The Longreads Blog

Bones, Bones: How to Articulate a Whale

The Longbranch Whale in Eaton Hall, Seattle Pacific University (All images courtesy Peter Wayne Moe.)

Peter Wayne Moe | Longreads | February 2022 | 22 minutes (5,932 words)

I’m walking with my dog and the phone rings. It’s Jessie Huggins, stranding coordinator for Cascadia Research Collective. “A whale washed ashore an hour south of Seattle,” she says. “Do you want it?”

I’ve been waiting two years for her call. Alongside Rus Higley, a marine biologist and director of Highline College’s Marine Science and Technology Center, I’m leading an effort to hang a whale skeleton in the science building at Seattle Pacific University, where I teach writing classes.

Higley has built two other whales. He has the experience I, an English professor, lack. I came to this project out of a childhood love of whales and a scholarly interest in Moby-Dick. These animals we rarely see in full — a fluke here, a rostrum there — animals whose lives are lived out of view. They are the largest creatures to have ever lived on Earth, and we don’t even know how many species of them there are.

Rus and I had made a plan to retrieve, clean, and then build the skeleton, but the one missing piece was the whale itself. The state called me each time one washed ashore. I had to say no to the 52-foot fin whale (our building isn’t big enough), no to a gray out on the peninsula; I didn’t think I could get volunteers to drive nine hours to flense it. There was a humpback a year earlier — too long; its 15-foot pectoral fins wouldn’t fit in our lobby — and another gray up north, also too long.

While Huggins and I talk, Higley calls. I switch lines, confer with him. Before we can say yes to this one we need to see if the whale will fit in Eaton Hall. As Higley says, “We need to lay eyes on it.”

The whale is on Longbranch Beach at the southern end of the Kitsap Peninsula, a Republican stronghold in left-leaning Washington. (Faded election signs tacked on evergreens plea, “Save the KP. Stop HRC.”) A crowd has gathered. Three girls — one in a sparkled cone hat with tassels — and their parents, the five of them on a birthday beach walk, had found the whale. A dog runs the shore, but mine stays in the car. I don’t want to wash whale from her fur; it smells of brine, fish, digestion, rancid oil, and Death. Some neighbors come down; whales are an attraction, dead or alive. The girls collect driftwood to build a memorial.

The whale’s ribs jut out, skin over them as a blanket over knees. Part of its fluke has torn away, and there are orca teeth marks along its flanks and under its jaw. Blood streams from the blowhole. I’m surprised — though I shouldn’t be; whales are mammals — to see hair. 1.5 inches long, blonde, stiff like a broom. Whale lice swarm the body. They range in size from a dime to a silver dollar, pink crustaceans, their mandibles latching into the corpse. I pry one off with my pocket knife. The skin tears. The whale doesn’t yet smell. That will come later, once the necropsy opens its flesh.

Higley’s red-brown beard shows some gray. He wears a skull cap and a black denim jacket, jeans, hiking boots. He lays the rope he’d told me to bring on top of the whale from tail to snout. He then lays that same rope on the beach and measures it. “907 cm,” he says. “Almost 30 feet. It’ll fit.”

“How long do they get?” one of the girls asks.

Higley steps into a role he knows well. “48, 50 feet.”

“How much do they weigh?”

“40 tons.”

“How do they eat?”

Higley reaches into the whale’s mouth and tugs on the lower lip. It’s stiff. “Peter, give me a hand here,” he says, and together we pull down. “This is how,” Higley says, running his fingers along the baleen. The parents come closer, looking over their kids’ shoulders.

While my wife and I inspect the whale’s mottled flanks, our 2-year-old sits near the trees, dropping pebbles into his lap one at a time. Higley walks toward and then past him to a stump. I follow. “Dead whales sometimes fill with gas,” he tells me. “Then they float away. We don’t want to lose your whale.” Higley’s friend (a geologist who knows his knots) lashes the rope around the tree, then we walk back to the whale. “Lift the tail,” Higley says. I can’t. Dead weight. We stand in ankle-deep water and lift together while the geologist ties more knots. We let the tail fall back to the shallows. I doubt a tree and a rope can hold a leviathan, but Higley assures me: “That whale’s not going anywhere.”

We return to the girls. One is crying. “Don’t,” Higley tells her. “It’s sad for this one whale, but the species is doing great. They’ve recovered to their historic levels. 27,000 of ’em. And this is how nature works, right? Survival of the fittest. The weak ones die.”

I know, as I hear Higley say this, that he is right. Gray whales are no longer endangered. And this is how nature works. Even so, later that night, as my wife and I lay in bed and recount the day, what strikes us most about this animal born in Baja and who had migrated to Alaska once, maybe twice, this animal whose flukes with just a few thrusts could throw its heavy body from the water, this animal expected to live 70 years, this gray whale — Eschrichtius robustus — laying on its belly, facing the shore, head on the sand and tail in the water, as if it had swum up on the beach and, out of exhaustion, gave up — its eyes are closed.

***

As a writing teacher, I’m struck by the language for building a whale. People talk of the articulated skeleton, of articulating a skeleton. My students and I will articulate the whale — we will build the whale as we write the whale. We will try to find the words to describe what we are doing. One of the students who built the whale, Riley Peters, wrote of this work as “re-forming” the skeleton. I think of bringing order to chaos, of forming something by pulling together disparate parts. And because I teach writing classes, what people in the field call composition, Peters’ re-forming teaches me that this whale skeleton is a composition of an entirely other sort, composition, from the Latin com– meaning “together” and the verb ponere, “to place,” these bones placed together by 158 volunteers retrieving, burying, cleaning, arranging, drilling, and finally hoisting into place this body of work.

***

The next day, at a farm outside Tacoma, my dad and I join the team from Cascadia Research Collective. Four boats sit on the property. Dyanna Lambourn will be leading the necropsy. She’s on a ladder pulling orange buoys from the barn attic. Her crew gathers knives and buckets. “Don’t forget the sharpening stones,” she calls from above.

Doug Sandilands is here too. He’s a whale disentangler. This year he’s already freed four from fishing lines. Two lived. He doesn’t often get opportunities to practice; tangled whales are hard to come by. Today he’s hoping to test some equipment on this dead one, hoping it might teach him something about how to save a whale. From the bed of his Chevy he pulls out the Gobbler Guillotine, an arrow that will decapitate a turkey. The tip is surrounded by razor blades. “If a whale’s wrapped in a line, and I can hit the line just right with this,” Sandilands says, holding up the arrow, “I might be able to snap it.” The Gobbler Guillotine will leave a wound, but that’s better than the whale dying.

We collect our gear and drive to the beach. The tide is out. We carry picnic tables, garbage bags, coolers, and cardboard boxes full of tools across a neighbor’s yard, down an overgrown path, through trees, and onto the shore. The necropsy team setting up, Sandilands unties the whale from the tree and wraps the rope around its head multiple times. He then opens a black suitcase and assembles a crossbow. As he does, Huggins slices into the whale. On the beach are sheets of what looks like a tarp. I pick one up — black, translucent. Whale skin. I tear some off and slip it into my notebook, dampening the pages.

On the beach are sheets of what looks like a tarp. I pick one up — black, translucent. Whale skin. I tear some off and slip it into my notebook, dampening the pages.

Sandilands paces 30 feet from the whale and hollers, “Everyone step away.” We do. He raises the crossbow. His first arrow skips off the whale’s back. Huggins, wearing brown hip waders, dashes into the water to get it. Sandilands nocks another arrow. This Gobbler Guillotine hits its mark, snapping the rope. “It works!” he screams, and everyone cheers at what this means for entangled whales. I ask Sandilands where he learned to shoot a crossbow. Was he in the army? Was he a sniper? “Of course not,” he says. “I’m Canadian.”

Lambourn removes an eyeball the size of a grapefruit. Huggins takes skin samples from where the killer whale teeth marks are. A biologist at my university recommended I bring vodka. “A cheap, all-purpose preservative ’til you can get back to the lab,” he said. I fill a Mason jar with it and two barnacles. One of the whale lice attaches to my finger. I watch for a moment — curious even as I am repulsed — before pulling it off and adding it to the jar.

This whale is skinny, its skull, spine, and even the phalanges in its flippers visible. The crew opens the belly and Huggins wedges her hands past blubber and ribs to sample liver and kidneys. The intestines are bright pink, coiled tight. Excreting from the gash on the whale’s side, they relax into the water, tension leaving them, organs spilling. Insides become outsides. There are many shades of red here, like those cards from the paint store, each darkened a bit more than the one next to it on the rack. And as the intestines seep out, and as the necropsy team opens them, and then opens the stomach, this is when the whale begins to smell. It’s that mixture of brine, fish, digestion, rancid oil, and Death — an aggressive smell that will clothe me for weeks after.

A biologist burrows in looking for earwax. It contains isotopes, as does the baleen, which the Makah Tribe has also taken samples of. Earwax and baleen both accumulate in layers, and by comparing isotopes layer to layer scientists can learn where the whale has swam. The isotopes can also tell us what the whale ate last month and last year. The feces can tell us what the whale ate yesterday. The National Marine Fisheries Services takes those, along with the contents of the stomach. Northwest ZooPath, also interested in diet reconstruction, takes the stomach itself. The spleen too — useful for determining overall health.

I am here for the skeleton. This whale is giving itself to us, its body with so much to teach us. Huggins keeps referring to it as “Peter’s whale.” I suppose, in a way, it is — the whale will hang in my university — but I do not think a person can (or should ever) own a whale, even though the federal permit in my pocket does put this whale’s body under my care.

Cutting in is too much for me so I am given a clipboard. The scientists report their findings; I document them. “There’s a cyst on the ventral side near the fluke,” Huggins says. I make note, then follow Lambourn to the other side of the whale. “The dorsal blubber is 6.4 cm, the lateral blubber 7.1. It should be four times that,” she tells me, squeezing the fat between her fingers. “It’s dry. Write that down.”

Huggins walks over, holding a basketball of flesh, pleased with her find. “It’s a girl.”

“Write that down too,” Lambourn says. “These are her ovaries.”

***

“Is that a dinosaur?” This is the most common question Higley receives from visitors to Highline College’s Marine Science and Technology Center. They ask it upon seeing the 38-foot gray whale skeleton hanging above them. Higley built it. The question is an effort to read the bones. It’s not unlike reading any other text, the initial sense of confusion, the subsequent effort to work through it, whale bones a particular kind of figurative language.

 

***

On Friday at 5:30 a.m., videographer Joel Wiebe and I drive to a Tacoma dock and meet Captain Vernon Moore. Higley is there, coffee in hand, with Joanne Park, her third day working for him. “Don’t worry,” he tells her, “We don’t tow whales every week.”

Moore’s wearing jeans and a blue sweatshirt, white beard trimmed short. His boat, the Sea 3, at 39 feet, is the smallest surface vessel to reach 90 degrees north. She’s made 37 voyages to the Arctic. I ask if he’s ever thought about renaming her. “Definitely not.” He explains there are rituals for renaming a ship. “The Norwegians only do it on a blood moon,” he says, “and they have a virgin pee off the bow.” Moore then teaches me to walk off distance with a divider on the map. Twenty-four miles to the whale, 17 from there to the ship crane.

A few years ago, Higley tried working with the Port of Tacoma to develop a plan should a whale wash up on the waterfront. “Of course it will show up right in front of the park on Friday of Memorial Day weekend,” Higley jokes. “Then they’ll give me a call.” From the engine room below deck, Moore chimes in: “It’s easier to be reactive than proactive.”

Moore climbs back into the captain’s chair. “You know, I’ve got my grandfather’s old pump-action Winchester 1890 back home. It uses whale oil for lubricant. Nyoil.”

“We decimated the whale populations back then,” Higley responds. “But now that they’re recovering, we find them dead on beaches.” The humpbacks that washed ashore around Seattle in recent years are the first in modern history.

“It’s counterintuitive, but these strandings are a good sign,” Higley says. “They can’t die here unless they’re here.”

***

We find her at 47’ 11.2342 N and 122’ 47.3707 W. A sea lion circles. Some of Captain Moore’s friends arrive in a skiff — Nate, Kent, and Chewy the dog. Camera in hand, Wiebe hops into their boat to get closer to the whale. Higley puts on his scuba gear, and I throw him buoys — each holds 500 pounds, the big ones 1,500 pounds — and our tow line, rated for 42,000 pounds. The necropsy took any natural buoyancy she might have had. We’re hoping the buoys can keep the whale above water. Fat floats, but there’s hardly any on her.

After an hour-and-a-half, Higley climbs aboard the Sea 3, his wetsuit covered in whale lice. “We’re all set,” he says. His tank had enough air to last him two hours; he blew through it in 10 minutes fighting buoyancy and the whale. He held his breath to get the last buoys tied on.

The return takes four hours. Knowing we’d never make it home towing a whale against the current, Moore planned our journey so that we’d ride the outgoing tide through the Narrows. His calculations work. When we come around Fox Island, the ebbing waters pull us from four knots to six. Wiebe flies a drone for aerial footage but lands when an eagle shows too much interest. Seagulls follow us, diving into the water to pick out pieces of whale flesh, and Moore tells of another time he towed a whale for Higley. Currents took the whale and the Sea 3, turning both perpendicular to Moore’s intended course. He lost control of his ship, couldn’t bring it back to the line he wanted. “If your whale misbehaves,” he tells me, looking over his shoulder from the helm, “I’ll cut her free. Better to lose the whale than ship and crew.”

***

A catalog of Washington’s whale skeletons — just the assembled ones, not counting the boxes of bones stowed away in museums, schools, and federal facilities: grays at the University of Puget Sound, Highline College’s Marine Science and Technology Center, the Whale Museum, and the Coupeville Wharf; a Baird’s beaked whale at the Burke Museum; orcas at the Whale Museum (they have a minke calf, too) and the Port Townsend Marine Science Center; a humpback at the Foss Waterway Seaport.

To see the entire collection, you’d drive all day. A few years ago, Higley took me to a handful, pointing out what each build got right and what we’ve since learned is incorrect. It’s a literature review of sorts, this one not from books but bodies. “The trouble with building a whale,” Higley told me that afternoon, “is that no one really knows what the inside looks like.” It’s not feasible to X-ray a whale. And a necropsy doesn’t — can’t — reveal everything about how a whale’s insides look. Laying on a beach, contorted, gravity pulling tons of weight down into the sand, a whale’s body is disfigured, organs pushed this way and that, bones in positions they’d never be were the whale afloat in the ocean.

And so, on one, the vertebrae are spaced incorrectly; on another the scapulae are too high; on a third, the hyoids are upside down. Each becomes a snapshot of what we thought, at the time of its construction, a whale looked like. My whale is now part of this collection. Someday people will visit her, they will find mistakes, and her body will testify to the advancement of science.

Our whale re-formed and hanging from the ceiling, I recall something one of my students wrote while building the whale. Ellie Loran says this:

After this class I know just a little bit more about whales because I have experienced the feeling of her bones in my hands. I have sat inside her rib cage and held her flipper. I have looked into her empty eye sockets where she could once see out of. I know this whale because I have been close to her, closer than anyone will ever get to her. And yet I know nothing about her. I will never know what her last thoughts were before she passed. I will never know what she saw under the water or what she heard.

Despite her immersive work, Loran knows she knows nothing of the whale. She knows the anatomy, yes, knows facts about a gray whale’s life too. She’s carried this whale’s 518.3 pounds of bones across the room, hoisted them above her head. But Loran — and I, and anyone really — can never truly know the whale, know it in that deep, internalized sense of knowing, this a knowledge of the body, an epistemology rooted in the lived experience of another. Teacher that I am, I must concede — though I hate to — there are limits to what we can know, what we can learn.

***

“I spent the night with her,” Moore tells us the next morning. He had moored the whale in Gig Harbor. At 9:30 p.m., he fielded questions from the Coast Guard; two hours later he fended off kayakers threatening to cut the lines and sink the whale; at 3:00 a.m., he turned on the generator — it was cold out there on the water — and at 7:00, with Nate and Chewy, he towed the whale under the ship hoist.

With two scuba divers, multiple buoys, a lift sack, and a boom truck, we loop two straps under her. The ship crane creaks under her load. According to its scales, this emaciated whale weighs 16,000 pounds — five times my Prius. What little blubber she has folds over the straps like a belly over a pair of tight jeans. The coils of her intestines dangle from her body. A crowd, phones up, cheers when she surfaces.

The crane nestles the whale in the back of a rendering truck. We follow truck and whale to a nearby farm, where the truck raises its bed and she slithers, tail first, down the cool metal, sliding across earth as the truck pulls away, the whale settling in a slight curve, resting on her belly, flippers out. Her mouth is open.

And now the work begins. For the next six hours, some 30 volunteers — colleagues from the biology department, two theology professors, and a whole lot of science majors — will flense the whale, cutting away blubber, muscle, fat, tissue, ligaments, tendons, and cartilage until we reach bone. This is the second whale I’ve worked on. The first was three-quarters buried in a beach. The sand hid the carnage. This whale, however, displays her full body, inside and out. The dirt reddens. A particular scent fills the air. Scent is too weak a word. Odor? That, too, seems too weak. The whale is here, and so is her smell. It’s as much of a being here as the body itself, that familiar mixture of brine, fish, digestion, rancid oil, and Death only heightened in the week of decay since the necropsy.

As he’s cutting in, a volunteer announces that whenever he flenses a whale, he wants a steak. “The marbling in the muscle is so appetizing,” he says. Even though I’m a vegetarian, I do admit that it’s beautiful in a strange way, the interplay of colors, this dark red swirling around strands of white. “It’s the myoglobin,” KC tells us, “that makes muscle so pretty.” Katy says she likes to have sushi after working on a whale. Higley joins in: “I ate sushi after we towed the whale. Sushi and Pringles and berries.”

 

A cop stops by (a neighbor had complained about the smell) and as he’s looking on, after 40 minutes of cutting, the first bone comes out. A hip. Huggins finds it. Ribs are next, then some vertebrae. Soon a shoulder blade. The parts of the whale we don’t want — muscle, large blocks of blubber, intestines — are loaded into the dump truck to be rendered. Stan, the owner of the farm, prepares a bed of manure where we lay the bones to rest. Full of enzymes and bacteria and critters, the manure will clean the residual gore from the bones and leach out any remaining oil. The manure was donated. “I got 20 horses,” the donor said, “and they shit a lot.” My hands are in it now, shifting bones around, and compared to the whale and her smell I find the steaming manure inviting, pleasant even. It’s warm compared to this ocean-refrigerated whale’s flesh.

Elbow deep in whale guts, a colleague from my university, Eric, tells me he can remove a deer’s jaw in 20 seconds. The whale’s took him and a crew of six an hour. His enthusiasm is not unlike that of the other volunteers talking about lunch plans. These biologists are in their element. They’re pulling out body parts, naming them, counting bones, comparing samples, telling adventures from other fieldwork. This is what they’re all trained to do. Bloody as it is, I find I enjoy working among experts doing what they are experts at doing.

Bloody as it is, I find I enjoy working among experts doing what they are experts at doing.

The whale is disappearing, chunk by chunk, muscle by muscle, bone by bone, blood oozing into the dirt, other bodily fluids ground by our heels into the land. What was once 29 feet and eight tons is now six feet of spinal column volunteers work to pry apart, the rest of her buried, sunken, eaten, rendered, evaporated.

Two dozen students flense the whale today; in a year-and-a-half, another group will articulate her. It seems fitting that building a whale requires tearing it apart first. The word analysis, a word writers know well, means just that: It comes from ancient Greek — ἀναλύειν or “to loosen up” — a pulling apart, an undoing, an unloosing. Before students can compose her, this whale must first decompose.

***

She’d been dead 24-72 hours and was “negatively buoyant” when discovered. I know this from the Stranding and Necropsy Report. Body condition: “poor.” There is necrosis in the middle fluke notch, and a “Necrotic wound — section from linear impression distal third of maxilla, skin, and underlying tissue.” I read of an “externally visible vertebral column and rib cage,” and that the tips of her flukes and flippers are missing, torn away by orcas. The emaciation could be from “maladaptation / starvation,” though “a primary lesion in the viscera or central nervous system should also be considered possible. The viscera were in an advanced state of autolysis, and it is possible that lesions could have been masked by the autolytic event.” The report also notes a “Strange smell — not typical whale smell.” Her forestomach holds her last meal, which isn’t much; aside from a crab, wood, and a lot of what looks like green lentils, it’s empty. There is fluid inside both lungs, hemorrhaging in the blubber, edema on the kidneys. The brain, recovered during the necropsy: “mush — frozen in form.” This is the story of a malnourished calf, likely recently weaned, her mother leaving her to feed herself, the whale too weak to carry on, her death one of 216 gray whales that washed ashore along the West Coast in 2019 in what the National Oceanic and Atmospheric Administration called an Unusual Mortality Event.

***

 

Three months after the flensing, Higley and I go to the farm to check on the whale. Something has disturbed her grave. One of the jawbones — six feet long, 50 pounds — has been drug into the nearby trees, some 20 feet from the rest of the whale. A bear, perhaps? The flippers have been dug up too, phalanges spread about. Stan later tells me a pack of coyotes have been in the area. I’m worried about lost bones, worried about losing the materials students will soon compose. Higley’s not. “It’s part of the story,” he says. We scour the field — a humerus is in the blackberries — and rebury the bones. As we work, a gray field mouse sticks its head out from under a vertebra.

“It’s been a rough few weeks,” I say to Higley between shovelfuls. “We had to say goodbye to my dog. Had her six years. She was my best friend.”

Higley looks down at the bones, resting his chin atop his gloved hands on the end of his shovel, and sighs. “Yeah. I know how that is.”

 

***

Just as a necropsy tells a story, skeletons do too. The vestigial hips on my whale point back to her evolutionary ancestors. Her broken and since healed vertebral processes suggest a ship strike or confrontation with another whale early in her one- to two-year life. Not fatal — the bone wouldn’t have healed if it were — but enough damage to mark the body, the body now telling the story. Our knives slashed her bones as we cut away her flesh; each bone is labeled in black Sharpie — L8 (the eighth lumbar vertebra), L9, L10, and on; our drills left holes for 3/8-inch metal rod and epoxy. The bones testify to how her skeleton arrived where it now hangs. Vertebrae on Higley’s whale have fused together, and there are bone spurs in multiple places: evidence of arthritis. How does it feel to migrate 10,000 miles round trip, up and down the West Coast, every year, with an arthritic backbone?

When Higley built that whale, his crew weighed its bones. The bones from the right side are 8% heavier than those on the left. This could suggest something about how that whale lived its life, that it was possibly right-handed — rather, right-flippered. So too, its jaw is not symmetrical. Gray whales learn to feed by imitating their mother. The mother rolls to one side (always the same side), opens wide, and takes a mouthful of sand from the ocean floor. Over decades of strain, this repeated action enlarges and bends the jawbone of that side. The calf, then, imitates the mom, its own jaw forming as hers has, the very bones of this animal speaking of its relationship to its mother.

The calf, then, imitates the mom, its own jaw forming as hers has, the very bones of this animal speaking of its relationship to its mother.

 

***

 

A crew of 30 arrives in December to exhume the whale, and we find on the bones what Higley calls “legacy flesh.” We set up cleaning stations. A grad student in museology keeps tally as we pull bones from the manure. A month later, students in Vertebrate Biology arrange the 250 bones. Six lay out the spinal column along the hallway floor. In another room, a student holds a rib up to her own body, imagining how this bone sat within the whale. Across the way, three students look over a mess of carpals. Another swaps radius and ulna, trying to figure out their orientation. The bones cataloged, we move them to a roof to bleach in the sun. How surreal this is, I think, to be carrying (with help) a whale skull — 200 pounds, I’d guess, longer than my dining room table — up a staircase. This project has me doing things I never imagined a writing teacher would do.

Back in the building I notice, on the floor where the students were working, bits of bone splintered off, a light dusting. Here, too, the strangeness of this moment strikes me: The person who laid this carpet decades ago likely never thought there would be whale now ground deep into its fibers.

I remember my visit, months before, to St. Anthony Chapel, the largest reliquary outside the Vatican. It sits on Pittsburgh’s Troy Hill and houses some 5,000 relics — a barb from the Crown of Thorns, teeth and hair from the saints, bone too, particles of the True Cross. As he closes the car door, my friend says, “I’ve been praying the rosary so much that the Hail Mary is in my bones.” I wonder what it means to inhabit a text such that it inhabits you.

I wonder what it means to inhabit a text such that it inhabits you.

During the tour, his son whispers to us, “Why do they save all this stuff?” The docent intervenes, asking who in the room are parents. “How many of you saved hair from your child’s first haircut? Or saved their lost teeth?” Every parent in the room nods.

“We save things to remind us of the people we love,” the docent says. “And so does the Church.”

I return to the hallway with a bowl and pick up what small pieces remain of her.

***

Upon seeing a skeleton, Scottish poet and essayist Kathleen Jamie writes that it was “as though the bones recalled their flesh.” That is what bones do; they are citational, their final gesture to point. Were I to come upon the bones of a whale — say, a fin whale’s remains in the dunes, its jawbone 18 feet, its skull 2,000 pounds, the bones heaped on the sand, some ribs scattered across the beach — the remains would do the same as those composed in the lobby: They’d evoke the living whale.

***

 

There are 20 in the class, students from across campus: as expected a handful of biology majors, some ecologists and physiologists too, but also an English major and two psychology majors. There’s a student from Communications, Journalism, and Film. “I just like building things,” another from Art History told me. She was one of the first to try her hand at the drill press. It runs six hours a day. In this first week of construction, we core a two-inch hole through 39 vertebrae.

As we work, the students decide not to name her. We name children and pets, they reason, and a whale is neither. They do not want the whale to be domesticated but to remain wild. A title, though, seems fitting, necessary even, and they settle on the name of the beach where she washed ashore: The Longbranch Whale.

Because he broke his arm as a child, Alex Pedersen works on the flippers. It takes him and four other students three days to build both. He’s unnerved by the experience: “I leave my marks on the bones with tools as alien to her as her world is to me, and I feel guilty.” He wrote that in an essay for the class. English professor that I am, I couldn’t resist asking these students to articulate, in writing, what it is like to articulate a whale.

Throughout the day, I notice Pedersen pulling away to write longhand, with a Blackwing, in a notebook. “I don’t want to forget what we’re doing here,” he later tells me. “Each night I let my girlfriend read my diary. There’s just too much to remember, too much to tell her. I have to write the stories.” And the stories, as Riley Peters explains in her essay, are in the bones, “the whale’s life written across her skeleton.” For Peters, the body is a book, one we read as we tend these bones.

The whale’s skull is in seven pieces, her juvenile head yet to fuse. Our six-foot drill bit barely reaches the base of the nasal cavities. “As I worked on the skull,” Olivia Winter writes, “I found a chunk of legacy flesh that had fallen from it: a weird, hard black thing that looked like the remains of something burnt in an oven.” She immediately knows what it must be: “The remnants of her brain. As I held the dime-sized chunk in my hand, I realized I was holding a memory. A part of her story.”

On Monday of the second week, we begin stringing vertebrae onto the pipe. We attach the ribs next, then the flippers, then the skull and jaw, followed by the chevrons, hips, and (finally) hyoids. These students hold body parts few people have held. There’s a sacredness in the work. In her essay, Claire Geiman tries to describe “the intimacy in holding her bones, the very bones that powered her great tail and sent her deep beneath the surface of the sea,” but she finds herself stymied: “I can’t fully explain the feel of her porous bones under my fingers, the squeaking as her vertebrae are coaxed onto the pipe, the way it feels to sit inside her sprung rib cage, knowing that I’m sitting in the location where her massive heart once beat.” It’s rare to be this close to a body. Rarer still to be inside one. And in Geiman’s efforts to find the words, I see a labor of love, a care for this body that began when I tethered it to that tree on the beach and now finds completion as the whale is composed.

But in all this, we know to raise the dead is unnatural. I share the following with my students, from Anne Carson: “A human is born by falling, as Homer says, from between the knees of its mother. To the ground. We fall again at the end; what starts on the ground will end up soaking into the ground forever.” So too whales: When a whale is born it sinks until another — called an auntie — brings it to the surface for its first breath; when a whale dies, it descends into rest as a whalefall. We have taken the role of post-mortem auntie here, catching this whale in her death, a life marked by rising to the surface rising one final time.

 

***

Peter Wayne Moe is an associate professor at Seattle Pacific University and author of Touching This Leviathan.

Editor: Krista Stevens

Copy Editor: Cheri Lucas Rowlands

Fact checker: Julie Schwietert Collazo

The Top 5 Longreads of the Week

A yorkshire terrier sits on the grass with a green tennis ball between its front paws.
Image by Yevgen Romanenko (Getty Images)

Here are five stories that moved us this week, and the reasons why.

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1. Ikea’s Race for the Last of Europe’s Old-Growth Forest

Alexander Sammon | The New Republic | February 16th, 2022 | 7,137 words

Sure, your baby’s new SUNDVIK crib is cute and modern, but do you have any idea where the wood came from? Romania has one of the largest old-growth forests left in the world, home to ancient and rare spruce, beech, and oak trees. Joining the European Union in 2007 opened Romania up to a massive market for this prized cheap timber, which fuels the fast furniture industry. IKEA, which makes big sustainability claims, is the largest individual consumer of wood on the planet; in 2015, it started to buy forestland in Romania in bulk and is now the country’s largest private landowner. But more than half of Romania’s wood is illegally harvested and, as Alexander Sammon intrepidly reports, what’s actually happening on the ground is not always legit and, in some cases, has turned violent. “Tracing any individual tree from forest floor to showroom presents a near impossible challenge,” writes Sammon. “As wood moves through the supply chain, it becomes increasingly difficult to pin down.” This is a dismal but gripping and important read. —CLR

2. Driving While Baked? Inside the High-Tech Quest to Find Out*

Amanda Chicago Lewis | Wired | February 15th, 2022 | 5,932 words

Getting intoxicated drivers off the road is an inarguable good. Exactly what “intoxicated” means for cannabis users, though, is a touch more arguable. THC’s fat-soluble nature means that a person can exceed the legal limit in multiple states a day after consuming, despite feeling absolutely nothing. Lewis, one of the most prominent journalists to have carved out a beat in this particular branch of botany, takes readers inside the struggle to reach a smarter standard, and the result is as thought-provoking and entertaining as you’d hope. Whether detailing the intricacies of a promising cognitive test or playing out the comedy of a stoney testing session, she’s able to capture both the science and the spectacle: “Without the usual context of a possible arrest,” she writes about the subjects and the supervising cops, “the vibe … veers from surreal to downright chummy, as if Tom and Jerry took a break from the endless chase to discuss the finer points of mousetrap methodology.” So sure, keep telling your friends you drive better when you’re high — maybe just read the piece first. —PR

*Subscription required. (The vast majority of the pieces we recommend are free to read online. Occasionally, we will share a piece that requires a subscription when we strongly believe that piece is worth your time.)

3. How Much is a Dog’s Life Worth?

Hannah Smothers | Texas Monthly | January 11th, 2022 | 2,017 words

A few weeks ago, I got my first dog — a rag-tag collection of breeds, somehow muddled together to make something that I consider perfect. Perhaps it was because I was sitting with my scruffy mutt as I read, but Hannah Smothers’ essay about the loss of her dog had me holding back the tears. Augie, a mixed-breed rescue puppy, was only a part of her world for 36 hours before a dog attack brought his short life to an abrupt end. Smothers’ emotion is raw, seeping out of her words as she describes the gut-wrench of coming across his little toys around the house and the nightmares forcing her to relive the attack again and again. The grief led to her reaching out to a lawyer to see if she could vindicate her lost puppy. The answer was a resounding no. According to Texas law, the only possibility would be to sue for economic value: amounting to about $50 for Augie — a dog of indeterminate breed. In 2013, a case did argue that pets should have sentimental value, but, as Smothers explains, the big guys stepped in: “Among them were the American Pet Products Association, the Texas Veterinary Medical Association, and the American Kennel Club. They argued that if pet owners could sue for sentimental value, veterinary malpractice insurance premiums would skyrocket, and pet product companies would be hit with class-action lawsuits every time someone’s cat got sick from a can of food.” This is a fascinating debate, but this essay does not delve into the technicalities too deeply — it is the human emotion that makes it such a powerful piece. —CW

4. This House Is Still Haunted

Adam Fales | Dilettante Army | February 15th, 2022 | 5,200 words

Here’s how fascinating this essay is: My husband read it and promptly went out to buy one of the books it mentions (Desperate Characters by Paula Fox), which I in turn, having read the essay while he was out, stole from him so that I can read it first. In seven sections — which he calls, appropriately, “gables” — Adam Fales considers the motif of the haunted house in American literature and film and what it can teach us about how we as a society have approached the wrongs of our collective history. With references to an impressive range of sources, from The Fall of the House of Usher to Paranormal Activity, Fales argues that, “Locating evil in a haunted place lets Americans concentrate the past’s wrongness. The haunted house is a place where we deal with how things have gone wrong.” —SD

5. On Winter

Matt Dinan | The Hedgehog Review | February 1st, 2020 | 1,771 words

I was born and have lived all my life in a place known for the harshest winters outside Siberia. When people in other places say it’s cold out, I try to stay quiet. (After all, cold is relative and it’s all about what you’re used to.) The radio announcer declared yesterday a beautiful day. (It was -20 Celsius / -4 Fahrenheit. It was a lovely day.) But at this point in February, when winter is well ensconced and spring is still a distant dream, we start to think of moving somewhere, anywhere warmer. Matt Dinan, in his piece at The Hedgehog Review, understands reality in a winter community and my thinking around this time of year: “But if we are being honest, it really is quite hard to sustain the illusion that there is anything good about winter after the hundredth day or so of temperatures below freezing.” This terrific essay looks at cold through the lens of poetry and literature, as Dinan collects winter reflections from Henry Miller, Emily Dickinson, and others, and of how the people of winter communities regularly faced with heavy snow and dangerous conditions help one another to get through it: “When a snowstorm is coming, we’re called on, in a relatively low-stakes way, to evaluate, deliberate, and decide—together…Schools, businesses, government offices, sports teams, choirs, volunteer groups, families, friends—every part of civil society needs to decide whether it’s worth staying open, going out, or hunkering down at home…The edifying character of winter, then, has less to do with heroic individualism than with its capacity to force us into something less common: community.” —KS

The Hare Krishnas of Coal Country

Illustration by Carolyn Wells

Ashley Stimpson | Longreads | February 2022 | 26 minutes (7,219 words)

We’ve been fortunate to publish Ashley Stimpson in the past. In Shades of Grey, she explored both sides of the dog racing debate in Florida.

Trevor Krenzelak grew up in a mobile home in Bellaire, Ohio, just across the river from West Virginia. He liked it there, liked watching beavers rearrange the woods behind the trailer park. But on Krenzelak’s 13th birthday, his family’s home was destroyed when remnants of Hurricane Ivan stalled over the valley and dumped nearly 10 inches of rain in 24 hours. The flood waters had barely receded when Krenzelak’s dad “got messed up” in a motorcycle accident; before long his father was addicted to painkillers.

Everything spiraled. The disease that gripped his dad seemed to infect nearly everyone in Krenzelak’s life. “There were a lot of drugs,” he remembers, “and hardly any food.” His grandma got him a job at Target, where she worked as a cashier, but Krenzelak quit after a few weeks. “People were just there for the money,” he says, without a trace of irony. 

That was the thing about Krenzelak: What tempted everyone else — drugs, money — didn’t call to him. He always felt like a “strong spiritual seeker … longing for a connection.” His mother grew up Catholic and sent Krenzelak to Vacation Bible School, but he thinks that was to get him off her hands.

“I was different. I never felt like I fit in,” Krenzelak says. “I never had a cell phone, never had a car. I had a lot of questions about why life is the way that it is.” 

Initially, he wasn’t seeking answers when he first visited New Vrindaban, the 1,200-acre Hare Krishna community atop a hill outside of Wheeling, not five miles from his childhood trailer park. He just needed an interesting setting for the skateboarding videos his friends filmed and uploaded to YouTube, which featured Krenzelak doing kickflips and ollies, his long golden ringlets flying free behind him.

When he met some of the Hare Krishna devotees, swaddled in orange robes, japa bead bags slung around their necks, he was a little weirded-out — but that was before he learned they offered free food to anyone who wanted it. Soon, 18-year-old Krenzelak took a job at New Vrindaban as a landscaper, mowing grass and trimming roses around the temple.

“But really,” he says, “I was a spy.”

A spy needed to know his subject, Krenzelak reasoned, so he started reading the Bhagavad Gita and chanting, triggering a transformation he calls “intense” with a laugh that sounds more like a cough. Not long after, Krenzelak shaved his head, moved into the ashram, and adopted the moniker Pranatakaruna, a Sanskrit name that means “surrender to mercy.” He’s been a monk ever since.

Initially, he wasn’t seeking answers when he first visited New Vrindaban, the 1,200-acre Hare Krishna community atop a hill outside of Wheeling, not five miles from his childhood trailer park.

His family wasn’t thrilled about Krenzelak’s new faith — or his new friends — but that didn’t surprise him. The relationship between the locals and the Hare Krishnas had been fraught since the community was founded in 1968, a low simmer that periodically boiled over into roadside fistfights, petty arson, gunshots in the middle of the night. “I had grown up hearing the rumors,” says Krenzelak, now 30. “That [the devotees] were criminals. That there was a lot of bad stuff going on up there. That there had been murder.”

But many of the things Krenzelak had heard weren’t rumors; they were true. In the mid-’80s, when the community had swollen to more than 600 residents, New Vrindaban’s swami, a thin-lipped former Baptist, was accused of ordering the assassination of two disgruntled devotees. The community school was consumed by allegations of abuse and molestation, and the swami himself was caught in the backseat of a car with a 15-year-old boy. Once known as the Taj Mahal of the West, New Vrindaban withered; the gilded temple and its shrine to the movement’s founder, Bhaktivedanta Swami Prabhupada, fell into disrepair. By 2004, only 50 residents remained.

Like Krenzelak, I came to New Vrindaban by accident. In September 2020, I needed a quiet, pandemic-safe place halfway between Columbus and Baltimore, where I could meet up with a client to write. A website full of stand-alone cabins and deserted hiking trails convinced me I had found it.

In between writing sessions, we wandered the grounds, taking photos of peacocks and searching for their feathers among a riot of wildflowers. We tried not to stare at the young men in orange robes, their heads shaved save for a single tuft sprouting from the butt of their skulls. We sat next to them and made small talk at the free lunch we nervously attended. We were disappointed when no one tried to convert us.

Back home after our weekend in “Krishna Land,” as we took to calling it, we googled furiously, trading links to old articles. It didn’t take us long to discover the FBI raid, the sex scandals, the murder conspiracies. We were titillated. But weeks later, I was still reading, trying to reconcile the living, breathing community I had visited with the stories I had found on my phone. The only thing more surprising than the scandal this place had endured was that it had endured at all. How did a radical, communal movement of the ’60s, dismissed as a cult and lampooned by everyone from Kermit the Frog to Cheech and Chong, manage to survive, let alone on this ruined patch of Appalachia, where fracking trucks rumble past weed-choked doublewides folding in on themselves?

I scheduled another weekend getaway. For a break. For fun.

But really, I guess, I was a spy.

***

On September 18, 1965, Abhay Charanaravinda Bhaktivedanta Swami Prabhupada peered out from a porthole aboard the cargo ship Jaladuta to see the soaring skyline of New York City. On the 12,000-mile journey from Bombay, he had turned 69 years old and suffered two heart attacks; he was lucky to be alive. But as the ship docked, Prabhupada opened his diary and wrote a missive to his Lord Krishna: “Why would you bring me to this terrible place?”


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It was a rhetorical question. Prabhupada had spent 30 years preparing for this journey, ever since his spiritual master, Bhaktisiddhanta Sarasvati Thakur, tasked him with taking their religion to the West. Thakur and Prabhupada belonged to the Gaudiya Vaishnava tradition, a Hindu sect that forwarded the teachings of 15th-century Indian saint Chaitanya, who they believed was the incarnation of Krishna, one of the most revered of the Hindu deities. Chaitanya’s teachings placed Krishna at the center of the universe — the supreme lord and the only way to salvation — and encouraged chanting the Hare Krishna maha-mantra. Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama Rama, Hare Hare. Chaitanya predicted that one day, these words would ring out from every country on Earth.

In New York City, Prabhupada descended the gangplank carrying a small suitcase, an umbrella, and a rumpled bag of cereal. He was draped in folds of saffron fabric, white rubber shoes on his feet.

Perhaps the story would be different had Prabhupada disembarked from the boat into Houston or Miami. By karma or coincidence, he landed in the Lower East Side, the stomping ground of Allen Ginsberg and Alan Watts, to a counterculture hungry for meaning.

The hippies he found listened intently as he told them they had lived millions of lives, that they were trapped in a perpetual cycle of birth and death. He told them that the things they had been taught to identify with — their bodies, their families, their political parties — were all meaningless, temporary distractions, as perishable as a garden tomato. He told them that they were right to be skeptical of this material world, its squeaky-clean suburbs, the promise of happiness wrapped in ribbons of credit card debt. He knew he was preaching to the choir: “Hippies are our best potential,” he said, according to his biography, Swami in a Strange Land. “Although they are young, they are already dissatisfied … and frustrated.”

The real way off the hamster wheel, Prabhupada promised, was to live this life fully absorbed in God. But this wasn’t the God of their childhoods, that stodgy old man hidden behind a thicket of facial hair; this was Krishna, and Krishna was just like them. Playful and joyful and young. Mischievous and even a little libidinous. Better yet, the best way to be fully absorbed in Krishna was through song and dance. Prabhupada introduced them to kirtan, a jubilant ceremony of call-and-repeat chanting. He led them in kirtans beneath an elm tree in Tompkins Square Park; a photo of one that appeared in the New York Times effectively introduced the rest of the country to the burgeoning movement.

During his first year in the U.S., Prabhupada initiated 19 disciples and registered ISKCON, the International Society of Krishna Consciousness, as a nonprofit, tax-exempt, religious organization, though the swami insisted that his movement was not a religion, nor was it Hindu, but rather the “business of all living souls.” In 1967, he decamped for Haight-Ashbury, where hundreds of hippies flocked to a recently opened temple. A sign above the temple door promised they could STAY HIGH ALL THE TIME, FIND ETERNAL BLISS. Because many of the young followers were transient, a communal structure in San Francisco emerged that would serve as a model for devotees who began spreading out around the country, following Prabhupada’s edict to establish more temples and to fill them with recruits.

That same year, two of Prabhupada’s earliest disciples, Keith Ham and Howard Wheeler, saw an ad in the San Francisco Oracle, the area’s underground newspaper: “trying to form an ashram of sorts here in West Virginia,” it said. “I want to meet one, two, or any number of people who would be willing to settle here and devote some time to getting the thing started.” The ad had been placed by a self-described mystic named Richard Rose, who had no connection to the Krishnas, just a lot of land and some vague notions about a spiritual retreat.

Ham and Wheeler traveled to West Virginia in 1967 and negotiated a 99-year lease on a remote 132-acre farm atop McCreary’s Ridge Road outside the Ohio River town of Moundsville, 70 miles south of Pittsburgh. At Prabhupada’s urging, they named their inchoate community New Vrindaban. A few months later, the Charleston Gazette reported that the area “had been labeled a hippie haven by nearby residents and hippie-watching had become a popular pastime.”

“They dance on the roof of a barn at night,” the article continued, “and one man said he had seen them talk to trees.”

***

The second time I went to New Vrindaban, I knew what to expect. I knew to fuel up at the bottom of the mountain, to download an album before cell service cut out. I knew that the flambeau above a natural gas compressor station was not the moon and that the two-story replica of the Twin Towers in someone’s yard was, in fact, a two-story replica of the Twin Towers in someone’s yard, its tiny windows lit up in patriotic defiance. I knew to expect the concrete elephant and the spangled minarets atop Prabhupada’s Palace of Gold, the massive temple that Ham, Wheeler, and the hundreds of devotees who flocked to New Vrindaban in the ’70s built to honor their spiritual master. Krishna is Watching a security sign read as I pulled into the registration center. It was late winter, and an extended family of starlings was nesting in the walls of the cabin I rented.

Guests at New Vrindaban can choose from among modest motel quarters to a three-bedroom cabin overlooking a small, placid lake. At check-in, they receive a schedule of the day’s events, any of which they are welcome to attend. In addition to four daily worship ceremonies, visitors can watch devotees milk cows in the Goshala, where a tinny recitation of the maha-mantra emanates from a boombox. On weekends, they can drop in on Bhagavad Gita and yoga classes or explore the walking paths and lotus ponds. A restaurant called Govinda’s serves vegetarian fare kids will actually eat, like pizza and nachos. A gift shop sells South Asian bric-a-brac: ghee, bindis, prayer beads, plastic deities shellacked in Technicolor.

In addition to four daily worship ceremonies, visitors can watch devotees milk cows in the Goshala, where a tinny recitation of the maha-mantra emanates from a boombox.

The tidy schedule, the manicured grounds, the snack machine stuffed with sugary carbs — nothing about New Vrindaban today suggests the darkness of past decades, nor the community’s rough-and-tumble beginnings. Prior to my return, I had watched grainy film reels on YouTube of baby-faced devotees carrying buckets of water through winter mud, tilling fields with a horse-drawn plow. These were the young people who had heeded Prabhupada’s 1968 letter, in which he entreated “stout and sturdy devotees,” to West Virginia, “especially those with carpentry experience and [who] can do manual labor.”

Progress was slow and seasonal. When Andy Fraenkel, who asked to be referred to by his Sanskrit name, Sankirtana, showed up in 1976, “nobody was living in a house,” he says. Instead, couples and families were camping out in a quartered-up old barn, sharing a bathroom and a large commercial washer. Sankirtana served as a cook, preparing food over an open fire in the area the devotees called “the pits,” using the creek as an improvised refrigerator. “It was very austere,” he remembers.

Sankirtana and his wife, who considered themselves anti-establishment hippies, had for years resisted fully committing to the Hare Krishna movement they had discovered and admired during college in New York City. But their time with Prabhupada, who was “actually a genuine saintly person,” Sankirtana contends, and their desire for simple living and fellowship eventually convinced them to join the community.

No matter what the Charleston Gazette had to say about it, life at New Vrindaban wasn’t easy. Nor was adhering to the major tenets of Krishna Consciousness, which Prabhupada insisted that devotees follow as they began cohabitating unsupervised. Being fully immersed in Krishna, it turned out, didn’t just mean singing and dancing with your friends; it meant getting up at 4 a.m. to begin chanting, renouncing connections to the material world, and abandoning interests that couldn’t be put to good use in the community. Meat was off the table, as were alcohol, drugs, or any intoxicants (including, I learned on that first grim morning, coffee). Gambling was a hard no and celibacy was expected, except for married couples who were permitted to conjugate for purposes of procreation — but only after chanting for five hours.

Regardless, Sankirtana and his wife liked it there. They raised two children at New Vrindaban and watched as the community grew and the movement gained steam.

While devotees shivered through merciless mountain winters, Krishna Consciousness was pervading the world they had left behind. The cover of Jimi Hendrix’s 1967 album Axis: Bold as Love showcased the musician’s face atop Krishna’s blue body. Allen Ginsberg chanted Hare Krishna on TV, making earnest eye contact with a visibly uncomfortable William F. Buckley, and again for an audience of Hells Angels at Ken Kesey’s house, famously documented in Tom Wolfe’s Electric Kool-Aid Acid Test. Tom Paxton sang “sumpin’ about Hare Krishna,” and George Harrison told listeners that “by chanting the names of the Lord,” they could be free. The maha-mantra featured prominently in the musical Hair and on Stevie Wonder’s classic 1976 album, Songs in the Key of Life.

Prabhupada also enjoyed celebrity, selling millions of his books, and appearing alongside acts like the Grateful Dead and Moby Grape at music festivals. By the mid-’70s, he was circling the globe on a speaking tour and ISKCON had established communities and temples in 36 North American cities.

Around the time Sankirtana arrived at New Vrindaban in 1976, the community was beginning to show hints of prosperity. Led by their own guru, Keith Ham, devotees had built two temples and were beginning work on the Palace of Gold, teaching themselves to cut marble, carve wood, and create elaborate stained glass windows. A school for the community’s children had opened, as had the cow sanctuary, and leaders were slowly amassing more acres, using a few local sympathizers to sign the papers, since most area residents wouldn’t sell to the Krishnas. More and more visitors arrived on their own spiritual pilgrimages; so did Malini, a 4-year-old, two-ton Indian elephant, supposedly the first of dozens that would find sanctuary at New Vrindaban.

“The community actually became a boomtown,” Sankirtana says.

Seven years later, the boomtown would go bust.

***

What happened next is contained in a short paragraph inscribed on the 50-year timeline displayed outside New Vrindaban’s Temple of Understanding. “The difficulties of the next decade were prone to happen,” it says, “deviant tendencies filtered through the community, causing dissension and distress.”

There are lots of opinions about when the trouble started. Sankirtana says things went haywire after Keith Ham was attacked with a metal pipe by a disgruntled “fringie,” the name given to devotees who hung around but didn’t adhere to the movement’s guiding principles. Ham spent nearly a month in a coma, suffering brain damage that permanently affected his memory and altered his personality. (He attributed his improbable survival to Lord Nrsimhadeva — half lion, half man — whose figure he said appeared in his brain scan.)

Many scholarly accounts, like E. Burke Rochford Jr.’s book Hare Krishna Transformed, argue that the movement as a whole faltered after Prabhupada’s death in 1977, when the 11 disciples he had put in charge established what became known as the zonal acarya system, exercising “exclusive political, economic, and spiritual control” of their own distinct geographical regions. Instead of initiating devotees on Prabhupada’s behalf as he had instructed, these men — many of whom were in their 20s with only a handful of years in the movement — became the spiritual masters of new disciples. Each guru was worshiped as if he was god himself, perched upon ornate thrones in the temple, where they lounged while devotees honored them in daily ceremonies with flowers, incense, and special mantras.

Still others, like former devotee and New Vrindaban resident Henry Doktorski, say that the trouble was baked in from the beginning. His book, Killing for Krishna, is an exhaustive tome of the community’s dysfunction, clocking in at 660 pages and corroborated by 1,336 endnotes.

Doktorski’s book includes a detail that is often missing in historical accounts of New Vrindaban: When they negotiated the lease in West Virginia in 1967, Ham and Wheeler were actually at odds with Prabhupada after Ham had attempted to wrest power from the ISKCON founder while he was sick in India, going so far as to sell one of Prabhupada’s manuscripts under his own name. When Prabhupada chastised him publicly, writing to followers that Ham was “a crazy man,” Ham printed up stationery for an organization called First United Church of Krishna — Youth Organization Underground (FUCK YOU), so that he could send less-than-subtle messages to his estranged spiritual master.

Prabhupada forgave his prodigal disciples around the time they secured those 132 muddy acres, but Ham’s reign at New Vrindaban would be characterized by the same audacity and self-aggrandizement he had demonstrated during that defection. Doktorski says that long before Prabhupada’s death or Ham’s head injury, the community wasn’t just rife with deviant tendencies; it ran on them.

Doktorski says that long before Prabhupada’s death or Ham’s head injury, the community wasn’t just rife with deviant tendencies; it ran on them.

Doktorski was 22 when he arrived at New Vrindaban in 1978, a recent college graduate with a bachelor of arts degree that included double majors in piano performance and music education. He was interested in Eastern thought, he says, already a vegetarian who read Ram Dass and the Bhagavad Gita. Doktorski was on his way to graduate school in Texas when he got off the freeway in West Virginia, struggling with deep insecurity. “I had some disappointments in college,” he says, “and a negative experience with a girlfriend.” He was also harboring “great doubts” about his future as a musician. “I was ripe for joining a cult.”

Doktorski was initiated by Ham in the spring of 1979, taking the name Hrishikesh Dasa, which means “servant of the master of the senses.” Right away, Ham sent the young devotee on the road, where he would spend six years, living out of vans and working as a picker.

“Picking” was a polite euphemism for the illegal fundraising devotees undertook on the road, selling counterfeit sports memorabilia and soliciting for non-existent charities at places like concerts and corner stores. Doktorski says that picking created “enormous profits” — $12.5 million dollars between 1981 and 1985 alone — that were used to bankroll the community. (Prabhupada’s Palace of Gold, Doktorski alleges, was financed through the sale of high-quality hashish smuggled from Afghanistan.)

Women especially were expected to excel at picking — or face consequences. “If a woman didn’t make her quota,” Doktorski writes, “the [picking] leader might slap her around a little.” Women faced violence at home too: “Wife beating was not uncommon at New Vrindaban,” and even encouraged by Ham, according to Doktorski.

Indeed, Ham and other ISKCON gurus had nothing to gain from devotees enjoying an insular or idyllic family life. In the eight years after Prabhupada’s death in 1977, the movement had lost an estimated three-quarters of his disciples and was no longer cashing in on his book sales. To sustain the communities they had spent decades building — and safeguard their own power — the gurus needed devotees in the temple or on the road. If devotees insisted on becoming “householders” — those who married and lived outside the communal structures of the movement — those marriages were typically arranged by leadership, who often conspired to match partners based on ISKCON’s economic need rather than compatibility. Lucrative pickers, for example, were placed in marriages that would not hinder their service. Likewise, any children the marriage produced were essentially community property. At New Vrindaban, that meant parents were admonished to deposit their children in the community nursery and residential school, or, so the saying went, “dump the load and hit the road.”

“Instead of an institution meant to train and educate, the gurukula became the functional equivalent of an orphanage,” according to Rochford. The combination of distracted parents, untrained teachers, and nonexistent oversight led to rampant malfeasance. Studies carried out in the late ’90s revealed that a quarter of students in ISKCON’s 11 gurukulas were sexually abused; a third of students reported being physically abused. By 1986, all ashram-based gurukulas in North America were shuttered.

Ham, however, continued to host a private ashram in his home, full of teenage boys who he spent many unsupervised evenings with. It was well-known that Ham enjoyed numerous sexual relationships with young laborers the community employed, not to mention alcohol, marijuana, and cocaine.

While Prabhubada certainly would have condemned Ham’s decadence and lechery, he also left behind a trove of letters and literature that in many ways gave rise to the community’s dysfunction. In his writings, Prabhupada suggested that women had smaller brains than men and should think of their husbands as the Supreme Lord, insisted on residential – not day – schools, and, Doktorski points out, preached that one day, when ISKCON ruled the planet, Krishna Conscious soldiers would “kill all the mudhas,” the Sanskrit word for fools. “We are not nonviolent,” Prabhupada confessed. “We are violent to the mudhas.

***

At around 1 a.m. on Thursday, May 22, 1986, a 33-year-old devotee named Steven Bryant parked his boxy Dodge conversion van near the intersection of Cardiff and Flint Avenues in Culver City, California. An almost full moon traced shadows of palm and Chinese elm trees onto the tile roofs of darkened homes and made it easy for Bryant to see the joint he was assembling in his lap. The morning was still and cool, about 60 degrees, so he may have had his window rolled down. He may have heard footsteps approaching the van. He may have looked up and recognized the sad eyes and pinched lips of Thomas Drescher, an old buddy from New Vrindaban.

“Chant Hare Krishna, because you’re about to die,” Drescher reportedly said, before shooting Bryant twice in the face.

It was the second murder Drescher had carried out for Keith Ham. The first had occurred three years before Bryant bled out on that quiet Culver City street. Like Bryant, Charles St. Denis had been loudly — and rightly — accusing Ham of breaking the movement’s regulative principles, and worse, doing so with underage boys. In 1983, Drescher had shot St. Denis outside New Vrindaban’s art studio and buried his body beneath a stony creek bed.

In West Virginia, local authorities, suspicious of the “hippy haven” from the jump, had been monitoring Ham’s enterprise for years; they felt confident enough that the missing St. Denis had been murdered, but the lack of a body hampered their investigation. When the LAPD, whose own inquiry into Bryant’s death had led them immediately to the nearby ISKCON temple in Los Angeles, called and asked for their assistance, officials in West Virginia finally had the information they needed to make their move.

As Drescher hid out in Ohio and waited for the $8,000 he had been promised for his second hit, police knocked on the door of his mobile home. Five days after he shot Bryant, Drescher was arrested on a felony warrant for the murder of St. Denis. Six months later, around the time he was sentenced to life in prison, the FBI swarmed New Vrindaban, filling three semi-trailers full of filing cabinets, financial records, and a cache of counterfeit sports memorabilia. In the fall 1986, the community laid off their entire 187-member workforce. The Marshall County Sheriff told the local newspaper, “This is the end of New Vrindaban as we know it.”

Despite a 25-million-dollar lawsuit from major league sports teams as well as an 11-count indictment that included racketeering, mail fraud, and conspiracy to murder, Ham remained serene. He weathered trials and convictions, appeals and house arrest, with help from high-powered, high-cost attorneys like Alan Dershowitz and Greta Van Susteren, draining what little money remained in the coffers at New Vrindaban. He went on Larry King Live and insisted that the case against him was fueled by anti-Hindu sentiments, while at the same time ushering in an interfaith era at New Vrindaban he called the City of God. Ham asked devotees to wear Franciscan robes and Doktorski, by then the community’s music director, to play the accordion in new Christianized Krishna hymns. A statue of Jesus, his legs twisted into a lotus position, was placed in the temple.

Through it all, Doktorski and about 100 other devotees stayed loyal to their spiritual master. Sankirtana says he was “too lazy and too stubborn to leave something that I already devoted twenty years to.” Doktorski stayed simply because he “couldn’t say no to the guru.”

By the fall of 1993, Ham had beat all the charges in time to celebrate his 56th birthday at New Vrindaban, but the occasion was spoiled by some alarming news from Ham’s chauffeur. He confided that on a long drive back from a conference in Chicago, the privacy curtain of the exonerated guru’s Winnebago had fallen open to reveal Ham in bed with a teenage disciple. That was the last straw for Doktorski; he left the community soon after. Sankirtana and his wife remained.

Ham would eventually be retried and serve eight years in prison for mail fraud and racketeering. He died of kidney failure in Mumbai on October 24, 2011, surrounded by Indian devotees who, during their spiritual master’s infirm final days, had purchased him a motorized wheelchair.

***

Gopal Campu Dasa was born in New York City to Dominican parents who named him Cesar. By the time he turned 20 in 2014, Gopal Campu was a full-time car salesman with “all the things money can buy.” But he was miserable. “My life was lacking substance,” he says.

Before he found the Bhagavad Gita, he found Eat Pray Love, which he summarizes for me succinctly: “In there this lady, she goes through a one-year mid-life crisis, and she decides to travel. At some point, she got in contact with the Bhagavad Gita and that helped her overcome obstacles she was facing at the time.”

Gopal Campu figured that if these ancient Vedic texts helped Elizabeth Gilbert, maybe they could help him, too. He found a used copy but didn’t get around to reading it until his youngest sister suffered a stroke. “I was like, ‘my God, what is the point of life? I can die tomorrow.’… I just had this overwhelming desire to go home and read the Bhagavad Gita.” One year later, he quit his job and moved into the ISKCON temple in Brooklyn, where, he says, “I just felt at home.”

Gopal Campu’s Caribbean family thought he was “getting into some voodoo.” They teased him about wearing a dress. “You’re definitely losing it,” they said. “There is something wrong with you.” But six years later, Gopal Campu says even his family can see that he’s “developed into a real person.”

Today, Gopal Campu is 27 and spends much of his time proselytizing, distributing literature in airports and subway stations, and hosting kirtans in the streets of New York City and posting them on his Instagram page, which has 33,000 followers.

When I met him, he had traveled to New Vrindaban with friends to take part in the annual 24-hour kirtan, just one of the community’s many festivals that brings in a deluge of visitors and cash. Events like it have been a significant part of righting the ship — and regaining financial footing — after the shame and struggle of the last century. These days New Vrindaban is a big player in regional tourism, too, holding a well-attended parade in Wheeling every summer and an even more popular Holi festival each fall. The community is even a stop on the Moundsville Area visitors’ shuttle, which includes other attractions like the old state penitentiary and an ancient Adena burial mound.

Fiscal recovery hasn’t been all fun and festivals, though. Doktorski calls the late ’90s the “Dark Age of New Vrindaban.” Kicked out of ISKCON and without a spiritual leader or a way to raise money, the community survived by hawking just about everything that wasn’t bolted to the floor. Two organs and six bronze bells from the bell tower. Bulldozers and dump trucks. Steel for scrap and a long-buried chest of gold. Four deities went to a temple in New Jersey and Yoga Jesus ended up, well, God knows where. Malini the elephant was sold to the circus.

Next on the auction block was land. No longer able to support communal residents, community leaders sold acres to devotees on which to build their own homes, where they could park the cars they would need for the jobs they would inevitably have to find, some for the first time in more than 20 years. Instead of living in the temple or spending hours there each day, they would now practice their faith the way the majority of us do — in between other things, when it’s convenient for us. They had been evicted, kicked back out into the material world they had left behind so long ago.

Meanwhile, this transition — from commune to congregation — was happening in ISKCON communities around the world. While Ham’s scandals inspired the most headlines, by 2005, nine of the 11 gurus who took over after Prabhupada’s death had been expelled from the movement, one for an illegal weapons charge, another for allegedly using LSD to hold extended, ecstatic kirtans.

ISKCON had lost its social and financial grip on devotees, but growing congregationalism wasn’t all bad. Now that total renunciation was no longer a requisite for membership, new faces began appearing at the temple.

New Vrindaban on a Thursday looks very different from New Vrindaban on a Friday. During the week, the community is quiet, full of head-down devotees, who, I couldn’t help but notice, are mostly white. On Fridays, things get more diverse. South Asian and Hindu Americans arrive in minivans full of kids, their license plates bearing the names of surrounding states. They wear jeans and T-shirts and flout the temple’s no-photography rule, pointing their smartphones at children beaming in front of beflowered deities.

It wasn’t always like this. Prabhupada himself “ignored Indian immigrants in America, fearing that ISKCON would be overly identified with Hinduism,” according to Rochford. But as Krishna Consciousness took root in the United States, Hindu Americans were drawn to its communities and temples, not necessarily for spiritual reasons, but as a way “to maintain cultural traditions and ethnic identities.” Over time, ISKCON leadership began to see the benefit that Hindus brought, leaning heavily on those members to speak up in response to allegations that the movement was cult. More importantly, Hindu Americans had money; homeless hippies, generally, did not.

By 2005, by Rochford’s estimate, some 95 percent of monetary donations originated from immigrant pocketbooks.

Hindu influence has helped ISKCON survive but also changed the culture of Krishna Consciousness. Because Hindu Americans are more likely to visit ISKCON communities for social purposes while Western devotees typically arrive for impassioned spiritual pursuits, schisms have erupted over which deities should occupy the temple and how raucous a kirtan really needs to be.

At New Vrindaban, the tension between fundamentalism and cash flow were on display again in 2010 when the community signed a contract with AB Resources, allowing the natural gas company to begin fracking the land beneath devotees’ bare feet.

But for young people like Gopal Campu, these factional disputes are just distractions from devotees’ real work, which is understanding where they stand “in relation to Krishna,” not each other, not temple etiquette or fracking leases.

“As our guru would say,” Gopal Campu told me, “you have to make the best of a bad bargain.”

***

The last time I visit New Vrindaban, in the spring of 2021, I blow my cover and come as a journalist. I reach out to Anuradha Dasi, the community’s communications director, and tell her I am interested in talking to young people who have recently joined the movement. Anuradha is aggressively helpful, emailing possible sources before we get off the phone. During my weekend at the community, where I spend most of my time conducting interviews at a picnic table outside the temple, I often see Anuradha out of the corner of my eye, shepherding another innocent my way. One of them is Marissa Stakeley, a 20-year-old new arrival from Pittsburgh’s suburbs.

The last time I visit New Vrindaban, in the spring of 2021, I blow my cover and come as a journalist.

Stakeley speaks in hurried, excited fragments, like someone whose cell phone is about to die. Wearing a tan sari and lacy, gold earrings the size of silver dollars, she strikes me as painfully young. At one point during our interview, a carful of boys drives by, honking and waving. “Oh my gosh,” Stakeley says, leaning close on her forearms, “were they looking at us?” (Sixteen years her senior, I feel confident letting Stakeley know they were looking at her.)

When I ask how she found her way to New Vrindaban, Stakeley says she “came in distress.” The pandemic exacerbated her despair over the America of her young adulthood. “The world is ending around me,” she says, “I need to understand my purpose.”

After meeting a devotee at a yoga retreat, Stakeley began visiting the community on the weekends and in between classes at a local college, where she’s majoring in sustainability. At first, she thought the devotees might help her get started in the kind of work she wants to do, building self-sufficient and off-the-grid communities. But soon, she made friends at New Vrindaban. “I was praying for some community,” she recalls, “just some people who would talk to me and actually care about some things that I cared about.” She decided to spend the summer of 2021 living in the ashram to develop her spirituality.

Stakeley’s father “doesn’t really know the details,” of her living arrangements, she says. Her mother passed away in 2018; briefly talking about her is the only time during the hour we spend together that Stakeley’s eyes and voice lower. She tells me that her mom was “strongly intuitive,” and taught her daughter to harness her own instinct. “Just because I’m young, doesn’t mean I’m not intelligent or wise,” Stakeley insists.

Being young probably makes celibacy more difficult, though, and Stakeley admits that for a while she had developed an unrequited crush on a male devotee. Then, after many nights of torment and prayer, she remembered a ring that she had brought with her, a loud, sparkling thing she plays with for most of our interview. “They’ll never want to put a ring on my finger, but I know Krishna will. I think of it like I’m engaged to God.”

It’s one of the stranger things someone has told me, but it makes more sense when Stakeley says she thinks young people like her are drawn to Krishna Consciousness because it offers them an escape from the outrageous pressures of growing up.

“It’s just a relief,” Stakeley sighs. “We have these social constructs in American society. First step: school. Next step: job. Next step: marriage. Next step: kids. Next step: death,” she counts these steps on her fingers. At New Vrindaban, Stakeley tells me, “It’s first step: develop your love of God. Next step: continue.”

These conflicting urges — to be held securely yet completely free — remind me of my own youth. (Don’t they remind you of yours, too?) It’s not hard to trace a line from the early pioneers of New Vrindaban to kids like Stakeley, seekers fueled by an idealism dwarfed only by their own existential terror. Of course, this doesn’t make me feel less worried for Stakeley, an eager young woman on her own in a community full of celibate men. In fact, over the next few months I’ll prowl around social media looking for traces of her. I’ll email her twice, but she never writes back.

It’s not hard to trace a line from the early pioneers of New Vrindaban to kids like Stakeley, seekers fueled by an idealism dwarfed only by their own existential terror.

***

The next day, at the morning arati, I take a seat in the back and watch as devotees file in and fall prostrate on the floor before the statue of Prabhupada, who nests deep in a throne on the east wall of the temple, dressed in a sunset-pink robe and matching socks. Some chose an instrument from the table nearby, hand cymbals or khols, before joining the group assembled near a microphone — females on the left, males on the right.

The ceremony begins with a song for the deities, Krishna and Radha, who receive freshly laundered clothing and freshly cut flowers each day. The next song is for Prabhupada, and devotees line up to deposit rose petals into the bowl beneath his feet, rubbing his sock before they hurry away, as if for good luck. Soon, a full-blown kirtan has begun and I attempt a respectful sway. Anuradha looks back and I wave happily, hoping the gesture will communicate that I’m just fine, standing here swaying, observing, all by myself. Of course it doesn’t and soon she’s at my side.

“Do you want to come dance with us?” she says over the noise.

Anuradha takes my fingers in her tiny palm. She leads me across the gleaming parquet floors until we are a part of the small throng of women near the altar. Most of them look like me — white, 30-something, tired. They wear saris and move in a coordinated way that reminds me of the easy part of the Electric Slide, a choreography I am relieved to find I can reasonably imitate.

At first, the men, who have the instruments and the microphone, seem to have all the fun, yanking their knees into their chests in great bursts of joy, as if the floor is on fire. But as the chant speeds up and the drums grow louder, the ladies find more vigor, grinning at each other knowingly. Suddenly they — we — are moving in a wide circle, skirts really rippling now, like flags in a storm. I concentrate on the scapula of the woman in front of me, where the tip of a blue-black butterfly wing is emerging from the satin thrown over her shoulder.

The whole thing feels like a birthday party. All the colors and the costumes. Songs that everybody knows by heart, even, by this point it turns out, me. Before I notice, I am really dancing, really smiling, really singing:

Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama, Rama, Hare, Hare.

Reader, I felt so many things. Above all else: silly. More Catholic than I had in a long time; midwestern as always. Unmoved, unchanged, unbelieving.

But I did not feel sad. I did not — for the first time in many hours — worry about how I would write this story or if I could write it well. I didn’t worry about home, if the dog walker had shown up or if my partner had turned the AC down. I didn’t worry about my parents contracting COVID or my best friend’s kids as climate change and political belligerence dismantles any recognizable version of the reality they will inherit.

I did not worry. I did not feel sad.

***

The world is full of make-believe. Some of it is sweet, some of it is sick, and some of it’s just downright preposterous. It persists — of course it persists — because we have found no other antidote for pain. Mothers die, fathers become addicts, sisters have strokes, pandemics and hurricanes stalk the land. That I wondered how New Vrindaban had weathered its scandals seems naive to me now, a question with a million personal and tragic answers.

When I meet Trevor Krenzelak at that picnic table outside the temple, he’s wearing white, not saffron, a nod to the relationship he’s recently begun with another devotee. We catch up for a while about his family and his life at the temple; he tells me he still goes to the skatepark once a week or so, but not in his dhoti.

Before we say goodbye, I ask Krenzelak what bearing, if any, the past has on life at New Vrindaban today.

He says, “whatever happened before still lingers,” but that the residue of scandal actually performs a gatekeeping function for the community. “It serves as a natural filter for the sincere people. If people aren’t really interested in Krishna, then they’re going to get absorbed in hearing criticism and negative things … and go away. But if you really want to know about Krishna, then Krishna is here.”

It’s such a masterful rhetorical maneuver I am tempted to applaud.

But isn’t that what we all do — repackage our sins as sentinels, weave our pain into some larger, self-affirming narrative, the very reason we can persevere at all? Give thanks for those troubles, we tell ourselves, they made you who you are today.

I know that weekend will be my last in Krishna Land. As I drive down the mountain, my senses are heightened, every sight an easy and willing symbol. The billboards trumpeting the arrival of high-speed internet. The front yards full of obscene political slogans. The scar of a freshly buried pipeline. On the radio, an old man recites the Stations of the Cross. At a convenience store, a young man buys a stack of lottery tickets. The maha-mantra coils through my brain as the road unspools before me, thin and vanishing like the line between faith and delusion.

***

Ashley Stimpson is a freelance writer based in Columbia, Maryland. Her work has appeared in the Guardian, Nat Geo, WIRED, Johns Hopkins Magazine, Atlas Obscura, and elsewhere.

Editor: Krista Stevens

Copy Editor: Cheri Lucas Rowlands

Fact checker: Julie Schwietert Collazo

Gone For a Hike: A Reading List on Wilderness and Survival

A woman hiking on a winter day starts a fire outside a shelter on the Appalachian Trail in Carter County, Tennessee
Getty Images

By Kelsey Zimmerman

 

Last week I walked a few blocks from my apartment to a grocery store in my small Midwestern town. The wind chill was -18 Fahrenheit, an improvement over the previous day, when it was a blistering -28. It had been several days — maybe weeks — since I voluntarily went outside for any length of time beyond simply getting in or out of my car.

The Land of White Death by Valerian Albanov inspired me to take this walk. The book tells the harrowing tale of a crew of Russian seal hunters who, in 1912, become trapped in the ice in the Siberian Arctic Circle. Remarkable for its first-person narrative — the vast majority of failed adventure/expedition stories are written by people who did not experience the event themselves — and for its narrator’s headstrong, hopeful, and lyrical ruminations, it made me think about what it must have been like trapped in the cold for years on end, far from home.

Considering I’m risk-averse almost to a fault, I’ll never travel the Siberian Arctic Circle, never climb Mount Everest, never go on a challenging backcountry hike by myself. Why? Partly because of simply having read too many narratives like Albanov’s, too many narratives like the ones on this reading list. Yet coupled with this aversion is a fascination of people who, unlike me, seek experiences full of risk and inspiration; and the thrill of experiencing landscapes few humans have walked on, or mountains unclimbed and unknown. And then, of course, there is the fascination with narratives of those who did not seek risk, who were going about their days and were thrust into extraordinary circumstances. This is the question that haunts me: How would I cope with facing a life-threatening situation in the wilderness? I read story after story, book after book, looking for myself: Yes, being the one who keeps people hopeful, maybe that would be me. Or, thinking of cutting open plants in the desert for water, I’d do that too.

After the Plane Crash—And the Cannibalism—A Life of Hope (Simon Worrall and Roberto Canessa, National Geographic, April 2016)

I grew up near Detroit Metropolitan Airport, and too young, learned about Northwest 255. In 1987 it crashed on one of the busy roads outside the airport, killing all but one passenger and two people on the ground. I was sick with fear around airports for the next 15 years, but fascinated, too. I think now that fear is a cousin of obsession, because as an adult I perseverate on what I fear, including plane crashes. In this piece, Simon Worrall interviews Roberto Canessa, one of the passengers on doomed Uruguayan Air Force Flight 571 (subject of the ‘90s film Alive) on the circumstances of survival. After his rugby team crashed in the Andes, Roberto, then a medical student, bore the enormous responsibility of trying to keep his teammates and friends alive, with mixed success.

Who survived? It wasn’t the smartest, most intelligent ones. The ones who survived were those who most felt the joy of living. That gave them a reason to survive.

Tragically Lost in Joshua Tree’s Wild Interior (Geoff Manaugh, The New York Times Magazine, March 2018)

My last real vacation was in February 2020, to Joshua Tree National Park. I was on my own, having peeled off from a group trip to Palm Springs, and I’d already read about Bill Ewasko, an experienced hiker and military veteran who disappeared in the park in June 2010. I went on a few short hikes alone, but, with little previous experience in the desert, was mostly happy to drive. It felt like I could see forever in every direction, yet the panorama kept shifting seamlessly and every few minutes I arrived in a landscape entirely new, save for the ash-gold sand and sentinel Joshua trees. How do you get lost in a place where you can see everything? Well, the truth is, anybody can get lost anywhere.

There is an unsettling truth often revealed by search-and-rescue operations: Every landscape reveals more of itself as you search it. The mathematician Benoit Mandelbrot once observed that the British coastline can never be fully mapped because the more closely you examine it — not just the bays, but the inlets within the bays, and the streams within the inlets — the longer the coast becomes. Although Joshua Tree comprises more than 1,200 square miles of desert with a clear and bounded border, its interior is a constantly changing landscape of hills, canyons, riverbeds, caves and alcoves large enough to hide a human from view. Solid canyon walls reveal themselves, on closer inspection, to be loose agglomerations of huge rocks, hiding crevasses as large as living rooms. The park is, in a sense, immeasurable. And now Ewasko’s case, like Joshua Tree itself, was becoming fractal: The more ground the search covered, the more there was to see. As Pete Carlson of the Riverside Mountain Rescue Unit put it to me, “If you haven’t found them, then they’re someplace you haven’t looked yet.”

How America’s National Parks Became Hotbeds of Paranormal Activity (Sarah Emerson, Vice, October 2017)

Perhaps tied to the risk-averse aspect of my personality is also a strict scientist’s skepticism. I have trouble suspending disbelief when it comes to the occult, such as while reading Stephen King novels, or when watching TV shows like Yellowjackets.

Humans don’t have a great inherent understanding of statistics, nor as a species do we seem to grasp the extraordinary danger that accompanies the great outdoors. That an adult human can simply vanish is literally unthinkable: So when it happens, people look for a paranormal explanation, not comprehending how the landscape tucks bodies away, subsumes them.

Much of this article focuses on David Paulides of Missing 411 and its wide internet communities: Paulides raises awareness of forgotten missing-persons cases, which is good; he’s also a Bigfoot believer — that’s a little more iffy.

What makes Paulides’ ideas so tantalizing, so salacious, is what he doesn’t say. He denies mentioning Bigfoot in any of his works. But, like a good storyteller, he allows readers to reach these conclusions on their own. Even his fans have questioned his motives.

I do find David to, at times, sound a little bit like a charlatan,” one wrote on Reddit. “I feel like when you get so invested in something you are bound to lose yourself a little bit.”

The Accident on the Pacific Crest Trail (Louise Farr, Alta Online, January 2021) 

In the early days of the pandemic, long-trail hikers were encouraged to head home to prevent spreading the virus to small, vulnerable locales. Not everyone listened: Three young men continued their obsessive hike of the Pacific Crest Trail, to devastating conclusion.

At around 9:30 a.m., as they turned a corner onto Apache Peak, the trail disappeared under what, at this higher altitude, was two to three feet of snow. They checked their maps. If they crossed a small clearing and headed around another corner, they’d be fine. Jannek, about 10 steps in the lead, and the lightest, made it across the precipitous slope to a stand of trees. But as Trevor crossed, he slipped on ice hidden beneath the top layer of powder. He stopped and tried to stabilize his footing, then his feet went out from under him, and he fell onto the snowy trail. For the briefest time, he managed to stay in place. Then, suddenly, he began sliding feet first, gathering momentum until he hit a rock and began cartwheeling into an icy gorge.

For 40 Years, This Russian Family Was Cut Off From All Human Contact, Unaware of World War II (Mike Dash, Smithsonian Magazine, January 2013)

When a Russian family was discovered living in the Siberian taiga after 40 years without contact from the outside world, they were astounded by the advances of modern technology, from Sputnik to cellophane. But perhaps the single detail that strikes me the most is the last survivor, the youngest daughter in the family, choosing to live out her remaining days in the cabin in the wilderness, alone. There’s a saying that references “the devil you know” though I can’t speculate on all the reasons Agafia might have chosen to stay behind. Yes, perhaps, fear. But maybe there was also a desire to carry on her family’s legacy, to preserve a way of life she loved. The not knowing — the inability to know — is the true allure of this type of tale.

The Lykov children knew there were places called cities where humans lived crammed together in tall buildings. They had heard there were countries other than Russia. But such concepts were no more than abstractions to them. Their only reading matter was prayer books and an ancient family Bible. Akulina had used the gospels to teach her children to read and write, using sharpened birch sticks dipped into honeysuckle juice as pen and ink. When Agafia was shown a picture of a horse, she recognized it from her mother’s Bible stories. “Look, papa,” she exclaimed. “A steed!”

 

***

Kelsey Zimmerman is a writer from the Midwest. Her poetry can be found in Hobart, The Indianapolis Review, and elsewhere. She can be found hiking on the weekends or on Twitter @kelseypz.

Charting Worlds: Five Longreads About Maps

Robert Carner / EyeEm / Getty Images

This week, we recommend five longreads about mapping worlds, including a recent piece at the Atlantic on a little-known group in the U.S. federal government that has the power to remake maps, and an early pandemic story at Wired about a preteen who found comfort and an escape during lockdown within Google Maps.

How to Rename a Place (David A. Graham, The Atlantic, January 2022)

If you didn’t know — and you likely didn’t — there’s a U.S. Board on Geographic Names, a government body of subject-matter experts who meet to approve the names of lakes, mountains, and valleys on official government documents, like maps. In recent years, this board has spent a lot of time reviewing and reconsidering offensive place names, but isn’t moving as fast as others would like. Graham’s piece is an informative, interesting look at this process through a historical, political, and cultural lens.

But even the expedited process will take time. Removing all uses of “Squaw” is expected to take about a year, and that’s the simpler of the two orders. One challenge is that determining what’s offensive isn’t always straightforward. Names including a slur are easy, but others—such as Jew Valley, Oregon, named after a group of Jewish homesteaders—are less clear-cut. Another is that any feature whose name is removed needs a new one, ideally one that is locally meaningful and that will age better than whatever it’s replacing. The BGN is designed with process in mind, not justice or equity.

Read more…

Selling Mayfair: The Very Different World of Prime Central London Realtors

London town houses
Getty Images

A guilty pleasure of mine is a show called Selling Sunset, where impossibly glamorous women realtors strut about equally impossible giant houses, trying to sell them to incredibly rich people. It is set in Los Angeles — and it is all youth, beauty, high heels, and infinity pools. 

The London real estate market is quite the contrast, but as Sophie Elmhirst explains in this glorious piece for The Guardian, no less fascinating. Instead of beautiful blondes, the top end of the London market is dominated by middle-aged white men who have been selling homes since the 1960s, and who mistakenly call WhatsApp, “WhatsUp.” They mutter darkly about the new generation of realtors, who fill Instagram with videos of themselves giving tours of London mansions, but for now, it is still the old guys who are leading the charge. Elmhirst vividly illuminates their larger-than-life characters, admittedly in a slight tongue-in-cheek fashion, incredulously documenting Gary Hersham of Beauchamp Estates, her main subject matter, as he “shuttles between representatives of New York financiers, Middle Eastern royal families, the now-almost-quaint Russian oligarchs,” swerving from conversation to conversation, “from soothing compliments to bawling out an underlying.” Made possible, as he proclaims, with the help of “Emily, his fantastic secretary.” (After reading this I couldn’t help feel fantastic Emily must deserve some kind of damehood.) 

The houses are somewhat different as well: not an infinity pool in sight. Instead, foreign buyers are trying to claim a piece of something more intangible — history. Elmhirst explains how London realtors play up a fictional image of England, “a fractional way of life that required a townhouse, acreage, staff — and died between the wars.” They know that “[e]xtremely rich people from other places adore it, and want to recreate it,” and they are happy to oblige. The estate agent Foxtons even picked their name “because it sounds posh.” This brought to mind a Longreads essay on this phenomenon, “Tea, Biscuits, and Empire: The Long Con of Britishness,” and it is a subject matter I find endlessly fascinating. If there was ever a show about these British realtors, I would definitely binge-watch it, but for now, we will have to make do with this wonderful article.

They all have their particular styles. Langton is frank and humorous – he was “drunk for about a week” after his first sale of a house in Fulham for £4,000 in 1968 – with a telephone patter that spans the problems with Barnes Bridge (“no one wants to repair the bloody thing”) and the woes of the job (“it’s not all beer and skittles, I can tell you”). Forbes, an ex-Gurkha, who started out in Knightsbridge with an A to Z and a battered old car, is gracefully self-deprecating: “I think people bought from me out of sympathy, I didn’t know a thing.” Wetherell is more stately, with the air of an old English hymn. (“I like selling history,” he told me.) Abrahmsohn, meanwhile, is more of a talk-your-head-off kind of guy, “a big Brexiteer”, full of stories of negotiating deals through a limo window, proud of his “vines and networks” that spread across the world. “I work on psychology, and a lot of chutzpah.”

And then there’s Hersham, the character-in-chief, famous in the industry for his hair (flamboyant), his company’s impressive sales record (“100 units a year”) and his personality (so dominant and capricious that it can make the inside of a Volkswagen Golf feel like it’s laced with explosives). One fellow agent characterised Hersham’s selling style as, “lock them in the car and don’t let them out until they’ve bought something”. “Shout at someone and play hard until you get the price you want,” suggested another. Hersham does not trade in self-effacement. “Can I have an offer now, please,” I once heard him brusquely instruct a buyer on the phone, as if purchasing a multimillion-pound house was no longer the buyer’s choice. “As I’ve said to his face many times,” said Payne, who used to work with Hersham, “he’s a lunatic, but he’s a phenomenal operator.” (Hersham’s self-assessment of his industry reputation was less kind. “Some hate me, some think I’m not straightforward. Abrasive. Difficult to work with.”)

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The Top 5 Longreads of the Week

King Tut's Golden Mask
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Here are five stories that moved us this week, and the reasons why.

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1. Into the Depths

Tara Roberts | National Geographic | February 7th, 2022 | 5,200 words

According to academic research, the transatlantic slave trade comprised at least 36,000 voyages — that’s how many trips it took to forcibly transport some 12.5 million Africans from freedom to bondage. But 1,000 or so of those ships likely sank, taking with them the bodies and stories of the people on board. A remarkable group of Black divers is now searching for these lost ships. When writer Tara Roberts joined them — quitting her job, giving up her apartment, and dipping into her savings to make it happen — she learned more than she ever thought possible about the power of history, including her own family’s roots. Roberts’ beautiful piece documenting her journey complements a six-part podcast about the slave trade and its shipwrecks. There’s a moment in the piece I won’t soon forget, when divers pour soil from the island where a group of slaves was captured over the waves near Cape Town where 212 of them perished in a capsized ship. “For the first time since 1794,” a diver tells Roberts, “[these] people can sleep in their own land.” —SD

2. Why King Tut is Still Fascinating

Casey Cep | The New Yorker | February 7th, 2022 | 3,545 words

Whenever I am back in London, I visit the British Museum. I love to gawk in wonder at gold coins retrieved from Viking treasure hordes or at an Anglo-Saxon helmet from 625 AD — a date that swirls in front of my eyes as I try to imagine it. However, it is rooms 62 and 63 that I am most drawn to, for these are the rooms that hold the exhibition Egyptian death and afterlife: mummies. I was there a couple of months ago, but this time found myself feeling uncomfortable as I stared at the small withered bodies, wrapped — but still exposed — in their sarcophagi. The immense care Egyptians took in arranging burials implies that a glass case steaming with the breath of thousands of tourists is not where they wanted their dead to end up. However dubious, these rooms are the most crowded — and here I was, part of that. So I was intrigued to come across Casey Cep’s article detailing our fascination with Egyptology — and in particular, the endless appeal of the pharaoh Tutankhamun, 3000 years after his death and 100 years since Howard Carter found his tomb. Cep reports on how a recent global tour of Tutankhamun’s treasures “attracted larger crowds than the Beatles did, breaking museum attendance records and generating tens of millions of dollars in ticket sales.” I enjoyed that this piece took a different perspective — not just the story of Tutankhamun, but about the “Tut glut” that followed. A glut I find myself contributing to with this blurb…and so it continues. —CW

3. The Race to Free Washington’s Last Orca in Captivity

Benjamin Cassidy | Seattle Met | February 8, 2022 | 5,447 words

“For nearly all of her almost 52 years in captivity, a whale weaned on voluminous Northwest waters has performed for gawking tourists in the country’s smallest orca tank.” For Seattle Met, Benjamin Cassidy reports on the Lummi Nation’s quest to bring Sk’aliCh’elh-tenaut — Washington State’s last orca in captivity — home to the Salish Sea. Taken from her native waters in 1970, the orca was sold to Miami Seaquarium, renamed Lolita, and has lived there ever since. This is a somber read, but there’s also so much beauty in the way Cassidy describes the connection between the Lummi and the region’s orcas, whom they consider their spiritual relatives. (“Growing up, Tah-Mahs learned about the whales known as qwe’lhol’mechen, or, loosely, ‘our relations below the waves,’ through stories passed down by elders.”) The decades-long effort that’s called for Sk’aliCh’elh-tenaut’s release is more urgent than ever, especially given the news this past week about her ill health. —CLR

4. The Visionary

David Alm | Runner’s World | February 3, 2022 | 5,748 words

Now that society’s thinking about cannabis finally seems to have changed permanently, it’s little wonder that athletes are being more outspoken about their use of the plant. NBA athletes and ultrarunners have already gone on the record; now, a profile of Thai Richards chronicles how the literal face of last year’s New York City Marathon is nurturing a similar attitudinal shift in the road-running community. Alm, who made our Best of 2021 list with his GQ feature about The Bronx’s community of elite Ethiopian runners, doesn’t recede entirely — as a runner and cannabis user who had never crossed the streams, he had to go gonzo in the name of journalistic immersion — but he tells Richards’ story with compassion and reserve, teasing out the fraught path so many Black and Brown athletes tread in the quest for wellness. Make no mistake, though: This isn’t about catching a buzz. It’s about connecting with your mind, being at ease in your body, and maintaining that inner balance even when the world at large does everything it can to knock you off your pivot. —PR

5. Suzanne Takes You Down to Her Place Near the River

Lacy Warner | Guernica | February 7th, 2022 | 5,082 words

Suzanne Verdal, the infamous muse and subject of the Leonard Cohen song that bears her name, is a real person. And unlike Cohen who passed away in 2016, she’s still alive. Because she’s a human being, we know that Suzanne is much more than simply a muse, but did she have artistic aspirations of her own? At Guernica, writer Lacy Warner is surprised by what she finds out about Suzanne’s true super power: “In Suzanne, I saw the possibility not only of reckoning with what muses might be owed, but the chance to strike a blow for all the women who have inspired men’s art while struggling to be recognized for their own.” —KS

Disbelieving What You Cannot See: A Reading List on Ableism and ‘Invisible’ Disability

illustration of paper head with scribbles inside to show confusion
Carol Yepes / Getty Images

By A. H. Reaume

Becoming disabled after a head injury at 32 was like entering into multiple abusive relationships all at once. A close family member spread the rumor that I was faking the severity of my injury for attention, even when things as simple as taking a shower forced me to lie down for up to an hour afterward to rest. 

Heard of Spoon Theory? This essay by Christine Miserandino created the popular disability metaphor. 

During that period, my days were organized around hours of grueling physio and then collapsing in exhaustion, unable to get up to go to the washroom. I was often physically unable to speak and process words without difficulty and pain — a condition called intermittent aphasia. If my mom wanted to talk and I told her I wasn’t physically able to, she sometimes called and yelled at me because I wasn’t calling her enough. When I tried to tell her I loved her but had no capacity to speak — and every word I tried to say caused me an incredible amount of pain — she made fun of my stutter and slow speech, accusing me of faking all of it for sympathy.

Ableism by family can hit the hardest. At them, T. Sydney Bergeron Mikus grapples with family acceptance.

There were so many ways that the people and institutions that were supposed to love or accommodate me failed to keep me safe, secure, and loved post-disability. The full story includes a number of prominent writers in my local literary community spreading a rumor that I had made up my disability. It went on for so long, I was forced to share my medical records with other disabled writers and have them publicly attest that everything I had said about my disability was true.

I wanted to kill myself. 

If I had, I would have been a statistic. People with brain injuries are 300% more likely to die by suicide than the general public in the first six months after their injury. Some studies suggest it’s because of changes in brain chemistry. I’m skeptical of that claim. I wanted to die because the way people and institutions treated me after I became disabled was unbearable. 

Brain injuries are often referred to as an invisible disability. Their symptoms are intermittent and unpredictable. You look fine and sometimes can function in a way that appears normal to other people. But then suddenly you are unable to speak or you can’t move your limbs properly. Or you experience sudden and extreme fatigue and can’t move for hours.  

It’s terrifying to live in such a body. But it’s more terrifying to live in a world where people assume you’re performing your body’s collapse. It’s dehumanizing when people routinely treat you with contempt in the moments when you need the most care.

Some philosophers call the disbelief of invisibly disabled people a form of “epistemic injustice.” Coined by Miranda Fricker, the term is used to describe the systemic undervaluing of a minority group’s authority and assertions — and the characterization of that group with unwarranted distrust. 

My friend Erin and I talk a lot about what’s needed to combat this epistemic injustice when so often our attempts to do so in conversation with loved ones and friends aren’t successful. “The problem is that when fighting ableism interpersonally you can only say in a dialogue the equivalent of a page,” I told her once. “But there are tomes and tomes of ableist ideology that people have learned in their lives. The only way to combat that is to write our own tomes. We need to show how ableism often destroys disabled people’s lives and we need to tell people what a world without ableism might look like.” 

It is especially important to have these conversations about ableism and invisible disability now, as we continue to live through a pandemic. It seems everywhere I look, public health officials are making decisions that completely disregard the lives of disabled people. Meanwhile, a massive number of people are developing long COVID. I’ve seen tweets from people with long COVID who talk about how they want to die because no one believes that their symptoms persist  — or no one is willing to help. We don’t help long COVID sufferers because we think disability is a burden, even as governments have created the conditions for a mass disabling event via COVID inaction. 

Disability is intersectional. When I became disabled, I was in a position of privilege: I was a mid-career professional and got six months of sick leave at my full salary to recover. My savings could pay for necessary treatments that weren’t covered by my provincial health coverage or my employer’s supplemental plan. And I didn’t experience racism, or homophobia, or transphobia, or any other form of marginalization on top of ableism. I believe that a big reason for why I am still here today is because of my privilege. Disabled people who are less privileged should not have worse outcomes. 

This is a glimpse at what ableism is like for me, and I hope this reading list will show you what it’s like for other invisibly disabled folks. These essays are a tome. Start your unlearning here.

“This is What Disabled Looks Like”: The Sometimes Hard-to-See Line Between Visible and Invisible Disabilities (Zipporah Arielle, Medium, July 2019) 

Have you ever seen an image of a person standing up from a wheelchair, accompanied by a joke that says a miracle just occurred? The humor in this meme relies on a person’s lack of knowledge of ambulatory wheelchair users, or people who can walk in some circumstances but are unable to walk safely or without pain for long distances or on days when their symptoms are flaring. 

Ellen Samuels’Six Ways of Looking at Crip Time” in Disability Studies Quarterly is a classic piece on the altered temporalities of disability. 

We have been taught that disability is binary — that wheelchair users have no use of their legs, or blind people have lost all their sight. Some disability is visible, yes, but it’s also much more diverse and dynamic. Arielle examines the wide gap between what we believe disability looks like — and what it actually looks like.

Regardless of if I’m sitting, standing, walking, dancing, wheeling, laying down; regardless of if I have on makeup, or if I’m barefaced with dark bags under my eyes; no matter how fat I am; no matter what mobility devices I do or don’t have with me; no matter what I look like: that is what disabled looks like. Because no matter what someone else thinks disabled “looks like,” it doesn’t change my reality of being disabled, and needing accessibility and medical care.

Am I Disabled? (Joanne Limburg, Aeon, December 2020)

Brooke Knisley’s extremely creative essay written as a movie script, “Bad Brain Blues,” negotiates the anxieties of disclosing a head injury.

It took me eight months to call myself disabled, even though I had been on disability leave after my head injury and needed workplace disability accommodations when I returned. On an online form, Limburg confronts the question of whether or not she is disabled — and is unsure of what to say. She talks through her own internalized ableism around what it means to be disabled, and her unique experience of disability as an autistic person. She grapples with how she should navigate an ableist society when disabled people lose no matter what they do. Throughout the essay, she vacillates between “yes,” “no,” and “prefer not to say” — showing how disclosing disabilities is something many people with invisible disabilities struggle with.

Why would you want to own up to an ‘underlying condition’ that apparently makes your death from unrelated causes less regrettable than someone else’s?

Why would you volunteer to be written off?

Why would you volunteer to be pitied?

Even If You Can’t See It: Invisible Disability and Neurodiversity (Sejal A. Shah, Kenyon Review, January/February 2019)

So many people with invisible disabilities pass as nondisabled. Shah was diagnosed with mental illness and hid it for years, never truly accepting her diagnosis. She reflects on the particular challenges of being a disabled woman of color in the academy, like how she was pushed to support diversity efforts, which didn’t leave her with enough energy for her work — leading to her contract not being renewed just as she was about to apply for tenure. She wonders if disclosing her disability and asking for accommodations would have benefited her, but knows enough about ableism to anticipate the exhaustion she would have experienced when advocating for herself. 

No one has to know your diagnosis—it’s true. But everyone deserves to be seen and known. And to get any support, you have to be willing to say it, claim it. Disclosures of cancer elicit sympathy, gifts of casseroles, rides to the hospital, or other support. Disclose a mental illness and observe the response. Our culture finds mental illness distasteful, unfortunate, a moral failing. Managing a mood disorder is exhausting—a taxing second job. It’s also a job invisible to most people in my work and personal life. Would I rather be neurotypical? Maybe; it would be easier. But would I be me?

Police Violence is a Disability Justice Issue (Derecka Purnell, Boston Review, September 2021) 

Discrimination on the basis of the intersection of disability and Blackness has a long history. Purnell cites examples of how during the Civil War the Union Army didn’t rescue Black people they believed were disabled, leaving them in the “care” of slave owners rather than freeing them so they wouldn’t be a burden on the federal government. Police violence affects racialized disabled people more than other groups and policing also disables people. Purnell traces why police violence is a disability justice issue in this moving and well-researched piece. 

Like slavery, policing also disables people. On a global scale, the United States exports policing tactics and militarism that inflicts disability as a tactic to gain imperial and colonial advantages. Women and gender studies professor Jasbir Puar describes this as debility, “bodily injury and social exclusion brought on by economic and political factors.” Death and the fear of debilitation can discourage and dissuade occupied peoples from resisting the nations that colonize them.

How Colonial Visual Cultures Have Worsened This Pandemic and What Needs to Change (Khairani Barokka, Disability Visibility Project, April 2020)

Barokka, a scholar working on visual cultures, colonialism, and disability, writes the most compelling exploration I’ve ever read of the history of ableism against people with invisible disabilities, and highlights the ways racism and colonialism intersect. She encourages us to consider the possibility of vulnerability in every picture and every person and suggests that changing our assumption of nondisability when pain or impairment isn’t visible could save lives.   

I write and speak about how the central, core thesis of my PhD–that there is the possibility of pain in every picture, especially in images of enslaved colonial subjects, especially in bodies coded as brown and femme–has been met with defensiveness and/or disbelief and/or the need to couch that possibility in “visible signals.” Meaning, if someone is sitting in a tilted manner, that might show discomfort. Yes, because every person you meet is possibly in discomfort–regardless of “cues.” 

How Long COVID Forced Me to Confront My Past and My Identity (Kathryn Bromwich, The Guardian, November 2020)

The impacts of COVID are often explained in binaries. You either die or you survive. If you’re not hospitalized, you have a “mild” case. But, as reported, many people who have had supposedly mild cases of COVID and are counted in the numbers of survivors are living with the impacts of COVID everyday — in ways that greatly affect their ability to live and work. Bromwich recounts her previous experiences of disability and how long COVID made her change how she thought about disability. She also explores the uncertainty of living with long COVID. 

The terrifying thing about the virus, and its aftermath of chronic pain and post-viral fatigue, is that it is unknown and incurable. You can hear the hesitation in your doctor’s voice when you ask how long it’s likely to affect your body; you both know there is no answer.

You Are Not Entitled to Our Deaths: COVID, Abled Supremacy and Interdependence (Mia Mingus, Leaving Evidence, January 2022)

Want to read more work from disabled voices on the pandemic? Read Emily Ladau’s Pocket roundup: “We Cannot Afford to Ignore Disabled Voices.”

There are few people as eloquent as Mia Mingus, who has long been a vocal champion of disability justice. In this affecting essay, Mingus discusses the ableism inherent in current pandemic policies that suggest we must learn to live with death and debilitation from COVID. Mingus challenges individualistic notions of freedom and responsibility, and the idea that disabled people are expendable. That no one is entitled to anyone’s death shouldn’t be a controversial statement; the fact that it is says a lot about our pandemic ethics.

The solution cannot be that everyone has to get COVID. That is eugenics because many disabled high risk people will die and those who do not die will have serious complications and lifelong impacts to their health and wellbeing via COVID and the possibility of long COVID. Do not buy into this eugenic thinking that expects the most vulnerable to be sacrificed. Long Covid is real and it can happen to anyone.

***

A. H. Reaume is a disabled writer whose work has appeared in the anthology Disability Visibility: First-Person Stories From the Twenty-First Century. Reaume is a guest columnist at Open Book and is currently working on a memoir and a novel. She can be found on Twitter at @a_h_reaume

Editor: Cheri Lucas Rowlands

How a Hacker Named P4x Took Down North Korea’s Internet

A North Korean hacker silhouetted against the North Korean flag
Getty Images

Score one for the little guys. When an American security researcher — who goes by the handle P4x — got hacked by North Korea, the United States Government took little notice. To send a message, P4x wrote some code to take down North Korea’s internet. As Andy Greenberg reports in this fascinating story at Wired, North’s Korea’s internet presence is small, amounting to only a few dozen sites online.

P4x says he’s found numerous known but unpatched vulnerabilities in North Korean systems that have allowed him to singlehandedly launch “denial-of-service” attacks on the servers and routers the country’s few internet-connected networks depend on. For the most part, he declined to publicly reveal those vulnerabilities, which he argues would help the North Korean government defend against his attacks.

After P4x discovered North Korea’s vulnerabilities, he wrote a script to automate his attacks, which included denying access to email and other internet-based services. Not bad for a guy “in a T-shirt, pajama pants, and slippers, sitting in his living room night after night, watching Alien movies and eating spicy corn snacks—and periodically walking over to his home office to check on the progress of the programs he was running to disrupt the internet of an entire country.”

Those relatively simple hacking methods have had immediate effects. Records from the uptime-measuring service Pingdom show that at several points during P4x’s hacking, almost every North Korean website was down. (Some of those that stayed up, like the news site Uriminzokkiri.com, are based outside the country.) Junade Ali, a cybersecurity researcher who monitors the North Korean internet, says he began to observe what appeared to be mysterious, mass-scale attacks on the country’s internet starting two weeks ago and has since closely tracked the attacks without having any idea who was carrying them out.

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The Top 5 Longreads of the Week

Green sea turtle, as seen underwater.
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Here are five stories that moved us this week, and the reasons why.

Sign up to receive this list free every Friday in your inbox.

1. The Betrayal

George Packer | The Atlantic | January 31st 2022 | 20,818 words

When the United States prepared to withdraw from Afghanistan last August — 20 years into its failed war — they fully expected Kabul to fall to the Taliban; they just didn’t expect it to happen so soon. At The Atlantic, George Packer reports on the hopelessly bureaucratic Special Immigrant Visa program and the Afghan allies that attempted to use it to flee their country, crushed in a sea of chaos and abject human suffering amid crowds desperate to flee Kabul at Hamid Karzai International Airport. This is a harrowing read; much is told through the eyes of those who fled and readers should be warned that some scenes will not be forgotten. The greatest tragedy, in addition to the many lives lost unnecessarily, is that it didn’t have to be this way: “No law required the U.S. government to save a single one—only a moral debt did,” writes Packer. Had the U.S. acted earlier and with much greater will and focus, they could have saved far far more than the 124 thousand they estimate to have evacuated: “Administration officials told me that no one could have anticipated how quickly Kabul would fall. This is true, and it goes for both Afghans and Americans. But the failure to plan for a worst-case scenario while there was time, during the spring and early summer, as Afghanistan began to collapse, led directly to the fatal chaos in August.” —KS

2. 10 Years Since Trayvon

Lindsay Peoples-Wagner, Morgan Jerkins | New York Magazine | January 31st, 2022 | 12,400 words

It’s been a decade since George Zimmerman shot and killed Trayvon Martin, a brutal incident that incited a social movement. Black Lives Matter has since transformed from a hashtag into, as editors Lindsay Peoples-Wagner and Morgan Jerkins put it, “a cultural force that has reshaped American politics, society, and daily life.” In a special issue of New York Magazine, Peoples-Wagner, Jerkins, and a collection of outstanding contributors tell the story of BLM’s first 10 years. The project is a literal timeline, pegged to specific events: the killing of Eric Garner, the mass murder of Black parishioners at Mother Emanuel Church in Charleston, the release of Get Out, and much more. At various points, contributors branch off into essays, telling deeper stories about the controversies, symbols, and individual lives that have molded BLM’s legacy. This is an essential historical document and a creative triumph. —SD

3. He Spent 25 Years Infiltrating Nazis, the Klan, and Biker Gangs*

Paul Solotaroff | Rolling Stone | January 30th, 2022 | 7,976 words

Of the tens of thousands of words you’ve read about white supremacist hate groups over the years, the vast majority have been written from the perspective of people on the outside of those groups: journalists, researchers, the unlucky souls the groups terrorized. That’s what makes this profile so breathtaking. Scott B. (his real name, if not his full one) spent years as an FBI undercover agent bringing down various violent organizations from the inside, and gave Solotaroff access to his field notes and transcripts — which, in conjunction with a raft of corroborating interviews, paint a heart-pounding, devastating picture of just some of what this country is up against. Is there some self-mythologizing going on here? It’s impossible to say no. But reading how Scott managed to gain entry to venal outfits like the Atomwaffen and The Base, and what he saw once he’d done so, you realize that sometimes an anecdote isn’t memorable because of the teller. Sometimes it’s because even the barest facts show you how many monsters are lurking under the bed. —PR

*The vast majority of the pieces we recommend are free to read online. Occasionally, we will share a piece that requires a subscription when we strongly believe that piece is worth your time.

4. When Turtles Fly

Lauren Owens Lambert | bioGraphic | January 25th, 2022 | 2,984 words

It was a joy to read this story about far-reaching efforts to help the humble sea turtle. It’s depressingly obvious that their plight is our fault in the first place — Lauren Owens Lambert writes of dwindling numbers due to “habitat loss, coastal development, ship strikes, plastic waste, and climate change” — but hundreds of people are doing their best to rectify at least some of the damage. At Cape Cod, volunteers search the beach twice a day from November through December, for stranded turtles who didn’t migrate as the water temperature plummets. The animals must then be transported to rehab facilities and flying is the least stressful way to get them there. Enter Turtles Fly Too and its team of volunteer pilots. One such pilot is a dentist from New York, and I loved that Lambert details that he “doesn’t hesitate to cancel dental appointments, because, he says, ‘the turtles can’t wait’ and the clients understand.” Saving a plane full of turtles involves around five vans, a thousand miles, and four organizations. So read this story to restore some faith in humanity — and to picture hundreds of turtles hitching a plane ride down the coast. —CW

5. What Was the TED Talk?

Oscar Schwartz | The Drift | January 31st, 2022 | 4,757 words

Even at the height of the TED era, I’d never bought into the idea of a TED Talk — I could never get past the ridiculousness of it all: the thought leader du jour under a spotlight, pacing back and forth on stage, taking each step, serving up each line, even delivering each pause with emotion and passion. Their aim? To disseminate knowledge about the future of our world with other hungry minds, but also to share their bold ideas for how to be better, superior humans. (“The TED philosophy encouraged boldness of vision, but also denial of reality,” writes Schwartz. “As such, it was a magnet for narcissistic, recognition-seeking characters and their Theranos-like projects.”) I enjoyed Schwartz’s exploration of TED’s history and approach, and the rise and fall of the TED Talk, which had a very distinct format fusing interestingness with storytelling to create “inspiresting” content. —CLR