School for Poetic Computation

@sfpc

Experimental school supporting study in art, code, hardware + critical theory. A place for unlearning and learning • WINTER 2022 — The present is a portal

New York
Liittynyt huhtikuu 2013

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  1. 22 tuntia sitten

    Please join us in welcoming our participants on Friday, December 17th at 6pm. They will give short presentations to introduce themselves and what they have been learning about! RSVP:

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  2. 22 tuntia sitten

    We are excited to announce the Fall 2021 participants of SPFC! For 10 weeks, these participants are taking part in our "Recreating the Past" class.

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  3. 8. jouluk.

    With 1 week left to apply, we're excited to share the guest lecturers + critics of Reading into the Past / Writing into the Future⁣⁣⁣! , , , & will join our Winter '22 participants! Apply now:

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  4. 22. marrask.

    Taught by with and confirmed guests , , Kendra Krueger and more to be announced!

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  5. 22. marrask.

    Announcing "Reading into the Past / Writing into the Future," a tomorrow focused science fiction writing room, based on actual science and technology. Applications open until December 15. Learn more:

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  6. 19. marrask.

    Ulises Carrión (1941-1989) was a Mexican-born, Amsterdam-based artist and writer whose work explores the form of books as a “space-time sequence” and something beyond just an object that carries literary text. ⁣⁣⁣

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  7. 19. marrask.

    Norman Pritchard (1939–1996) was a member of the Umbra poets, a collective of Black writers in Manhattan's Lower East Side founded in 1962. His visual poems and jazz poetry recordings leveraged unconventional methods like playful typography and audio experimentation. ⁣⁣⁣

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  8. 19. marrask.

    The Noigandres Group was made up of Brazilian poets Haroldo and Augusto de Campos and Decio Pignatari who set out with an ambitious dream: to change literature by creating a universal picture language that could be read by all and could dissolve linguistic and political barriers.

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  9. 19. marrask.

    As artists of the Concrete Art movement, the Noigandres Group, Norman Pritchard and Ulises Carrión all engaged in forms of Concrete Poetry, the visual composing of linguistic material into visual forms and arrangement in order to present poems in a multitude of forms. ⁣⁣⁣

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  10. 17. marrask.

    We are so excited to share with you all what we have been working on. Stay updated through our newsletter (link in bio).

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  11. 17. marrask.

    We are beginning the process of becoming a nonprofit, seeking grants to help alleviate tuition, building cooperative leadership structure, and working on support structures informed by transformative justice to proactively and retroactively address community harm and conflict.

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  12. 17. marrask.

    Recently, we gathered upstate to retreat/advance towards our vision of a school. We are working on developing new, stable structures to support our community of teachers, participants, alumni, and organizers at SFPC.

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  13. uudelleentwiittasi
    16. marrask.

    inspiring lecture from today at on Ani Albers + pattern. He also talked about building looms, "there something really special about feeling computation on your fingertips"

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  14. 16. marrask.

    Kufi’s work pulls from the Islamic traditions of repetition & patterning, while building improvisation into his process. His experimentation also takes the shape of language manipulation through abstract forms.

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  15. 16. marrask.

    The next artist in this series, Nedim Kufi, is an Iraqi visual artist, designer and printmaker. Born in Baghdad in 1962, he is known for his conceptual and autobiographical art that explores ideas around political conflict, historical memory and war.

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  16. uudelleentwiittasi
    27. lokak.
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  17. uudelleentwiittasi
    14. marrask.

    Is there anywhere that'd have the vision to support something like this—in conjunction with external foundation funding? I think of experimental schools, from Black Mountain College to CIID to to to —which have had impact far beyond their size...

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  18. uudelleentwiittasi
    9. marrask.

    I always learn so much listening to 's lectures -- now she's talking to our class about concrete poetry

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  19. 11. marrask.

    We’ll be posting more research about artists as the class progresses! Learn more about Recreating the Past here:

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  20. 11. marrask.

    Sharif's 'Semi-Systems' was influenced by Constructivist drawings and Fluxus in the early 1980s. This approach of repetition and variation was applied to a series of geometric and linear drawings, using arbitrary mathematical rules.

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