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Sony SEL2470GM E-Mount Camera Lens: FE 24-70 mm F2.8 G Master Full Frame Standard Zoom Lens

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221 ratings

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Brand	Sony
Lens Type	Standard
Compatible Mountings	ALC-SH141
Max Focal Length	105
Min Focal Length	36

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SONY EMOUNT LENS: 35mm full frame format, instant auto / manual focus selection, focus hold button. The minimum focus distance is 0.38 meters
NATURAL, LIFELIKE IMAGERY: ED and Super ED glass elements deliver breathtaking texture and detail
REDUCED ABERRATION: Two aspherical elements and an extremely precise XA element maximize resolution
9 BLADE APERTURE: SEL2470GM lenses have a 9 blade circular aperture for a gorgeous book effect
NANO AR COATING: Allows for accurate light transmission to improve clarity, contrast and quality
SPECS: Aperture range f/2.8 to f/22, min focus distance 1.24 feet , max magnification ratio 0.24 x
MORE SPECS: Angle of view 84-34 deg. (APS-C 61-23 deg.), 35 mm equivalent focal length 36-105 mm

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From the manufacturer

Sony FE 24-70 mm F2.8 GM Lens

The standard zoom redefined

Constant F2.8 24-70mm zoom with an unprecedented union of high resolution and creamy bokeh.

A new era of standard zoom performance

No-compromises design and technology in a new constant F2.8 zoom lens that can fully utilize the performance potential of current and future high-resolution camera bodies.
Unprecedented resolution and detail

An XA (extreme aspherical) element with superlative surface precision works with ED elements for extraordinary resolution that can capture breathtaking texture and detail.
Bright, fast F2.8 at any focal length

Keep exposure settings constant throughout the zoom range to maintain low-light capability or action-stopping shutter speeds with consistently spectacular image quality.
Precise focus at blazing speed

Direct Drive SSM (DDSSM) minimizes spurious motion while refined algorithms enhance AF operation speed. Smooth and quiet for movies as well as stills.
Professional lens control features

A focus mode switch, focus hold button, and zoom lock switch provide professional control for a wide range of shooting situations.

Compare with similar items

		Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2)	Sigma 24-70mm F2.8 DG DN Art Sony E Mount 578965	Sony - FE 50mm F1.8 Standard Lens (SEL50F18F), Black	Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens (SEL1635GM), Black	Sony FE 20mm F1.8 G Full-Frame Large-Aperture Ultra-Wide Angle G Lens, Model: SEL20F18G

Customer Rating	(221)	(270)	(237)	(2731)	(107)	(179)
Price	$1,998.00	$1,098.00	$1,029.00	$198.00	$1,998.00	$798.00
Sold By	PhotoCraft -- District Camera and Imaging	Amazon.com	ASAP Photo & Camera	Intro Gallery	Amazon.com	Amazon.com
Color	Black	—	Black	Black	Black	—
Compatible Camera Mount	ALC-SH141	Sony E	Sony E	Sony FE	ALC-SH149	Sony E
Focus Type	Manual Focus	—	Autofocus	Autofocus	Autofocus	Autofocus
Item Dimensions	8.30 x 5.00 x 5.50 inches	4.50 x 3.38 x 4.72 inches	4.88 x 3.43 x 3.43 inches	2.70 x 2.34 x 2.70 inches	4.88 x 3.50 x 10.00 inches	7.75 x 4.50 x 4.25 inches
Item Weight	1.95 lbs	2.25 lbs	1.83 lbs	6.56 ounces	1.50 lbs	0.82 lbs
Lens Type	Standard	Standard	Standard	Standard	Wide Angle	Wide Angle
Maximum Aperture	f/2.8	4 millimeters	2.8 millimeters	f/1.8	f/2.8	1.8 millimeters
Maximum Focal Length	105	105 millimeters	70 millimeters	50 millimeters	35	20 millimeters
Minimum Aperture	22	22 millimeters	22 millimeters	22	22	22
Minimum Focal Length	36	24 millimeters	24 millimeters	50 millimeters	16	20 millimeters
Photo Filter Thread Size	82 millimeters	—	82 millimeters	49 millimeters	—	—

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Product description

Style:Lens

The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. Built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range. ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies.

Product information

Style:Lens

Product Dimensions

8.3 x 5 x 5.5 inches

Item Weight

1.95 pounds

ASIN

B01BESQYJW

Item model number

SEL2470GM

Customer Reviews

221 ratings

4.6 out of 5 stars

Best Sellers Rank

#58 in SLR Camera Lenses

Is Discontinued By Manufacturer

Date First Available

February 3, 2016

Manufacturer

Sony

Technical Specification

Warranty & Support

Product Warranty: For warranty information about this product, please click here

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Customer reviews

5 star		86%
4 star		1%
3 star		3%
2 star		2%
1 star		7%

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Top reviews from the United States

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Scott Stevenson

Zoom lens with prime-like image quality

Reviewed in the United States on April 12, 2016

Style: LensVerified Purchase

I use primes almost exclusively. I generally only use zooms for interview videos or walkaround videos. For those cases, I've mostly used the Sony/Zeiss 24-70 F4 FE up to now. For all other cases, such as portraits, landscapes, and artistic videos, I've used primes because I'd rather have the best possible look than the convenience of a zoom. This 24-70mm f/2.8 is the first zoom on the Sony system that I'm comfortable using for almost any scenario. It is ridiculously sharp, and renders images beautifully. It focuses extremely quickly and silently on the a7rII. I can easily recommend it.

If you're trying to decide between this and one or two primes like the Sony/Zeiss 55mm f/1.8 or the 35mm f/1.4, a few thoughts:

- The primes capture far more light, which means cleaner/shaper pictures because you can use lower ISOs and faster shutter speeds.
- The primes have better background blur. Blurry backgrounds are generally better for portraits.
- Individually, the primes are cheaper and smaller. But with two primes, it's less clear.
- The primes probably still have better quality overall, but it's very close.

If your goals are more artistic and you have time to swap lenses, you'll probably be happier with the primes. If you just want to able to document events or life as it happens, this zoom may be the best choice.

289 people found this helpful

Helpful

The 9th WonderTop Contributor: Photography

the pictures are so good that my co-workers have asked me to share the ...

Reviewed in the United States on April 16, 2017

Style: LensVerified Purchase

First of all, the pictures are so good that my co-workers have asked me to share the details of my new lighting setup. All I did was replace the Sony A7II kit lens with this lens and started shooting with it rather than my Canon T4i with the 17-55mm f/2.8 lens. It's nice and sharp.

I usually shoot at f/2.8 or all the way up to f/16. One thing that I noticed is that the color of the image completely changes when I switch to f/16 and the distortion is completely out of hand on the edge of the frame.

For this reason, I'm waiting for the new Sigma 24-70mm f/2.8 Art lens to be released. My experience with Sigma Art Lenses is that there is minimal distortion. We'll see.

However...

One unexpected, absolute win that will make it hard for me to ever give up this lens, is the custom button. It's sped up my workflow. Cut my shooting time in half. That one extra button has allowed me to set up all the features I use so that I don't have to deal with the nightmarish menus system at all during a shoot. I've now got all the patterns memorized so that I can change the focus type/points without looking at the camera.

Since the Sigma won't have that, it may add too much time to my shoots.

Another benefit is the focusing. I've owned both the Sony A7II and the A6300 (which I sold as a favor, it is a great camera). The issue I had with both camera's and their kit lenses is that the focus was wildly inconsistent. The camera's would totally whiff many times in a row and I had to take way more pictures than needed to insure that I had a enough shots. There were pictures where literally nothing in the shot was in focus.

The G Master hasn't done that yet and I've taken 3000 - 5000 pictures with it. The lens is great.

Pros:
-Stunning image quality
-Accurate focus
-Nice out of focus areas - haven't seen the bokeh balls yet, but I like the way the background melts away and the subject is isolated
-Feels solid
-Custom button - my favorite feature

Cons
-Heavy - Called one reviewer a whimp for complaining that you wouldn't be able to go fifteen minutes with this lens before your arms wearing out. Well, I lasted about six hours over the course of two days before my arms were burning. I'm used to the weight now, but my arms were on fire by the end of that second day.
-Distortion - At f/16 the distortion is just ridiculous on the edges of the frame. I now know to keep everything in the center and crop. The correction in Adobe Lightroom and Capture One is totally unacceptable. Compared to the Sigma 18-35mm f/1.8 Art or the Canon 17-55mm f/2.8, the distortion is absurd.
-Crazy Colors - I've literally taken shots back to back, no setting change, and seen a color shift in the image. Boggles my mind. The color shift that occurs when switching from f/2.8 to f/16 is acceptable, because I use mixed lighting all the time, so I just re-balance the color. When there's a shift without changing the settings or moving, however, I just don't understand that.

53 people found this helpful

Helpful

The Opinionated Realist

Everything People Say It Is And More!

Reviewed in the United States on September 7, 2018

Style: LensVerified Purchase

Sony has really set a new precedent with their GM glass and this really showcases it. They've somehow figured out how to encapsulate all of the desirable optical qualities you'd get with a very good prime into a zoom.

Previously, I wouldn't have even considered shooting a zoom for anything really important, but this lens changed all that. Even the bokeh is pleasant and very usable.

It's great not having to lug 5 lenses around with me everywhere I go and risk getting dust on the sensor when I'm changing them. It's also refreshing having the freedom to focus solely on the photography side of things without having to worry about the equipment.

I've heard people call this lens heavy, and it's no lie. It is is among the heavier ones I've used. You can feel the quality of its construction in it's sheer density and mass. With the grip, it's not badly balanced, but without it, I don't know how I would manage it. That's really the only caveat that comes with this lens that I've found so far - you've got to possess the strength to wield it.

Autofocus is very fast on my A7rii, but insanely fast on the A7riii. the colors are very nice, a bit on the cool side, which I prefer, and contrast is excellent. It's also a very sharp lens, even at f/2.8.

I also own the 28-105mm G now and I'd say this one is a bit better optically, at least to my taste. If being able to push the bokeh further and having that extra 1.2 stops of light matters to you, I'd go with this one. If having the extra range and a slightly lighter lens is a top priority, then opt for the 70-105. Or you can always buy both of them, because they're both amazing in their own ways. Lol

10 people found this helpful

Helpful

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michael harrison

not cheap

Reviewed in the United Kingdom on November 18, 2018

Style: LensVerified Purchase

strong hands & arms will help you!

deepforest

Perfect for almost everything

Reviewed in Canada on September 2, 2020

Style: LensVerified Purchase

The lens is great. Glad that I didn't get the Sigma version. The lens isn't cheap but neither are the competitors variants (Nikon and Canon). Not the sharpest lens in the world, but this is expected with so much glass inside of it. I personally don't care about sharpness that much, but if you do, you may want to check out Sony primes instead. But the fact that it's 24 and 70 and everything in between is amazing versatility. What I do care is how well autofocus works, and it's excellent on A7iii! So, everyone will say that this lens is big and heavy. Well there is really no way around it given the range, the aperture and the fact that it's full-frame. Last time I checked the laws of physics have not been changed. So, you will find the same situation with competitors' variants. The zoom is perfect for almost all applications. For whatever it cannot do, there is the 70-200mm version.

2 people found this helpful

Very nice lens but also expensive

Reviewed in Canada on August 3, 2020

Style: LensVerified Purchase

I think lots of websites can give you a very detailed review with quantifiable metrics to explain how sharp it is compared to other lens. Rationally, the incremental performance doesn't outweigh the incremental price. But for me, I just want to take the best photos my A7 mark iii can take. If you only have one opportunity to take that photo, you don't want to regret because you compromised on the lens.

One person found this helpful

Ron

Best Sony Lens

Reviewed in Canada on August 20, 2020

Style: LensVerified Purchase

I bought this lens to match my new A7R4. It is a perfect match and the most versatile. On the heavy side. But it feels very substantial and solid made. It covers city and landscape shooting, and meets 90% of the needs. If I bring just one lens on my camera and take a drive around town or nearby cities, it is this lens. If I have the appetite to carry more lenses, there will be lots of choices but they all come after this lens! Sigma 24-70? A good replacement, mostly for its price! Nothing can beat this 24-70 f/2.8 G Master!

jorge

Una lente brutal

Reviewed in Spain on September 25, 2020

Style: LensVerified Purchase

Si bien la he tenido que devolver porque venía abierto el paquete y con un ligero problema en el enfoque, lo he vueto a comprar y es una bestia en cuanto a rapidez y enfoque. Nítido a rabiar, versátil y buen contraste. Lo peor que tiene es el peso, pero es una lente bien construida, zoom y con f2,8, lo cual es normal que tanto cristal nos lleve a este peso. Muy recomendable para casi todo

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Sony SEL2470GM E-Mount Camera Lens: FE 24-70 mm F2.8 G Master Full Frame Standard Zoom Lens

About this item

Buy this product as Renewed and save $253.05 off the current New price.

Frequently bought together

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Have a question?

From the manufacturer

Sony FE 24-70 mm F2.8 GM Lens

The standard zoom redefined

A new era of standard zoom performance

Unprecedented resolution and detail

Bright, fast F2.8 at any focal length

Precise focus at blazing speed

Professional lens control features

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