Brigitte is passionate about all things spanning culture, arts, handicraft, traditions, fashion and, of course, copyright law and policy. She gets a kick out of tackling the fuzzy legal and policy issues that stand in the way of access, use, re-use and remix of culture, information and knowledge.
Before joining CC, she worked for a decade as a legal officer at WIPO and then ran her own consultancy, advising Europeana, SPARC Europe and others on copyright matters.
Currently located in the Netherlands where she lives with her husband and two kids, Brigitte grew up living in eight different countries across North America, Africa and Europe but Montréal is where she proudly comes from.
Brigitte is a fellow at the Canadian think tank Centre for International Governance Innovation. She holds a bachelor’s degree in law from the Université de Montréal and a master’s in law from Georgetown University. She has been a member of the Bar of Quebec since 2003.
Photo credit: Victoria Heath CC BY 4.0
This month, UK Research and Innovation (UKRI) shared its new open access policy. This new policy is a welcome initiative that will increase opportunities for the findings of publicly funded research to be accessed, shared and reused. As part of our work supporting efforts in the creation, adoption and implementation of open access policies with … Read More “UKRI just released its open access policy”
Last year, six projects were carried out thanks to funding made available to the Creative Commons Copyright Platform members to drive policy issues affecting the open movement. In this blog post, we’re glad to share the engaging, inspiring articles the project lead wrote on CC’s Medium publication We Like to Share. Preparing Bulgarian GLAMs for … Read More “CC Copyright Platform Members Share the Stories of Their Projects”
Following our recent announcement of a major grant from Arcadia to advance open access at galleries, libraries, archives, and museums (GLAMs), we’re excited to officially launch Creative Commons’ Open GLAM program. In this post, we share an overview of the program’s rationale and briefly introduce our key program areas. ——— GLAMs’ public interest mission, rooted … Read More “We’re Launching the CC Open GLAM Program”
Throughout 2021, four working groups of the Creative Commons Copyright Platform are undertaking an exploration of policy issues affecting the open ecosystem, in line with the Creative Commons 2021-2026 strategy. In this blog post, we present the four working groups and introduce you to their leads. Generally, the Platform is a space for copyright and … Read More “Four Creative Commons Working Groups Will Explore Policy Issues. Meet Their Leads!”
It’s International Museum Day and at Creative Commons (CC) we are thrilled to once again celebrate the institutions that acquire, conserve, research, communicate, and exhibit the world’s heritage for education, study, and enjoyment. This year’s theme is The Future of Museums: Recover and Reimagine and in this blog post, we imagine a future where museums … Read More “The Future of Museums Is Open”
On 29 January 2020, the Canadian federal government introduced Bill C-4, “An Act to Implement the Agreement between Canada, the United States of America and the United Mexican States” (CUSMA).1 The bill includes a proposal to extend copyright’s term of protection2 by 20 years, moving it from “life of the author + 50 years” (the … Read More “Our Response To Canada’s Copyright Term Extension Consultation”
Developments in artificial intelligence (AI) raise several questions when it comes to the use of copyright material and Creative Commons-licensed content in particular.1 One of them is whether CC-licensed content (e.g. photographs, artworks, text, music, etc.) should be used as input to train AI. To get a sense of the various views on this question, … Read More “Should CC-Licensed Content be Used to Train AI? It Depends.”
We at Creative Commons (CC) have long disagreed with the use of digital rights management (DRM) and technological protection measures (TPMs) in the open environment. We believe that DRM and TPMs should not be used to control, limit, prevent or otherwise affect activities and uses allowed under CC licenses’ terms. Plainly, DRM and TPMs are … Read More “We’re Against Digital Rights Management. Here’s Why.”
On November 2 and 3, 2020, Creative Commons (CC), the European Fashion Heritage Association (EFHA) and the Onassis Foundation held the online symposium: Is Sharing Always Caring? Bringing together 250 participants from 38 countries on four continents— from museum professionals to fashion design students all the way to big fashion brands—the event was an opportunity … Read More “Can Open GLAM Reshape the Fashion Heritage Narrative?”
Four years ago today, the Marrakesh Treaty entered into force. The Treaty is truly special in the international copyright law universe: it has a clear humanitarian and social development dimension and it’s the first international treaty that focuses on the beneficiaries of limitations and exceptions, rather than on the rights of creators or holders of … Read More “Implementing the Marrakesh Treaty in Latin America: A Look at the Experiences of Four CC Community Members”
