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  1. Dec 7

    The door opened and a pony-tailed man holding a baby and dressed in cut-off jeans greeted him. “Hi, I’m John,” he said. “You must be the tree man.”

    Undo
  2. Dec 6

    It’s not always easy to pull off a vintage-vibed movie. The lines between authentic recreation, sizzling (or fizzling) satire, and cheesy farce are thin and maintaining tone can be tricky especially if flamboyant characters are involved.

    Undo
  3. Dec 2

    It seems to me that, though a woman wrote the source material, it’s mostly men who get off on the idea of kinky convents. The premise lets them fantasize that, left to their own devices, women resort to lots of nude commingling and drama-queen antics.

    Undo
  4. Dec 1

    “The big secret is that there is no big secret … there’s just people in power, who are currently in power, who want you to believe that you can’t access [public office] so you don’t try.”

    Undo
  5. Dec 1

    Thirty-seven-year-old Packer does many things in her paintings and charcoal drawings, which range in size from minuscule to mammoth, including responding to racial violence’s aftermath.

    Undo
  6. Every state but Mississippi now has at least one queer elected official; most are Democrats fueled by anti-Trump fervor. Overall, the number of queer elected officials has surged by 17% in the past year.

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  7. The truth is that nightlife–which draws heavily on hormonal energy–is indeed for the young, though as attitudes change and lives extend, older people have become a bit more welcome in the glitter dome.

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  8. The Jets media guide claims New England as “a marquee rivalry” on the order of Yankees-Red Sox. The truth is that the .432 Jets are rivals to the Patriots in the same way that Wile E. Coyote is rival to the Roadrunner.

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  9. A little more than a year and a half after she died, one of those commemorative street signs that grace corners in New York City was erected at Herald Square with her name on it.

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  10. You better hide your construction paper Thanksgiving headdress because Tucker Carlson says the woke mob is looking to ruin your Thanksgiving!

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  11. Back in the day, as Thanksgiving approached, Voice writers such as Jack Newfield or Tom Robbins would report on New Yorkers who were doing the hard work of making our city better. In our latest issue, Ross Barkan picks up the Thank You baton.

    Undo
  12. Nov 5

    “In the 1930s, my great-aunts, a group of young women from Southern Italy, were just a few of the countless newcomers who went to work in the Garment District’s lofts each day.”

    Undo
  13. Nov 4

    The carnivalesque, post-apocalyptic narrative leads us through a school for gifted children, an unnamed disaster, and an institute where elderly eco-warriors plot their next acts of sabotage while becoming sicker and more homebound.

    Undo
  14. Nov 4

    Scorsese is part of a lineage of New York filmmakers – voices that have found their quintessence on the street corners and rooftops, in the long bars and half-finished lofts and too-small apartments and late-night diners and subway cars.

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  15. Nov 1

    “The organization, whose name I respectfully withhold, issued a ‘transparent press policy’ designed, it appears, to protect performers from critics.”

    Undo
  16. “About 30 minutes before the end of the cooking time, bring a large pot of salted water to a boil over high heat. Add the rigatoni and cook until al dente.”

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  17. Absence marks New York’s Black baseball spaces. They are all around us, but with no traces of the sites, no commemoration of the crowds that congregated or the players who plied their trade there.

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  18. Cover story from our current print edition: “Smith’s helium-tinged voice offered non-sequitur greetings like ‘It’s all your fault,’ ‘You owe me money,’ or ‘I’ll be white Black’ to friends, strangers, and street raconteurs passing by.”

    Undo
  19. Just how pivotal is Herbert’s novel, ‘Dune’? Its influence on monumental pieces of pop culture ranges from strong similarities to … well, whatever you want to call what 'Star Wars' did.

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  20. There is a primordial reach in Philip Guston’s late work, a drive to bring something utterly new into the world.

    Undo

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