, breaking and attempting to completely demoralize and control women.



    Pimps: The Raw Truth explains why whores are the bipolar opposites of ladies, how to very clearly and precisely distinguish the difference between whores and ladies, why whores in fact do not choose pimps, why runaways are drawn to pimps, why cops act like thugs with government resources, why men pay prostitutes, why women get involved in serial abusive and exploitive relationships, why homosexuals and feminists are constantly at odds with whores and bisexuals, why players are not and absolutely do not succeed as pimps, why criminal organizations ultimately fail, the mysterious parallels between priests and pimps and the reasons why prostitution centers worldwide are invariably likewise religious centers.

    From America's most beloved Mexican-American writer comes this compelling memoir of his adolescent search for meaning and identity. When Victor Villasenor turned sixteen, his father's gift of a brand-new, turquoise pick-up truck was accompanied by another gift: words of wisdom that would guide him on his path to manhood. "You are a man now," he said, "and to be an hombre, a man must not only know right from wrong, he must also know who he is and who he isn't." In the weeks to come, however, Victor disregards his father's advice. Swayed by his friends' ridicule, he has his new truck painted white to cover the vibrant turquoise, once his favorite color. Soon, he realizes his mistake. "I'd done exactly what my dad had told me not to. I'd listened to other people's opinions instead of listening to what I'd felt inside." So begins this poignant and moving account of Villasenor's coming of age. Growing up on his parents' ranch in North San Diego County, Victor Villasenor's teenage years were marked by a painful quest to find a place for himself in a world he didn't fit into. During his search, Victor wrangles with the usual questions of adolescence: Is it normal to think about sex all the time? Do good girls like sex? Is sex before marriage a sin? But Victor struggles with more than just his burgeoning sexual awareness. The son of a self-made, successful man, he is different from his peers because of his Mexican heritage, and the experiences both subtle and outright discrimination because of this. Raised in a tight-knit, Catholic family, he questions the tenets of his Catholic faith and the restrictions it places on his own developing spirituality. After high school, Victor's quest for "whohe is and who he isn't" takes him to Mexico, where he is shocked to learn that Mexicans--aside from his father--are successful. They are architects, professors, and artists. This incredible revelation allows him to appreciate his own potential and realize his dreams of making a difference in the world through writing. A powerful portrait of a young boy on the path to manhood in the shadow of his influential father, Crazy Loco Love adds a new chapter to the grand tradition of coming-of-age books. Destined to become a classic, this new installment in Villasenor's body of work confirms his place as a leading American writer. Crazy Loco Love will enthrall his many fans and surely win him new ones.

    In The Face: Cartography of the Void, acclaimed poet, novelist, and screenwriter Chris Abani has given us a brief memoir that is, in the best tradition of the genre, also an exploration of the very nature of identity. Abani meditates on his own face, beginning with his early childhood that was immersed in the Igbo culture of West Africa. The Face is a lush work of art that teems with original and profound insights into the role of race, culture, and language in fashioning our sense of self. Abani’s writing is poetic, filled with stories, jokes, and reflections that draw readers into his fold; he invites them to explore their own “faces” and the experiences that have shaped them.

    As Abani so lovingly puts it, this extended essay contemplates “all the people who have touched my face, slapped it, punched it, kissed it, washed it, shaved it. All of that human contact must leave some trace, some of the need and anger that motivated that touch. This face is softened by it all. Made supple by all the wonder it has beheld, all the kindness, all the generosity of life.” The Face is a gift to be read, re-read, shared, and treasured, from an author at the height of his artistic powers. Abani directs his gaze both inward and out toward the world around him, creating a self-portrait in which readers will also see their own faces reflected.

    Abani’s essay is part of a groundbreaking new series from Restless Books called The Face, in which a diverse group of writers takes readers on a guided tour of that most intimate terrain: their own faces. Visit www.restlessbooks.com/the-face-series for more information.

    Chris Abani is a novelist, poet, essayist, screenwriter, and playwright. Born in Nigeria to an Igbo father and English mother, he grew up in Afikpo, Nigeria, and has resided in the United States since 2001. His fiction includes The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, GraceLand, and Masters of the Board. His poetry collections are Sanctificum, There Are No Names for Red, Feed Me The Sun - Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic.
    Born into slavery in Kentucky, William Wells Brown (1814-1884) was kept functionally illiterate until after his escape at the age of nineteen. Remarkably, he became the most widely published and versatile African American writer of the nineteenth century as well as an important leader in the abolitionist and temperance movements.

    Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.

    Ezra Greenspan has selected the best of Brown's work in a range of fields including fiction, drama, history, politics, autobiography, and travel. The volume opens with an introductory essay that places Brown and his work in a cultural and political context. Each chapter begins with a detailed introductory headnote, and the contents are closely annotated; there is also a selected bibliography. This reader offers an introduction to the work of a major African American writer who was engaged in many of the important debates of his time.

    In her illuminating and dramatic biography The Stranger and the Statesman, New York Times bestselling author Nina Burleigh reveals a little-known slice of history in the life and times of the man responsible for the creation of the United States' principal cultural institution, the Smithsonian.

    It was one of the nineteenth century's greatest philanthropic gifts - and one of its most puzzling mysteries. In 1829, a wealthy English naturalist named James Smithson left his library, mineral collection, and entire fortune to the "United States of America, to found... an establishment for the increase & diffusion of Knowledge among men" - even though he had never visited the United States or known any Americans. In this fascinating book, Burleigh pieces together the reclusive benefactor's life, beginning with his origins as the Paris-born illegitimate son of the first Duke of Northumberland and a wild adventuress who preserved for her son a fortune through gall and determination.

    The book follows Smithson through his university years and his passionate study of minerals across Europe during the chaos of the French Revolution and the Napoleonic Wars. Detailed are his imprisonment - simply for being an Englishman in the wrong place - his experiences in the gambling dens of France, and his lonely and painstaking scientific pursuits.

    After Smithson's death, nineteenth-century American politicians were given the task of securing his half-million dollars - the equivalent today of $50 million - and then trying to determine how to increase and diffuse knowledge from the muddy, brawling new city of Washington. Burleigh discloses how Smithson's bequest was nearly lost due to fierce battles among many clashing Americans - Southern slavers, states' rights advocates, nation-builders, corrupt frontiersmen, and Anglophobes who argued over whether a gift from an Englishman should even be accepted. She also reveals the efforts of the unsung heroes, mainly former president John Quincy Adams, whose tireless efforts finally saw Smithson's curious notion realized in 1846, with a castle housing the United States' first and greatest cultural and scientific establishment.
    From the time that he ran away to sea at sixteen, until he graduated from the University of Washington, Horace R. Cayton was a messman on a freighter, an unknowing handyman in an Alaskan brothel, a juvenile delinquent and inmate of a reform school, a dock worker and steward on a passenger liner, and a deputy in the sheriff's office of King County, Washington.

    Born in Seattle, a city then uniquely free from racial tensions and prejudices, Cayton found the privileged, secure, middle-class position of his well-to-do parents ineffectual against the gradual spread of racism that was sweeping America. His disarmingly honest autobiography is the ever-absorbing record of an intelligent, sensitive, and proud man's attempts to find identity in a confusing and conflicting chaos of black and white, in a nation that, although dedicated to equality, somehow managed to deny this ideal by almost every action.

    Although his turbulent life was complicated by the color barrier—often resulting in reverses and frustrations that have rendered him close to a breakdown—this alone is not what makes Cayton's book such captivating reading. Wholly lacking in self-pity or special pleading, Horace Cayton has written a personal narrative of unfailing interest on any number of scores, a book that ranks with the best of American autobiographical writing. For it manages to remain highly critical without once resorting to bitterness; to be filled with hope, though not always hopeful; and brims with compassion and bemused and acute insights into a troubled society. It is a telling, almost poetic tribute to the resiliency of black culture.

     This initial volume of the Collected Works of Edith Stein offers, for the first time in English, the unabridged biography of Edith Stein (Teresa Benedicta of the Cross), depicting her life as a child and young adult. Her text ends abruptly because the Nazi SS arrested, then deported, her to the Auschwitz concentration camp in 1942. The ebook version contains a fully linked Index, Map and List of Places.

    Edith Stein is one of the most significant German-Jewish women of the 20th century. At the age of twenty-five she became the first assistant to Edmund Husserl, the founder of Phenomenology. She was much in demand as a writer and lecturer after her conversion from atheism to Catholicism. Later, as a Discalced Carmelite nun, she maintained her intellectual pursuits until she, like so many others, became a victim of the Nazi persecution that raged across Eastern Europe.


    By making this landmark work available in English, the Institute of Carmelite Studies provides an eye-witness account of persons and activities on the scene at the time when psychology and philosophy became separate disciplines.


    In addition to photographs and a map, this volume is enhanced with a preface, the foreword and afterword, notes, and a list of places associated with Edith Stein’s life. It is our aim that these, together with Edith Stein’s text, may help bring into relief the many background details of the rich autobiographical work she has left us.


    **Chosen "Best Spirituality Book of 1986" by the Catholic Press Association**

    If I ever wavered under the consideration, that the Almighty, in some way, ordained slavery, and willed my enslavement for his own glory, I wavered no longer. I had now penetrated the secret of all slavery and oppression, and had ascertained their true foundation to be in the pride, the power and the avarice of man. -from Chapter XI: "A Change Came O'er the Spirit of My Dream" He is one of the greatest Americans in the history of the nation: editor, orator, author, statesman, and reformer FREDERICK DOUGLASS (1818-1895) arrived on the national scene in 1841 to such universal acclaim that it seemed impossible for his admirers to conceive that he had been born and raised within chains. The first of his three autobiographies, 1845's Narrative of the Life of Frederick Douglass (also available from Cosimo), was written mainly to explain how he accomplished this astonishing feat. This, the second of his life stories, was published in 1855, and offers a more in-depth and-though seemingly impossible-even more thoughtful exploration of his life as a slave and his journey to escape it than his first book had. Douglass also discusses the challenges of life not only as a free man but as a famous one much in demand, as a public speaker in the Northern States and in Great Britain as well. This edition also includes the original publication's appendix, which features letters and speeches by the great man. A foundational work of African-American literature and a vital document of 19th-century American history, this is the extraordinary tale of a personal battle for freedom that became a fight for the very soul of a nation.

    The magnum opus from Alejandro Jodorowsky—director of The Holy Mountain, star of Jodorowsky’s Dune, spiritual guru behind Psychomagic and The Way of Tarot, innovator behind classic comics The Incal and Metabarons, and legend of Latin American literature.

    There has never been an artist like the polymathic Chilean director, author, and mystic Alejandro Jodorowsky. For eight decades, he has blazed new trails across a dazzling variety of creative fields. While his psychedelic, visionary films have been celebrated by the likes of John Lennon, Marina Abramovic, and Kanye West, his novels—praised throughout Latin America in the same breath as those of Gabriel García Márquez—have remained largely unknown in the English-speaking world. Until now.

    Where the Bird Sings Best tells the fantastic story of the Jodorowskys’ emigration from Ukraine to Chile amidst the political and cultural upheavals of the 19th and 20th centuries. Like One Hundred Years of Solitude, Jodorowsky’s book transforms family history into heroic legend: incestuous beekeepers hide their crime with a living cloak of bees, a czar fakes his own death to live as a hermit amongst the animals, a devout grandfather confides only in the ghost of a wise rabbi, a transgender ballerina with a voracious sexual appetite holds a would-be saint in thrall. Kaleidoscopic, exhilarating, and erotic, Where the Bird Sings Best expands the classic immigration story to mythic proportions.

    Praise
    “This epic family saga, reminiscent of Gabriel García Márquez's One Hundred Years of Solitude in structure and breadth, reads at a breakneck pace. Though ostensibly a novelization of the author's own family history, it is a raucous carnival of the surreal, mystical, and grotesque.”
    —Publishers Weekly

    "A man whose life has been defined by cosmic ambitions."
    The New York Times Magazine

    "A great eccentric original....A legendary man of many trades.”
    —Roger Ebert

    For more information on Alejandro Jodorowsky, please visit www.restlessbooks.com/alejandro-jodorowsky
    I have neither been miserable because of the ill-feeling of those about me, nor indifferent to popular approval, and I think, upon the whole, I have passed a tolerably cheerful and even joyful life. I have never felt myself isolated since I entered the field to plead the cause of the slave, and demand equal rights for all. In every town and city where it has been my lot to speak, there have been raised up for me friends of both colors to cheer and strengthen me in my work. I have always felt, too, that I had on my side all the invisible forces of the moral government of the universe. -from Chapter 17: "Incidents and Events" American icon FREDERICK DOUGLASS (1818-1895)-editor, orator, author, statesman, and reformer-told his life story three times. First, in 1845's Narrative of the Life of Frederick Douglass, he felt it necessary to explain how a man born in chains could rise to national prominence and respect. In 1855, with My Bondage and My Freedom, he expanded upon his story with a more in-depth and even more thoughtful exploration of his life as a slave and his journey to escape it. (Both astonishing-and essential-books are also available from Cosimo.) His third autobiography, The Life and Times of Frederick Douglass-first published in 1881 and presented here in the thoroughly revised 1892 edition-is his most reflective, offering the perspective of a man at the end of long life well lived. Douglass retells the story of his childhood and escape from slavery, offering details that he could not previously reveal, with friends, family, and other innocents still in the thrall of slavemasters. Now, though, with the Civil War and Emancipation well behind the nation, Douglass can also offer more provocative analyses of his own battle for personal freedom and his fight for the very soul of the nation. This classic of African-American literature and of 19th-century American history is a must-read for anyone wishing to consider himself well-read.
    "Funny, poignant, sad and wistful…This is a very fine book—about a person, and a city, growing up."—Philadelphia Inquirer

    "This delightful yet poignant memoir is highly recommended for both public and academic libraries."—Library Journal (starred review)

    "The charming Hotel Kid is as luxurious as the lobby in a five-star hotel."—San Francisco Chronicle

    A Manhattan landmark for fifty years, the Taft in its heyday in the 1930s and '40s was the largest hotel in midtown, famed for the big band in its basement restaurant and the view of Times Square from its towers. As the son of the general manager, Stephen Lewis grew up in this legendary hotel, living with his parents and younger brother in a suite overlooking the Roxy Theater. His engaging memoir of his childhood captures the colorful, bustling atmosphere of the Taft, where his father, the best hotelman in New York, ruled a staff of Damon Runyonesque house dicks, chambermaids, bellmen, and waiters, who made sure that Stephen knew what to do with a swizzle stick by the time he was in the third grade.

    The star of this memoir is Lewis's fast-talking, opinionated, imperious mother, who adapted so completely to hotel life that she rarely left the Taft. Evelyn Lewis rang the front desk when she wanted to make a telephone call, ordered all the family's meals from room service, and had her dresses sent over from Saks. During the Depression, the tough kids from Hell's Kitchen who went to grade school with Stephen marveled at the lavish spreads his mother offered her friends at lunch every day, and later even his wealthy classmates at Horace Mann-Lincoln were impressed by the limitless hot fudge sundaes available to the Lewis boys.

    Lewis contrasts the fairy-tale luxury of his life inside the hotel with the gritty carnival spirit of his Times Square neighborhood, filled with the noise of trolleys, the smell of saloons, the dazzle of billboards and neon signs. In Hotel Kid, lovers of New York can visit the nightclubs and movie palaces of a vanished era and thread their way among the sightseers and hucksters, shoeshine boys and chorus girls who crowded the streets when Times Square really was the crossroads of the world.

    "[T]his postcard from a vanished age nicely captures a special childhood rivaling Eloise's"—Kirkus Reviews

    "A colorful and nostalgic snapshot of a vanished era."—Bloomsbury Review

    "Chockfull of history and wit, Stephen Lewis' account of his charming yet preposterous childhood spent in a suite at the Taft Hotel ordering from room service and playing games like elevator free fall is a five-star read. Hotel Kid pays tribute to an elegant time long ago that was very elegant and is very gone. It's a book we've been waiting for without realizing it: at long last, an Eloise for grown ups."—Madeleine Blais, author of Uphill Walkers: Portrait of a Family

    Stephen Lewis on Hotel Kid: "Raised in a loving cocoon of chambermaids, bellboys, porters, waiters, and housedicks, I led a fairy tale existence as the son of the general manager of the Hotel Taft, just off Times Square and Radio City. During the darkest days of the Depression, my younger brother and I treated our friends to limitless chocolate éclairs and ice cream sodas. Vague longings for a 'real American life' rose only occasionally — as rare as the home-cooked meals my mother attempted once or twice a year. From my privileged vantage point in a four-room suite on the fifteenth floor, overlooking the chorus girls sunbathing on the roof of the Roxy Theater, I grew into adolescence, both street-smart and sheltered by the hundreds of hotel workers who had known me since I was a baby."


    In Time Code of a Face, bestselling author Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. The author challenges herself to spend three hours staring into her own reflection, recording her thoughts, and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, age, family, death, the body, self doubt and, finally, acceptance. In a lyrical essay suffused with her Zen Buddhist practice and thoroughly unlike anything in the author's celebrated novels, Ozeki shows us just how rich and intimate the terrain of one's own face can be.

    Praise for Ruth Ozeki
    “Ozeki is one of my favorite novelists....bewitching, intelligent, hilarious, and heartbreaking, often on the same page.”
    —Junot Díaz, Pulitzer Prize winner and author of This Is How You Lose Her

    “Ozeki joins the constellation of such environmentally aware writers as Barbara Kingsolver, Annie Proulx, and Margaret Atwood.”
    Chicago Tribune

    “A careful, considerate writer.”
    Booklist

    Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. Her first two novels, My Year of Meats (1998) and All Over Creation (2003), have been translated into eleven languages and published in fourteen countries. Her most recent work, A Tale for the Time-Being (2013), won the LA Times book prize, was shortlisted for the Man Booker Prize and the National Book Critic's Circle Award, and has been published in over thirty countries. Ruth's documentary and dramatic independent films, including Halving the Bones, have been shown on PBS, at the Sundance Film Festival, and at colleges and universities across the country.
    A longtime Buddhist practitioner, Ruth was ordained in 2010 and is affiliated with the Brooklyn Zen Center and the Everyday Zen Foundation. She lives in British Columbia and New York City, and is currently the Elizabeth Drew Professor of Creative Writing at Smith College.
    From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve. Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell. Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism. John McCormick is professor emeritus of comparative literature at Rutgers University, and an honorary fellow of English and other literatures at the University of York, England. He is the author of Seagoing: Memoirs, Bullfighting: Art, Technique, and Spanish Society, Fiction as Knowledge, American and European Literary Imagination, and Catastrophe and Imagination: English and American Writings from 1870 to 1950, all published by Transaction.
     The spectacular 1848 escape of William and Ellen Craft (1824-1900; 1826-1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his "master's" devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts' activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts' only book, their memoir, Running a Thousand Miles for Freedom, published in 1860.
    Yet as this study of key moments in the Crafts' public lives argues, the early print archive--newspapers, periodicals, pamphlets, legal documents--fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences' changing reactions to them. By discussing such events as the 1878 court case that placed William's character and reputation on trial, this book also invites readers to reconsider the Crafts' triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early American print culture.
     Donald L. Hollowell was Georgia's chief civil rights attorney during the 1950s and 1960s. In this role he defended African American men accused or convicted of capital crimes in a racially hostile legal system, represented movement activists arrested for their civil rights work, and fought to undermine the laws that maintained state-sanctioned racial discrimination. In Saving the Soul of Georgia, Maurice C. Daniels tells the story of this behindthe- scenes yet highly influential civil rights lawyer who defended the rights of blacks and advanced the cause of social justice in the United States.
    Hollowell grew up in Kansas somewhat insulated from the harsh conditions imposed by Jim Crow laws throughout the South. As a young man he served as a Buffalo Soldier in the legendary Tenth Cavalry, but it wasn't until after he fought in World War II that he determined to become a civil rights attorney. The war was an eye-opener, as Hollowell experienced the cruel discrimination of racist segregationist policies. The irony of defending freedom abroad for the sake of preserving Jim Crow laws at home steeled his resolve to fight for civil rights upon returning from war.

    From his legal work in the case of Hamilton E. Holmes and Charlayne Hunter that desegregated the University of Georgia to his defense of Dr. Martin Luther King Jr. to his collaboration with Thurgood Marshall and his service as the NAACP's chief counsel in Georgia, Saving the Soul of Georgia explores the intersections of Hollowell's work with the larger civil rights movement.
    From the the award-winning author of Five Star Billionaire and The Harmony Silk Factory comes a whirlwind personal history of modern Asia, as told through his Malaysian and Chinese heritage.

    In The Face: Strangers on a Pier, acclaimed author Tash Aw explores the panoramic cultural vitality of modern Asia through his own complicated family story of migration and adaptation, which is reflected in his own face. From a taxi ride in present-day Bangkok, to eating Kentucky Fried Chicken in 1980s Kuala Lumpur, to his grandfathers’ treacherous boat journeys to Malaysia from mainland China in the 1920s, Aw weaves together stories of insiders and outsiders, images from rural villages to megacity night clubs, and voices in a dizzying variety of languages, dialects, and slangs, to create an intricate and astoundingly vivid portrait of a place caught between the fast-approaching future and a past that won’t let go.

    “Mr. Aw is a patient writer, and an elegant one. His supple yet unshowy prose can resemble Kazuo Ishiguro's.… He's a writer to watch."
    —Dwight Garner, The New York Times

    “Tash Aw is an essential voice for the global world we live in today."
    —Yiyun Li, author of Gold Boy, Emerald Girl

    “Aw is emerging as a master storyteller.'
    The Times

    “Aw's prose can be powerful and mesmerising in its sense of place…and psychological acuity. Haunting and memorable.”
    —Maya Jaggi, The Guardian


    Born in Taipei to Malaysian parents, Tash Aw grew up in Kuala Lumpur before moving to Britain to attend university. He is the author of three critically acclaimed novels, The Harmony Silk Factory (2005), Map of the Invisible World (2009), and Five Star Billionaire (2013), which have won the Whitbread First Novel Award, a regional Commonwealth Writers' Prize, and twice been longlisted for the Man Booker prize; they have also been translated into twenty-three languages. His short fiction has won an O. Henry Prize and been published in A Public Space and the landmark Granta 100, amongst others.
    Turiya S.A. Raheem (nee, Lillian D. Thomas) tells her family and community¡¦s history with love, warmth and humor. Concerning that history, she says, ¡§Our story HAD to be told. We built Atlantic City.¡ ̈ Two other African-Americans, Foster and Goddard, based their doctoral dissertations on the Northside¡¦s history, but no one has recounted it the way Mrs. Raheem does in Growing Up in the Other Atlantic City: Wash¡¦s and the Northside. Synopsis for Growing Up in the Other Atlantic City: Wash¡¦s and the Northside By Turiya S.A. Raheem



    ƒæ Revisit the lives of the people who were part of the Northside community on a decade-by-decade journey with the Washington family, owners of Wash and Sons¡¦ Seafood Restaurant (1937 to present)



    ľ Enter the family business through the eyes of Lillian, one of the grandchildren of Alma and Clifton Washington, as she works in the business as a teenager



    ƒæ Meet Alma and Clifton, newly-weds and newcomers to Atlantic City in the 1920¡¦s



    ƒæ Laugh with the Washington¡¦s five sons, two daughters and other family members who worked at the restaurant



    ƒæ Experience the socio-economic, political, religious and educational life of Blacks in Atlantic City through the trials and tribulations of the Washington family during the Great Depression, World War II, the prosperous 50¡¦s and the turbulent 60¡¦s



    ƒæ Sympathize with the demise of ¡§the World¡¦s Playground¡ ̈ and the exodus of African-Americans and Wash¡¦s during the 70¡¦s



    ƒæ Celebrate the Washington family¡¦s perseverance and survival as one of A.C.¡¦s few Black family-owned and ¡Voperated businesses still in existence after more than 70 years
    If I ever wavered under the consideration, that the Almighty, in some way, ordained slavery, and willed my enslavement for his own glory, I wavered no longer. I had now penetrated the secret of all slavery and oppression, and had ascertained their true foundation to be in the pride, the power and the avarice of man. -from Chapter XI: "A Change Came O'er the Spirit of My Dream" He is one of the greatest Americans in the history of the nation: editor, orator, author, statesman, and reformer FREDERICK DOUGLASS (1818-1895) arrived on the national scene in 1841 to such universal acclaim that it seemed impossible for his admirers to conceive that he had been born and raised within chains. The first of his three autobiographies, 1845's Narrative of the Life of Frederick Douglass (also available from Cosimo), was written mainly to explain how he accomplished this astonishing feat. This, the second of his life stories, was published in 1855, and offers a more in-depth and-though seemingly impossible-even more thoughtful exploration of his life as a slave and his journey to escape it than his first book had. Douglass also discusses the challenges of life not only as a free man but as a famous one much in demand, as a public speaker in the Northern States and in Great Britain as well. This edition also includes the original publication's appendix, which features letters and speeches by the great man. A foundational work of African-American literature and a vital document of 19th-century American history, this is the extraordinary tale of a personal battle for freedom that became a fight for the very soul of a nation.
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