Resident Evil: Welcome To Raccoon City Review - Horror Recaptures Games' Magic
Resident Evil: Welcome To Raccoon City is a fun and faithful adaptation of the games it is based on, but is lacking in character substance.
A complete list of movie reviews and ratings from the Screen Rant film critics and industry experts - helping movie lovers decide which films to watch for over 15 years.
Resident Evil: Welcome To Raccoon City is a fun and faithful adaptation of the games it is based on, but is lacking in character substance.
House of Gucci boasts strong performances and is hammy enough to be occasionally enjoyable, but falls flat in the overall effectiveness of its story.
The premise is as ridiculous as the trilogy’s conceit, but due to Vanessa Hudgens' herculean efforts, The Princess Switch 3 will be a hit with fans.
The Feast is a deeply creepy Welsh film that uses the folk horror subgenre to offer an insightful critique of consumerism, corruption, and greed.
C’mon C’mon connects adults with children in a thoughtful, touching, and visceral viewing experience that is sure to leave an impact on audiences.
Ghostbusters: Afterlife is inoffensive family-friendly entertainment, but it doesn’t have any soul, charm, or good drama to justify its existence.
Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential.
Black Friday is a solid B-movie horror-comedy that blends hilarious visual gags with some seriously grisly — if problematic — guts and gore.
Despite its potential, A House on the Bayou has nothing new or interesting to offer, with the final twist further undoing the film's scattered charm.
Though it can't quite break out of the Disney mold, Encanto is greatly aided by a unique story, a delightful cast of characters, and a vital message.
While often hard to watch, 7 Prisoners is an important film that dissects its characters and the bleak world they find themselves embroiled in.
While Andrew Garfield gives a driven and kinetic performance as Larson, Tick, Tick… Boom! is messy, missing a distinct spark and emotional depth.
Home Sweet Home Alone is an unnecessary sequel that fails to reboot the franchise, lacking the fun, charm, and magic of the 1990 Christmas classic.
A moving and well-acted film, Belfast explores the decisions families make in the wake of devastation and turmoil; it’s Branagh’s best film in years.
Mindlessly stretched out to pad the runtime, Apex is a stupendously dull, feeble ghost of what a gritty Bruce Willis action starrer could have been.
Despite strong visuals and a solid twist towards the end, Lair ends up being a run-of-the-mill horror that flounders through with dull execution.
Clifford will entertain the youngest movie-goers, but most audiences will be bored by its stale jokes, stereotypical characters, and lazy writing.
Raw, powerful, and tonally balanced, The Souvenir Part II brings the fraught tale of a young, grieving artist to a wonderful, empowering finish.
Ida Red, unfortunately, seems to fall into the trap of emulating better crime dramas instead of trying to stand out on the merits of its own story.
Red Notice doesn't quite coalesce into something that could become a timeless classic of its own, but it provides plenty of entertainment.