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Sony Alpha a6500 Mirrorless Digital Camera w/ 2.95" LCD (Body Only)
Price: | $1,499.00 & FREE Shipping |
Brand | Sony |
Model Name | Sony Alpha A6500 |
Shooting Modes | Hi continuous shooting |
Optical Sensor Size | APS-C |
Compatible Mountings | Sony E |
About this item
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- 24.2MP APS-C Exmor sensor w/ advanced processing up to ISO 51.200
- Wide 425 phase detection AF points, Fast 0.05 sec. AF acquisition
- 5-axis in-body image stabilization steadies every lens. Silent Shooting. Noise Reduction :Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off
- 11fps continuous shooting to 269 frames at 24.2MP w/ AE/AF tracking
- 4K movie w/ 2.4x oversampling4, full pixel readout, no pixel binning
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From the manufacturer
Sony α6500 Mirrorless Interchangeable-lens Camera
24.2 MP Exmor CMOS sensor with world’s fastest AF speed1 (0.05 sec.) and highest number of phase detection AF points2 (425). In-camera 5-axis optical image stabilization for every lens and enhanced AF features including intuitive and immediate touchscreen AF operation. 4K movie recording3 and pro video features including 2.4x oversampling4 with full pixel readout and no pixel binning, S-Log3/S-Log2, S-Gamut and gamma assist and more.
Features
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24.2MP of imaging innovationThe newly developed 24.2 MP (approx. effective) APS-C Exmor CMOS sensor features copper wiring and enhanced circuit processing that reduces the depth of the wiring layer to boost light collection efficiency. In conjunction with the BIONZ X image processor and new front-end LSI, it significantly minimizes noise throughout a wide sensitivity range of ISO 100-512005. Additionally, the front end LSI and highly conductive copper in the circuitry, accelerates readout speed to support high speed shooting with minimal lag, 4K movie recording3 with full pixel readout without pixel binning, Full HD 120fps shooting and 14-bit RAW output for still images. |
4D FOCUS w/ world’s fastest autofocus1 with world’s most2 AF pointsThe α6500’s unrivaled 4D FOCUS system boasts the world’s fastest autofocus (AF) acquisition time1 that can lock focus on a subject in as little as 0.05 seconds. It also has the world’s highest number of focal plane phase detection AF points2 - an incredible 425 - that are densely positioned over 84% of the image area. Moreover, the α6500 can capture full resolution 24.2MP images at up to 11 frames per second with continuous autofocus and exposure tracking. The α6500 takes full advantage of its enhanced fast hybrid AF for movies in both HD and 4K3. |
Touch AF for stills/video with touchpad operation when using EVFThe new touchscreen operation vastly enhances focus capabilities for intuitive and immediate focus response. Simply select a focus point anywhere on the LCD for fast and accurate AF response. When using the electronic viewfinder, simply shift focus points by using the LCD as a touchpad and dragging your finger to the desired subject point. Touching the LCD screen during movie recording allows for smooth focus point shifts. |
Features
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4K movie recording3 and pro video featuresThe α6500 offers internal 4K recording3 in Super 35mm format with full pixel readout, no pixel binning and 2.4x oversampling4 for the ultimate movie quality. By collecting 20 megapixels (6K equivalent) of information from the full width of the sensor, which is approximately 2.4x as many pixels as 4K, the α6300 then oversamples the information to produce high quality 4K footage with exceptional detail and depth. Additional professional video features include; S-Gamut3/S-Log3 and Gamma Display Assist, the ability to record Full HD at 120 fps for 4x or 5x slow motion HD video7, both a mic jack and XLR compatibility via the MI shoe, enhanced Zebra functionality, focus peaking, picture profile settings, as well as Time Code / User Bit, clean HDMI output and much more. |
First 5-axis in-body image stabilization in an E-mount cameraFor the first time, the 5-axis SteadyShot INSIDE image stabilization system is used in an APS-C E-mount camera while maintaining a compact lightweight body. It accurately compensates for blur caused by camera shake – for up to 5-stops12 - from five different directions: vertical, horizontal, pitch, yaw and roll. This means that any lens attached to the α6500 will benefit from images stabilization, whether the lens has its own image stabilization or not. The 5-axis image stabilizing system excels during video recording and even compensates for blur caused by the photographer walking or running. You can even monitor the stabilizing effects of camera shake compensation in the viewfinder or LCD screen while shooting by pressing the shutter button halfway or magnifying the image, and while shooting movies by entering movie mode. |
Ultra-fast OLED w/ EVF benefits and optical viewfinder immediacyThe 2.36 million-dot XGA OLED Tru-Finder electronic viewfinder has the ability to deliver continuous live shooting at up to 8 fps with AF/AE tracking - making it easy to track fast moving subjects - thanks to overall improvements in the EVF algorithm. This offers photographers a shooting experience with the immediacy of an optical viewfinder, while still offering all of the benefits of an electronic viewfinder including a live preview of exposure, white balance and several other camera settings. This continuous live view shooting can be set in 3 stages to match a variety of subjects: 8 fps, 6 fps and 4 fps. |
Features & Notes
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Professional rugged body and durable shutter mechanismDesigned for solid reliability and steady handling, the α6500's compact body is built to withstand the rigors of shooting in the field, thanks to an internal structure of the strong and rigid magnesium alloy body. Sealing around the main buttons, dials, ports and doors are dust and moisture resistant9 with a double-layered structure that enhances sealing effectiveness at all camera body openings including the media compartment and terminal area. The highly durable and reliable shutter unit has been proven to endure approximately 200,000 shutter releases10 which ensure long-lasting shooting performance that takes into consideration the high-speed continuous shooting capabilities up to 11fps and the large number of photos shot by enthusiasts. |
Compatibility with wide-ranging mountable lensesHybrid AF and 5-axis image stabilization lets you enjoy unparalleled handheld shooting freedom with more of your favorite mountable lenses. The short flange-back distance in the E-mount α6500 extends compatibility with a range of Sony A-mount lenses11 and other lenses. Note: When using a third-party mount adaptor, performance, functionality and operation are not guaranteed and Sony will take no responsibility if a malfunction occurs. |
Recommended Accessories & FootnotesRecommended Accessories: Battery NPFW50. Charger BCTRW. Flash HVLF43M. Microphone ECMGZ1M, ECMXYST1M. Screen protector PCKLM17. Jacket case LCSEBG. Case LCSU21. Footnotes: 1 Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of October 2016, based on Sony research, measured using CIPA-compliant guidelines, and internal measurement method with an E PZ 16-50mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use. 2 Among digital cameras as of October 2016, based on Sony research. 3 SDHC/SDXC memory card of Class 10 or higher is required for movie recording in XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps recording. Movie recording is possible for approximately 29 minutes. 4 In 24p recording. Approx. 1.6 times in 30p recording. 5 Standard ISO range: 100-25600 for stills and movies. Expandable up to ISO 51200 for stills only. 6 With 'Hi+' continuous shooting mode and 'Fine' image quality. 7 Sound cannot be recorded during S&Q. SDHC/SDXC memory card of Class 10 or higher is required. Full HD up to 50 Mbps; 60x quick motion/5x slow in NTSC and 50x quick motion/4x slow in PAL. 8 Requires pairing with compatible Anroid or iOS mobile devices running the free PlayMemories Mobile app. For GPS pairing, Android 5.0 or later and compatible with Bluetooth 4.0 or later. iPhone/iPad: iPhone 4S or later/iPad 3rd generation or later is required. 9 Not guaranteed to be 100% dust and moisture proof 10 With the electronic front curtain shutter, under internal test conditions of Sony. 11 A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu. 'Phase-detection AF' is not available during movie shooting. AF-C in AF System menu is available only with 'Contrast-detection AF' selected, but no motion tracking is performed during continuous shooting (Hi+, Hi, Mid). 12 Based on CIPA standard. Pitch/yaw shake only. With Sonnar T FE 55mm F1.8 ZA lens mounted. Long exposure NR off. 13 When Anti-flicker Shoot.is ON. Flicker detection at 100 Hz or 120 Hz only. Continuous shooting speed may decrease. Does not function during bulb exposure or movie recording. |
Compatible Models
SEL2470GM/SEL1635GM/SELP18105G/SEL24105G/SEL85F18/SEL35F18/SEL70200GM/SEL50F18F/SEL100400GM/SEL55F18Z/SEL50F18/B/SEL2470Z/SEL70300G/SEL85F14GM/SEL1018/SEL18135/SEL1635Z/SEL70200G/SEL28F20/SEL90M28G/SEL1224G/SEL24F14GM/SEL24240/SEL35F14Z/SEL35F28Z/SEL135F18GM/SEL55210/SEL55210/B/SEL50F14Z/SEL1655G/SEL70350G/SEL35F18F/SEL200600G/SEL600F40GM
BC-QM1/BC-TRW/NP-FW50/HVL-F20M/HVL-F32M/HVL-F43M/HVL-F45RM/HVL-F60M/HVL-F60RM/HVL-LE1/HVL-LEIR1/ECM-AW4/ECM-CG60/ECM-GZ1M/ECM-W1M/ECM-XYST1M/XLR-K1M/XLR-K2M/XLR-K3M/RM-SPR1/RM-VPR1/VCT-MP1/VCT-VPR1/LCS-BBF/LCS-BP2/LCS-BP3/LCS-EBG/LCS-SC21/LCS-SC8/LCS-U11/LCS-U21/LCS-U30/ADP-MAA/ALC-B1EM/AC-PW20/HVL-MT24AM/HVL-RL1/AC-UD11
Depending on the model, the operation may be restricted or additional accessory products may be required. Please refer the manufacture site for details.
SEL-P18105G | SEL1670Z | SEL-P18110G | SEL-1018 | SEL-70200G | SEL-70300G | |
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E mount Lens | E PZ 18–105 mm F4 G OSS | Vario-Tessar T* E 16-70 mm F4 ZA OSS | E PZ 18–110 mm F4 G OSS | E 10–18 mm F4 OSS | FE 70-200 mm F4 G OSS | FE 70-300mm F4.5-5.6 G OSS |
NP-FW50 | BC-TRW | ECM-XYST1M | ECM-AW4 | RM-TDSLR2 | HVL-F45RM | |
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Accessory Type | Battery | Battery charger | Microphone | Microphone | Remote Commander | Flash |
Product name | W-series Rechargeable Battery Pack | Travel charger for W-series battery | Stereo Mic For Multi-Interface Shoe | Wireless Microphone | Wireless Remote Commander | External Flash with Wireless Radio Control |
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Customer Rating | 4.7 out of 5 stars (237) | 4.6 out of 5 stars (1230) | 4.7 out of 5 stars (667) | 4.7 out of 5 stars (227) | 4.8 out of 5 stars (349) | 4.8 out of 5 stars (909) |
Price | $1,499.00 | $648.00$648.00 | $998.00$998.00 | $1,398.00 | $1,098.00 | $1,698.00 |
Sold By | Willoughby's Established 1898 | Amazon.com | Dodd Camera | Amazon.com | Amazon.com | Amazon.com |
Screen Size | 2.95 inches | 3 inches | — | 3 inches | 3 inches | 3 inches |
Has Image Stabilization | Yes | Yes | No | Yes | Yes | Yes |
Item Dimensions | 15.70 x 2.80 x 2.13 inches | 4.72 x 1.77 x 2.64 inches | 6.20 x 9.20 x 4.55 inches | 4.70 x 2.70 x 2.70 inches | 9.45 x 5.67 x 4.53 inches | 5.00 x 3.88 x 3.00 inches |
Item Weight | 0.91 lbs | 0.76 lbs | 2.05 lbs | 1.11 lbs | 1.60 lbs | 1.44 lbs |
Optical Sensor Resolution | 2 megapixels | 24.3 megapixels | 24.2 megapixels | 24.2 megapixels | 24.2 megapixels | 24.2 megapixels |
Optical Zoom | 1x | 3x | 3.00x | 0 | 0 | 1x |
Photo Sensor Size | APS-C | APS-C | APS-C | APS-C | APS-C | Full Frame (35mm) |
Video Capture Resolution | 2160p | 1080p | — | 2160p | 2160p | 2160p |
Viewfinder Type | Electronic | Electronic | LCD | Electronic | Electronic | Electronic |
Product description
24.2 MP Exmor CMOS sensor with world’s fastest AF speed (0.05 sec.) and highest number of phase detection AF points (425). In-camera 5-axis optical image stabilization for every lens and enhanced AF features including intuitive and immediate touchscreen AF operation. 4K movie recording and pro video features including 2.4x oversampling with full pixel readout and no pixel binning, S-Log3/S-Log2, S-Gamut and gamma assist and more. Flash control - Built-in flash
Product information
Style:Body Only | Configuration:BaseProduct Dimensions | 15.7 x 2.8 x 2.13 inches |
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Item Weight | 14.6 ounces |
ASIN | B01M586Y9R |
Item model number | ILCE-6500/B |
Batteries | 1 Lithium Polymer batteries required. (included) |
Customer Reviews |
4.7 out of 5 stars |
Best Sellers Rank |
#26,467 in Electronics (See Top 100 in Electronics)
#65 in Mirrorless Cameras |
Is Discontinued By Manufacturer | No |
Date First Available | October 10, 2016 |
Manufacturer | SOAB9 |
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The answer is IBIS, and not much more, everything else is just small improvements that are nice to haves but not game changers. IBIS is a game changer. The specs between the two cameras are almost identical. Same 425 PDAF AF system, same 11fps shooting, same 24MP sensor. In fact the image quality of the two cameras are identical - the same noise at the same ISO levels. The big thing here is IBIS, in-body stabilization that compensates for camera shake and hand movement. IBIS is simply PHENOMENAL. It lets you takes photos slower than 1/30 handheld easily. Nightime shots that would normally result in smeared lights and ghosting double images are now significantly reduced. You can shoot confidently handheld almost anywhere and even shoot when not standing statue still. IBIS lets you get low light shots that are typically reserved only for full frame users. I'm always getting the side-eye from other Canon/Nikon photographers with their gear perched on tripods when doing long nighttime exposures in popular spots. They think I'm never going to get the shot, but the jokes on them because I did it hand-held with no heavy tripod!
The other improvement is a new front-end LSI. It's a fancy name for a faster processor. The LSI gives you a bigger buffer so you can shoot at 11fps continuously longer. If you're an action photographer that shoots in fast bursts then you are less likely to miss a shot. The camera is also a bit snappier with menus and you can also review shots quickly with less lag. Overall, I'm not doing 100+ images at a time so this really doesn't help me much, but that's not to say it's not useful to someone else. If you're a sports photographer or trying to capture running children who won't stay still you can happily spray and pick the few good ones afterwards.
They also moved the C1 and C2 buttons to a more reachable location on the top and the C2 is now a C3 button. These are small but welcome changes to offer more versatility in assigning them to useful options like eye-focus.
Finally, there's the touchscreen, unfortunately it's not well implemented. So far all of Sony's touch-screen additions into their cameras have been kind of an afterthought. The idea of a rear screen touch-assist focusing is great idea - you can use your thumb to change AF points instead of using clunky buttons to change zones and locations. However in practice, the touchscreen is too hard to use. First, if you shooting via the viewfinder, most likely you are shooting with your left eye. Some people shoot with their right, but I find you are not properly centered with the camera's mass (especially with a heavy lens). As a typical left-eye shooter, your nose will be touching the rear LCD and will cause unnecessary focus touches. I had so many aggravating moments with the AF changing and going everywhere before I realized it was my own nose messing things up. You can have the option of limiting the right side of the screen for touch so you can use your thumb to recompose while shooting, however the placement is still awkward and your nose will still cause miss-touches. I ended up turning the touchscreen off altogether, which in the end made the touch screen feature essentially useless.
Ultimately, the only thing you are paying for is the IBIS because image quality really hasn't changed. The A6500 isn't really much of a successor over the A6300, it should have been a replacement. Yet Sony sells this above the A6300 at an very inflated price. Really, most people buying this are professionals who own a full-frame A7ii/rii/sii camera and want a smaller more portable backup camera. Or you are an advanced professional that do not want to go up to the full frame size and expense. In the end it all comes down to the IBIS, it's the only big boost to image quality because it lets you get shots you normally wouldn't get. If you're just looking for a great pocketable mirrorless camera, get the A6300 and use the extra money for some nice lenses with OSS. That will generally make up the difference with the lack of IBIS. However if you absolutely must have the best or are going to adapt Canon or manual lenses, then in-body stabilization will make up for when there's no in-lens optical stabilization.
Edit, one last thing: Another gripe I have with this camera is that for the price, I would really like 1/8000 shutter speed. The max for this camera is 1/4000 - which with a f1.4 lens on a sunny day, will blow out all highlights easily even at 100 ISO. I discovered this while doing portraits with my 85mm f1.4 GM and everything was blown out. Owning an f1.4 lens lets you create beautiful artistic photos with amazing bokeh and subject isolation. However you can't use a f1.4 lens unless you have an ND filter to reduce light. Additionally the lack of 1/8000 shutter speed keeps this camera from being a pocket action camera with huge burst speeds. This was never a problem with any of the Sony full frame lines.
****If this review was helpful, please give me a vote! Thanks! :)
In-body stabilization - this will add extra stabilization if you already have stabilized lenses, and it will provide stabilization for lenses that don't have it already. This is important for those of us who do photography or video with vintage lenses or high quality lenses without stabilization, like the Sigma Art series.
Big buffer - The a6300's buffer isn't small, but the camera waits to write to the card after a burst of shots. So for sports photographers, the new, larger buffer and the no-wait features are nice. You can review or continue to shoot while the camera writes to the card.
Overheating - It isn't so much that Sony "fixed" the heat problem... instead they provide a means of "living with" the heat the camera generates. As such, there are fewer scenarios in which this camera will shut down due to overheating vs the a6300.
The touchscreen is underwhelming in photo modes, it engages too slowly to be useful. In video mode it works, but not quite like you'd want. You can, technically, get it to focus on a subject and then track the subject, but making that happen is a chore. Most will find it difficult enough to use the default way. Sony needs to spend a bit more time on this.
All that said, the camera is almost identical to the a6300 in terms of quality and normal operation. There is an extra custom button, which is nice. The grip is a little deeper, which is nice. The rolling shutter is still absolutely awful in video or silent shooting modes.
With the exception that it is not full-frame, it is the first mirrorless camera that has the features needed to satisfy DSLR snobs (I know, I switched from Canon).
PS - If this review helped, or if you're just bored and enjoy clicking things - could I trouble you for a "Yes" vote below?
Top reviews from other countries
Seller: Proaudiovideo
Things I like:
the autofocus
the video recording capabilities from 4k to 1080p at 120fps
the picture profiles such as slog2 that will be useful at times for landscapes
the touch screen for focusing
the in body stabilization system
the electronic viewfinder
and much more
Cons
at the moment the only thing I dislike is the fact the screen isn't fully articulating
Reviewed in Canada on December 25, 2016
Things I like:
the autofocus
the video recording capabilities from 4k to 1080p at 120fps
the picture profiles such as slog2 that will be useful at times for landscapes
the touch screen for focusing
the in body stabilization system
the electronic viewfinder
and much more
Cons
at the moment the only thing I dislike is the fact the screen isn't fully articulating
However, being a vlogger myself, I am really disappointed in Sony for not including an articulated screen that can flip out/up to the front. They gave the much cheaper a5000 and the a5100 this feature, and I may have even gone for those had they been capable of shooting in 4K...
-I've taken it to a hot summer July in the badlands, filming slow motion and 4K and I never experienced any overheating issues.
-I've handled the A6000 of a friend, and it's simply a fragile version of the beast of A6500's build quality.
-Closest borderline to Sony's A7 lineup, unless they release an A6700.
-I love the Hi+ Shutter Drive Speed for sports/fitness photography. It has definitely saved me from catching the right moment.
-I also bought this with an NP-FW50 RAVPower Camera Battery Charger Set (Charger + 2 Batteries) to prolong my 6-hour day shoot of both sports/fitness photography and fitness videos for Instagram.
-Rolling Shutter: 4K is noticeable. 1080p not so much.
-However, the 6K supersampling to 4K really shows the detail of every strand of hair.
This will be a good additional to the equipment line up.
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